Video: "Here and Now" - Renee & Jeremy (World Premiere!)

Whole Lotta Love album cover

Whole Lotta Love album cover

It’s been awhile since we’ve heard from the Southern California duo Renee & Jeremy. While both Renee Stahl and Jeremy Toback made music in the meantime, particularly Renee with a couple of well-received albums with a series of musical partners (including Toback) under the Renee & Friends moniker, it’s been nearly a decade since the duo last released an album together.

But the memories of parents sitting in quiet rooms with their young ones don’t fade easily. Their first two albums in particular — It’s a Big World and C’mon — were in constant rotation in Little Boy Blue’s preschool years in the Zooglobble household. Those albums were followed in 2012 by a holiday-themed album and an album of covers called A Little Love which showcased the duo’s lovely harmonies on often surprising arrangements of modern classic pop and rock songs.

Luckily for those families with long memories (and for families who might not have even been families nine years ago, R&J are back with a new album next week! It’s called Whole Lotta Love and it’s the spiritual successor to A Little Love as it’s another album of (almost entirely) covers. I’ve enjoyed their first two singles from the album, their versions of the Pixies’ “Where Is My Mind?” and Guns ‘n’ Roses’ “Sweet Child ‘O Mine” (the latter a refreshingly different take on the song), and judging by the YouTube comments (I know, never read the comments), their are lots of families who are eager for the duo’s return.

Renee Stahl and Jeremy Toback standing in a field

Renee Stahl and Jeremy Toback standing in a field

The new album dips from the same well of intriguing covers A Little Love dipped from, with a cover of MGMT’s “Kids,” for example, sitting alongside one of Sly and the Family Stone’s “Everyday People.” (I particularly enjoyed the leadoff track, a take on INXS’ “Don’t Change.”)

But there’s one original song on the album, “Here and Now,” and I’m glad I get to world premiere the video for that song. The song itself considers the impermanence of things and the importance of being present. (It’s not a Buddhist song… but I think a lot of Buddhists would recognize many of the concepts here.) The video, directed by Ron Hamad, a commercial and film director and friends with the duo, captures the mood and lyrics well, with Renee and Jeremy walking through abandoned buildings amidst the Salton Sea. Toback says the video shoot consisted of just the three of them plus director of photography Wes Cardino “chasing magic,” in Hamad’s phrase. The ending scene under an amazingly glowing moon, happened by accident, they report. Like much of Renee & Jeremy’s music, the video’s a little mesmerizing.

Again, Whole Lotta Love is out next week! Having listened to it all, I know that if your family still grooves to the music they made before, they will dig this, too.

Renee & Jeremy - “Here and Now” [YouTube]

Photo credit: Stuart Burton

Radio Playlist: New Music September 2017

Between catching up with stuff I missed last time and the late summer/early fall rush of new music, I've got a whopping 16 songs in this month's new music playlist. (Feel free to check out the August list here if you missed it.)

As always, these Spotify playlists are limited in that if an artist hasn't chosen to post a song on Spotify, I can't put it on the list, nor can I feature songs from as-yet-unreleased albums.  But I'm always keeping stuff in reserve for the next Spotify playlist.

Check out the list here (or right here in you're in Spotify).

**** New Music September 2017 (September 2017 Kindie Playlist) ****

"Ellen Lemon" - Gustafer Yellowgold

"Fiesta De La Brea" - Lucky Diaz and the Family Jam Band

"Ten Little Piggies" - Caspar Babypants

"Miss Mary Mack" - Jazzy Ash

"Come Gather 'Round" - KB Whirly

"Sway" - Alphabet Rockers

"My Purple Fox" - Purple Fox and the Heebie Jeebies

"That Thing" - Randy & Dave

"Pennies and Forget-Me-Nots" - Steve Pullara and the Cool Beans Band

"Conjunctions" - Big Don

"You Could Be the One" - The Bazillions

"Going for a Drive" - Marjo Wilson (aka Cotton Dandee)

"Beethoven's Horse" - Ralph's World

"Alphabet Tebahpla" - Danny Weinkauf

"Hooray for Spinach" - Val and the Whippersnappers

"I've Got No Strings" - Jess Penner

A Massive Caspar Babypants Playlist

Jump For Joy album cover

Today marks the release of Jump For Joy!, the 13th album for kids from Caspar Babypants, AKA Chris Ballew.

Thirteen albums for any artist is a significant achievement, but the fact that Ballew has done so in basically little more than 9 years is even more amazing.

And the fact that those 13 albums are uniformly good to great -- not a stinker among them -- is the most impressive feat of them all.

Jump For Joy! is another good Caspar Babypants album, and while I'd probably pick a different album to introduce a listener to CB (More Please! or Sing Along!, to suggest a couple), it's certainly a worthwhile spin.

I have written many words about the music of Caspar Babypants -- many, many words.  Let's face it, trying to say something interesting about the latest album from some who is releasing new music every 33 or 34 weeks can get difficult.  Let's just say I think that Ballew is one of the great songwriters for preschoolers of this era or any other.

So rather than going into more detail on his latest album saying, basically, "I like this -- you should try it out," I decided to put together a playlist of my favorite Caspar Babypants songs.  And as I went through his albums one by one, I quickly realized that to do something like a 15- or even 30-song list wouldn't do Ballew justice.

I present to you, then, one hundred awesome Caspar Babypants songs, up to and including songs from Jump For Joy!, out today.  I have not tried to organize these 100 songs into the perfect Spotify playlist -- they are simply CB songs, ordered chronologically by release date.  The one exception I made was to move all the songs from Night Night!, Ballew's lullaby/nighttime album, to the very end, but even then you'll hear a few lullabies from his other works scattered throughout.  (I also tried to keep the songs I picked from Winter Party!, his Christmas/holiday album, not very... Christmas-y so that it works even in the heat of late August.)

Anyway, parents, enjoy, and Chris Ballew, thanks.

Screen Time (Kids Music and TV Shows)

I have had in my list of potential posts for the site an item I called "kids music TV shows" for at least a couple years.  I'd probably been thinking about the idea for long before that.  The general idea was to survey the landscape of kids music and broadly cover the wide variety of kids musicians who were making television of some sort in the consumer guide fashion to which, for better and worse, I default.

But in between the time the idea first took hold in my mind and now, something has shifted, and we're in a far more uncertain time for the creation of visual entertainment.

Think back, if you will, to a decade or so ago, back when dinosaurs ruled the earth.  No, that's not right.  What I meant to say, back when Jack's Big Music Show and Imagination Movers aired on Noggin/Nick Jr and Disney Junior/Playhouse Disney.  While their premieres didn't literally overlap (Jack's last show premiered in April 2008, while the Movers' first show didn't air until September that year), in my mind they are lumped together in the golden age of kids music on television.

While Laurie Berkner had already released four albums by the time Jack's Big Music Show premiered in 2005 and had achieved some level of popularity, there's no doubt that her appearance on every episode catapulted her into kids music superstardom.  (It was the release of a Laurie Berkner DVD in 2006 that was one of the precipitating events leading to my first NPR piece.)  And the show gave guest spots to about a dozen other kids' musicians as well.  While I don't think the bump for individual artists besides Berkner was meaningful, I think the idea that there was a modern take on kids music broadly was.

The Imagination Movers' show was very different stylistically from Jack's, but it, too, had a dramatic impact on the Movers' career.  While they had achieved a fair amount of success, especially in their New Orleans hometown region, the Disney show significantly increased their reach.  I went to their Phoenix-area concert in 2009, and at least a thousand people showed up, outdrawing Dan Zanes.  They were a big deal.  (They're still popular, but I'm guessing they would be even more so were the show still on the air.)

Certainly the success of those two shows could have led to more shows that drafted kids musicians into leading roles.  And my memory going back to the 2010-ish era was that a lot of musicians wanted to be drafted.  But almost at the same time that Berkner and the Movers were having success, a couple of other shows laid down an alternative path that I think proved to be the downfall of kids music on TV: Yo Gabba Gabba and The Fresh Beat Band.

YGG debuted in 2007, even before the Movers' show, and Fresh Beat Band debuted in 2009.  In each of their own ways, their approaches likely diminished the allure of kids music to both television executives and audiences.  With Gabba, the guest musical artists didn't come from kids music -- they came from the world of music for adults.  The first season guest stars were very indie -- The Shins were probably the biggest "get" -- and lent the show a certain sheen of "cool" that kids musicians are unlikely to ever provide, certainly not on a kids' show.  And as the show became more popular, the guest stars did, too.  (When The Roots, The Flaming Lips, Solange, and Weezer are willing to do your show, there's no need to check out Zooglobble for the hot new kids music star.)

The Fresh Beat Band took a different approach, but one that also excluded kids' musicians.  By recruiting singers and actors for the band, the producers of the show essentially created the Monkees for preschoolers.  (Not a slam.)  It was an approach that also proved popular (the show toured live, as did YGG), but one that didn't require any current kids' musicians.  And even if you think, hey, a band of kids' musicians created out of whole cloth, that's better than nothing, well, the show was eventually sunsetted, with Fresh Beat Band of Spies, an animated show, taking its place in a way starting in 2015.

In the wake of Jack's and the Imagination Movers shows, and while YGG and Fresh Beat Band were on the air, there was a lot of interest by kids' musicians about getting their own series off the ground.  A TV series was held up as the holy grail, the brass ring folks sought.  I don't want to suggest that it was the only thing people cared about, or that they were obsessed by it, but... there was no small amount of interest.

It's not like there was no success -- Lucky Diaz and the Family Jam Band got their live-action series Lishy Lou and Lucky Too on the air on several Indiana PBS stations starting in around 2013.  Billy Kelly put together four interstitials called I'm Thinking of an Animal for Rochester, New York PBS station WXXI in 2012.  But the successes for Lucky and Alisha and Billy were more regional in nature.  And Laurie Berkner's return to kids' TV in Sprout's animated interstitial series Sing It, Laurie! never really achieved the visibility of her first show.

If you want to think of the cup as half-full, though, let's not forget Steve Roslonek, AKA SteveSongs, who as "Mr. Steve" served as a co-host and musician on PBS Kids' preschool morning block.  And perhaps the biggest success was that of Tim Kubart, who after years playing with the Jimmies and creating Tim and the Space Cadets, made it onto Sprout through co-hosting the Sunny Side Up show.  And just this week the Sunny Side Up show became Sprout House, a new morning show on which Kubart -- and other kindie artists -- will now play music.  This seems like a positive turn of events, though the expected bump for any artist besides Kubart in terms of visibility should probably be small.  As with Jack's Big Music Show, the important part is in the overall visibility, though Sprout's viewership, compared to that of Disney Channel and Nick Jr. of the pre-2010 years, is likely small.  Big, in the world of kids music, but small(er) culturally speaking.

Of course, kids haven't stopped watching video, they've just moved to other places -- Amazon and Netflix, and YouTube, for example.  But that switch hasn't meant kids music getting featured there.  Sure, Amazon includes full-length episodes from Lisa Loeb and Amy Lee, but those are just one-off on-demand productions.  (Also note that those aren't kindie-first artists.)   Other networks like Ameba and BatteryPOP will offer kids music channels (generally compilations featuring a single artist), but there's less of a sense of kids music as a genre.  It's great that that avenue exists for artists, but if you're a parent, you're unlikely to stumble across kids music serendipitously -- you have to seek it out, and most likely, seek out an artist you're already familiar with.  And unfortunately for musicians, the amount that YouTube pays per stream is waaaaaay less than even places like Spotify, which many artists already feel pays too little.  (If the numbers in the linked article are accurate, a YouTube creator would have to get 150,000 views on a video just to earn $300.)

So after all this hand-wringing, I am going to end with a list of TV shows/channels on the internet that feature kids musicians.  If you are one of those dedicated parents looking for serialized shows, or at least a channel that isn't merely videos, this list is for you.  Note that I'm deliberately excluding YouTube artist channels such as those from Laurie Berkner, Caspar Babypants, and Patty Shukla that are very popular (Shukla has 385 million views), but aren't featuring shows.

If you're a kids musician whose show has been left off this list, drop me a line!

Ralph's World - Time Machine Guitar [YouTube]

A couple notes: 1) This show is well done -- it features Ralph and a group of puppets learning about music and (eventually) time travel adventures.  It is in many ways reminiscent of Jack's Big Music Show.  Ralph's been working on the show for a loooong time (his daughter Fiona is now also working on it), so I'm glad to see it finally reach public eyes and ears.  2) Ralph, update the playlist for episode #2!

Miss NinaMiss Nina's Weekly Video Show [YouTube]

This is a simple show -- every Tuesday morning, Miss Nina posts a simple live-action singalong song.  But it's probably that simplicity that's helped her attract more than 14,000 subscribers to her YouTube channel, which makes her a star among YouTube kindie musicians.

Lloyd H. Miller - Ursa Major / Ursa Minor [Vimeo]

This is a serialized spy show for kids written and directed by Miller himself.  It's low-tech, and there wasn't too much music in the episodes I saw, but fans of Miller (solo or in the Deedle Deedle Dees) may want to check it out.

Dan Zanes - Dan Zanes and Friends [YouTube]

A short-lived series from 2014 featuring, well, a day (a week? a month?) in the life of Dan Zanes, musician.

How Do We Sing? [YouTube]

Finally, How Do We Sing? is a wordless meditation on weighty topics -- dreams, motherhood, death -- as told through the eyes of three puppet characters.  One of the co-creators (and puppeteer) is Chicago's Erin Flynn, thought of fondly 'round here for her Dreamer of Dreams album more than a decade ago and who also performed on the most recent Ella Jenkins album.  How Do We Sing? is definitely not a bright, shiny, poppy piece -- it's meditative and doesn't feature "kids music" at all -- but may strike some viewers as beautiful.  (If you're one such viewer, pitch in on their Kickstarter to make a full-length movie!)

Video: "Froggie Went a Courtin'" - Caspar Babypants

It's a little hard to hear because of his history with the pop-punk Presidents of the United States of America, and because his Caspar Babypants project has such a whimsical pop sensibility, but Chris Ballew's work as Caspar Babypants is very, very folk.  His originals generally have a simple core, easily replicable as sung work by the novice.  And he's very committed to reworking folk song classics and giving them new life.

Jump for Joy album cover

For "Froggie Went a Courtin'," perhaps the hoariest of folk song chestnuts, Ballew ditches the amphibian's sword and pistol, and replaces them with a ring and bouquet -- because Froggie's asking to get married, duh.  It's not that this new version is any better than the thousands that have come before it (though it's better than a lot of them), but his willingness to make the song his one is folk as anything.

The song is on his forthcoming album Jump for Joy! (out August 18), and as with many of his videos, features Ballew's own drawings.  (Look for Beatle John.)

Caspar Babypants - "Froggie Went a Courtin'" [YouTube]