Video: "Flying Starfish" - Elena Moon Park (World Premiere!)

Unhurried Journey album cover

Unhurried Journey album cover

Even though I’m not posting quite so much these days, I will always make time to post music from Elena Moon Park, the New York singer/violinist/multi-instrumentalist who first came to kindie prominence as a member of Dan Zanes’ band. (And not just because her non-musical background suggests she’s a policy nerd like me.) She’s always drawn from a deep well of influences, yes from East Asia as noted on her first album Rabbit Days and Dumplings, but beyond that.

Her new album Unhurried Journey takes another dip into that deep well, effortlessly melding sounds from different cultures. This song from the album — “Flying Starfish” — is deceptively simple but the instrumentation, featuring the musical saw and jarana with some electronic instrumentation as well, gives it a dreamlike feel. As for the song itself, Park notes that “I sang this song to my niece Zora when she was born, making it up as I went along. While holding her for the first time, I thought of all the exciting adventures coming her way, the transformations and changes that come with them, and how her family would always be waiting for her when she returns.”

This world-premiere video features drawings by the musician and artist Dana Lyn that match the song in its simple, otherworldly texture. All around, a lovely song for your family to get lost in for a few minutes.

Elena Moon Park - “Flying Starfish” [YouTube]

Listen To This: "Free Bubbles" - Mista Cookie Jar (feat. Father Goose!)

"Free Bubbles" single cover

Good to have Mista Cookie Jar back to offer us more kindie music from about 15 minutes in the future.  This brand new track "Free Bubbles"  might make you feel a little irie, thanks to two of the most positive kids musicians -- that's saying something in this genre.  It's the L.A.-based MCJ himself, teaming up with his New York-based cross-country doppelganger Father Goose.

There's a little more (OK, a lot more) Auto-Tune on this track celebrating free bubbles (soap bubbles, but also more metaphorical bubbles) than Father Goose probably experiences when he plays with frequent collaborator Dan Zanes, but that's just the way that Mista Cookie Jar rolls.

Now, you may have already heard this song getting some airplay on your favorite radio/satellite radio/podcast, for a limited time, starting this first day of summer, you can download the track for name-your-own-price (including free!).  Just follow the link below, and even if you stumble upon this later this summer or the midst of winter, give it a spin for more summertime vibes.

My Favorite (and the Best?) Kids Music of 2017

This past year has been challenging in terms of writing about kids music here at the site.  There are a variety of reasons for that -- you can read this post for a few thoughts in that regard -- but the fact remains I haven't reviewed as many albums.  I'm still receiving -- and listening to -- a lot of kids music, but those thoughts haven't been translated into words on a screen.  It took me, sadly, 'til the end of April 2017 to write up thoughts on the best kids music of 2016, for an album award year that ended more than 6 months before.

As for this most recent year, I did once again submit my votes for the annual Fids and Kamily Awards I co-coordinate.  You can read all about the 2017 Fids and Kamily Award winners here, but I do feel compelled to list my own ballot in the same year the awards were announced.  (Small victories, amirite?)

Looking over this list, I'm once again struck by how my own personal favorites once again fell back on familiar and long-time names....

Looking Forward by Looking Back (Dan Zanes' "Lead Belly, Baby!")

Lead Belly, Baby! album cover

When most people think about Smithsonian Folkways' kids' artists, I'd guess that the first names that come to mind are Ella Jenkins and Pete Seeger, with probably Woody Guthrie close behind.  But if I were to make that trio a quartet, I'd add Lead Belly to that list.  Lead Belly (born Huddie William Ledbetter in 1889) was a master of the 12-string guitar, and starting in the mid-1930s until his death in 1949, he recorded for a wide variety of labels.

His outsized influence on blues music generally masks the fact that he only recorded one album specifically for kids for Folkways, and that was an album released more than a decade after his death.  But in 1999, Smithsonian Folkways released Lead Belly Sings for Children, a collection of songs Lead Belly specifically recorded for kids in the 1940s along with other tracks that fit right in.  The liner notes describe it as "essential listening for all ages," and in this case, the hype fits.

Nearly three quarters of a century after Lead Belly started recording for Folkways founder Moses Asch, Dan Zanes has joined in.  As part of the typically detailed and lovingly-produced liner notes to the album, Zanes writes of being seven years old and discovering a Lead Belly record in the basement of his local library just as he was getting interested in the guitar.  In Zanes' telling, Lead Belly's music played no small role in Zanes' path toward becoming a musician.  In other words, this is a labor of love.

Now much of Zanes' all-ages musical path has felt like it came out of love and not any sort of calculated attempt at super-stardom, but this album does feel to me just slightly more personal, as if going back to one of his first inspirations helped Zanes tap into his own inspiration.  In time-honored folk tradition, Zanes adds his own voice and approach.  “Bring Me a Little Water, Sylvie” is given a slightly more uptempo, lilting feel.  Zanes has always been willing to make a space for hip-hop on his albums, but he's opened up a lot more room for it now.  There are many reasons that might be appropriate, but probably the most appropriate is that the arrangements breathe new life into these tracks.  The original Lead Belly recordings, after all, were primarily the man and his guitar -- they sound great, but there can be a certain monotony to those tracks.  But the arrangements here are wide open: in addition to the music store's worth of instruments -- concertina, saxophone, cowbell, mandolin -- five of the tracks feature guest raps.  

As with most music Zanes releases, this album features a couple dozen guest artists.  Some are famous -- hey, there’s Billy Bragg on “Rock Island Line!”… Is that really Chuck D offering up a verse on “Skip To My Lou?" to name but a couple such appearances.  But just as important to the overall feel are the guest turns by the musicians we’re probably less familiar with, like Jendog Lonewolf’s rap on “Julie Ann Johnson," while Memphis Jelks, invited onto “Skip To My Lou” by Chuck D., just about steals the show from the elder statesman.

If there’s anything I miss from the album, it’s the voices of kids.  Folkways albums for kids have always had lots of participation by kids -- Lead Belly Sings for Children is no exception, as it includes a number of tracks featuring Lead Belly singing to and with kids.  In contrast, aside from “More Yet,” there’s no chorus of kids on Zanes’ album.  (“Little Goose” makes an appearance on the intro to “Polly Wee” along with Father Goose, but that’s not really what I mean.)

After a series of themed albums that were musically satisfactory but less than fully… party-filled, Lead Belly, Baby! most closely replicates the freewheeling spirit of his early DZAF albums, the ones that propelled him into kids music stardom.  While in many ways this album will sound familiar to those fans of those albums (nearly twenty years old at this point), Dan Zanes is also walking some different musical paths than he was twenty (or thirty or forty) years ago.  If looking back to one of his earliest musical idols helps kick off another series of musical explorations into the future, then by all means bring it on.  Highly recommended.

Screen Time (Kids Music and TV Shows)

I have had in my list of potential posts for the site an item I called "kids music TV shows" for at least a couple years.  I'd probably been thinking about the idea for long before that.  The general idea was to survey the landscape of kids music and broadly cover the wide variety of kids musicians who were making television of some sort in the consumer guide fashion to which, for better and worse, I default.

But in between the time the idea first took hold in my mind and now, something has shifted, and we're in a far more uncertain time for the creation of visual entertainment.

Think back, if you will, to a decade or so ago, back when dinosaurs ruled the earth.  No, that's not right.  What I meant to say, back when Jack's Big Music Show and Imagination Movers aired on Noggin/Nick Jr and Disney Junior/Playhouse Disney.  While their premieres didn't literally overlap (Jack's last show premiered in April 2008, while the Movers' first show didn't air until September that year), in my mind they are lumped together in the golden age of kids music on television.

While Laurie Berkner had already released four albums by the time Jack's Big Music Show premiered in 2005 and had achieved some level of popularity, there's no doubt that her appearance on every episode catapulted her into kids music superstardom.  (It was the release of a Laurie Berkner DVD in 2006 that was one of the precipitating events leading to my first NPR piece.)  And the show gave guest spots to about a dozen other kids' musicians as well.  While I don't think the bump for individual artists besides Berkner was meaningful, I think the idea that there was a modern take on kids music broadly was.

The Imagination Movers' show was very different stylistically from Jack's, but it, too, had a dramatic impact on the Movers' career.  While they had achieved a fair amount of success, especially in their New Orleans hometown region, the Disney show significantly increased their reach.  I went to their Phoenix-area concert in 2009, and at least a thousand people showed up, outdrawing Dan Zanes.  They were a big deal.  (They're still popular, but I'm guessing they would be even more so were the show still on the air.)

Certainly the success of those two shows could have led to more shows that drafted kids musicians into leading roles.  And my memory going back to the 2010-ish era was that a lot of musicians wanted to be drafted.  But almost at the same time that Berkner and the Movers were having success, a couple of other shows laid down an alternative path that I think proved to be the downfall of kids music on TV: Yo Gabba Gabba and The Fresh Beat Band.

YGG debuted in 2007, even before the Movers' show, and Fresh Beat Band debuted in 2009.  In each of their own ways, their approaches likely diminished the allure of kids music to both television executives and audiences.  With Gabba, the guest musical artists didn't come from kids music -- they came from the world of music for adults.  The first season guest stars were very indie -- The Shins were probably the biggest "get" -- and lent the show a certain sheen of "cool" that kids musicians are unlikely to ever provide, certainly not on a kids' show.  And as the show became more popular, the guest stars did, too.  (When The Roots, The Flaming Lips, Solange, and Weezer are willing to do your show, there's no need to check out Zooglobble for the hot new kids music star.)

The Fresh Beat Band took a different approach, but one that also excluded kids' musicians.  By recruiting singers and actors for the band, the producers of the show essentially created the Monkees for preschoolers.  (Not a slam.)  It was an approach that also proved popular (the show toured live, as did YGG), but one that didn't require any current kids' musicians.  And even if you think, hey, a band of kids' musicians created out of whole cloth, that's better than nothing, well, the show was eventually sunsetted, with Fresh Beat Band of Spies, an animated show, taking its place in a way starting in 2015.

In the wake of Jack's and the Imagination Movers shows, and while YGG and Fresh Beat Band were on the air, there was a lot of interest by kids' musicians about getting their own series off the ground.  A TV series was held up as the holy grail, the brass ring folks sought.  I don't want to suggest that it was the only thing people cared about, or that they were obsessed by it, but... there was no small amount of interest.

It's not like there was no success -- Lucky Diaz and the Family Jam Band got their live-action series Lishy Lou and Lucky Too on the air on several Indiana PBS stations starting in around 2013.  Billy Kelly put together four interstitials called I'm Thinking of an Animal for Rochester, New York PBS station WXXI in 2012.  But the successes for Lucky and Alisha and Billy were more regional in nature.  And Laurie Berkner's return to kids' TV in Sprout's animated interstitial series Sing It, Laurie! never really achieved the visibility of her first show.

If you want to think of the cup as half-full, though, let's not forget Steve Roslonek, AKA SteveSongs, who as "Mr. Steve" served as a co-host and musician on PBS Kids' preschool morning block.  And perhaps the biggest success was that of Tim Kubart, who after years playing with the Jimmies and creating Tim and the Space Cadets, made it onto Sprout through co-hosting the Sunny Side Up show.  And just this week the Sunny Side Up show became Sprout House, a new morning show on which Kubart -- and other kindie artists -- will now play music.  This seems like a positive turn of events, though the expected bump for any artist besides Kubart in terms of visibility should probably be small.  As with Jack's Big Music Show, the important part is in the overall visibility, though Sprout's viewership, compared to that of Disney Channel and Nick Jr. of the pre-2010 years, is likely small.  Big, in the world of kids music, but small(er) culturally speaking.

Of course, kids haven't stopped watching video, they've just moved to other places -- Amazon and Netflix, and YouTube, for example.  But that switch hasn't meant kids music getting featured there.  Sure, Amazon includes full-length episodes from Lisa Loeb and Amy Lee, but those are just one-off on-demand productions.  (Also note that those aren't kindie-first artists.)   Other networks like Ameba and BatteryPOP will offer kids music channels (generally compilations featuring a single artist), but there's less of a sense of kids music as a genre.  It's great that that avenue exists for artists, but if you're a parent, you're unlikely to stumble across kids music serendipitously -- you have to seek it out, and most likely, seek out an artist you're already familiar with.  And unfortunately for musicians, the amount that YouTube pays per stream is waaaaaay less than even places like Spotify, which many artists already feel pays too little.  (If the numbers in the linked article are accurate, a YouTube creator would have to get 150,000 views on a video just to earn $300.)

So after all this hand-wringing, I am going to end with a list of TV shows/channels on the internet that feature kids musicians.  If you are one of those dedicated parents looking for serialized shows, or at least a channel that isn't merely videos, this list is for you.  Note that I'm deliberately excluding YouTube artist channels such as those from Laurie Berkner, Caspar Babypants, and Patty Shukla that are very popular (Shukla has 385 million views), but aren't featuring shows.

If you're a kids musician whose show has been left off this list, drop me a line!

Ralph's World - Time Machine Guitar [YouTube]

A couple notes: 1) This show is well done -- it features Ralph and a group of puppets learning about music and (eventually) time travel adventures.  It is in many ways reminiscent of Jack's Big Music Show.  Ralph's been working on the show for a loooong time (his daughter Fiona is now also working on it), so I'm glad to see it finally reach public eyes and ears.  2) Ralph, update the playlist for episode #2!

Miss NinaMiss Nina's Weekly Video Show [YouTube]

This is a simple show -- every Tuesday morning, Miss Nina posts a simple live-action singalong song.  But it's probably that simplicity that's helped her attract more than 14,000 subscribers to her YouTube channel, which makes her a star among YouTube kindie musicians.

Lloyd H. Miller - Ursa Major / Ursa Minor [Vimeo]

This is a serialized spy show for kids written and directed by Miller himself.  It's low-tech, and there wasn't too much music in the episodes I saw, but fans of Miller (solo or in the Deedle Deedle Dees) may want to check it out.

Dan Zanes - Dan Zanes and Friends [YouTube]

A short-lived series from 2014 featuring, well, a day (a week? a month?) in the life of Dan Zanes, musician.

How Do We Sing? [YouTube]

Finally, How Do We Sing? is a wordless meditation on weighty topics -- dreams, motherhood, death -- as told through the eyes of three puppet characters.  One of the co-creators (and puppeteer) is Chicago's Erin Flynn, thought of fondly 'round here for her Dreamer of Dreams album more than a decade ago and who also performed on the most recent Ella Jenkins album.  How Do We Sing? is definitely not a bright, shiny, poppy piece -- it's meditative and doesn't feature "kids music" at all -- but may strike some viewers as beautiful.  (If you're one such viewer, pitch in on their Kickstarter to make a full-length movie!)