To those of you visiting here from Melissa Block's post on CDs her family's been enjoying, welcome. You'll find over 140 reviews of CDs here (all accessible from the artist links on the right-hand side of the page), plus news and interviews squeezed in whenever I can find the time.
For what it's worth, you can follow the links below to my reviews of the albums Melissa lists...
-- Catch That Train! - Dan Zanes and Friends (review / interview)
-- You Are My Little Bird - Elizabeth Mitchell (review)
-- New Orleans Playground - Various Artists / Putumayo (review)
-- Alphabet Songs - Steve Weeks (Vol. 2 review, Vol. 3 review)
-- The Johnny Cash Children's Album - Johnny Cash (review)
-- Whoever Shall Have Some Good Peanuts - Sam Hinton (review)
And thanks for stopping by!
Review: Whoever Shall Have Some Good Peanuts - Sam Hinton
Originally released in 1961, Sam Hinton's Whoever Shall Have Some Good Peanuts is a classic beloved by many families. In August, Smithsonian Folkways re-released the album (for the first time on CD) so that a new generation of families could hear these stories in songs.
If the only thing Sam Hinton did in his life was direct the Scripps Oceanographic Institution in southern California for about 20 years, that by itself would be a full life. The fact that he's also an accomplished musician (reportedly knowing 5,000 songs) and artist (doing the drawings for the reknowned Rise Up Singing collection) makes me feel, well, that perhaps I could perhaps do a little bit more on the side. Or in my full-time job.
Anyway, the 20 tracks showcase Hinton's clear voice -- he nimbly navigates fast songs like "Michael Finnegan" while giving character to somewhat more midtempo tunes like the gently bouncing "Mr. Rabbit" or sweet songs like "The Eagle's Lullaby." And his talent for vocal mimickry is adeptly shown on tracks such as "The Barnyard Song," on which he, yes, imitates many barnyard animals. (Given Hinton's "daytime" job, it's not surprising that many of songs deal with animals and the natural world.) Hinton accompanies himself on guitar; it's unobtrusive, but it's the lyrics and melody that are the stars here.
I think kids ages 2 through 7, along with their associated adults, will appreciate these stories in songs the most. You can hear samples of the tracks at the album's Folkways page. I also should note Folkways' typically excellent album package, which in this case features Hinton's excellent notes on the songs along with an introductory essay from Bess Lomax Hawes.
Whoeve Shall Have Some Good Peanuts is reminiscent of a Pete Seeger album, sharing a fine voice and a strong folksinging tradition. There is a looseness, however, to the interpretations that also reminds me of Woody Guthrie's kids' albums. If you have any affinity for the albums of those two artists, you will certainly enjoy this album. Recommended.
Review: Songs to Grow on For Mother and Child - Woody Guthrie
The folksinger Woody Guthrie was a prolific songwriter. Best known as the composer of "This Land is Your Land," Guthrie wrote and wrote and wrote. (Billy Bragg and Wilco combined to make two enjoyable Mermaid Avenue CDs in which they took songs from his large store of unreleased lyrics and added new melodies.) In addition to writing many songs with a more political bent, he also released a couple kids’ albums in the mid-1950s. Both these albums have been released on CD by Smithsonian Folkways records.
Guthrie’s Songs to Grown on For Mother and Child is one of those CDs. It can be a fun CD for singing along with your child(ren). The titles (“Rattle My Rattle,” “I Want My Milk,” “I’ll Write and I’ll Draw”) are pretty indicative of the CD's topical concerns. (No, I could find no references to the labor movement.) The CD says the target audience is kids age 4-6, but I think kids as young as 1 or 2 would enjoy some of the songs.
A warning, though, the production is pretty simple, with many tracks only having Guthrie’s vocals accompanied by a guitar or a shaker. (There's a reason why I prefer Elizabeth Mitchell's or Wilco's versions of Guthrie's songs -- better vocals and/or better melodies.) If you like your productions polished or you dislike folksinging, this isn’t the CD for you. Over time, the CD has received less attention in our household for those reasons. But if you are more interested in folksinging, you may just find this to your taste.