When I first heard of the death of singer/folklorist/cartoonist/marine biologist Sam Hinton today, the first person I thought of was NPR's Melissa Block, who in one of my chats with her showed her enthusiasm for an album from her own childhood, Whoever Shall Have Good Peanuts. The album was re-released in 2006 on Smithsonian Folkways (review) and was a fine example just how far a good voice, a guitar, and a sense of humor could get you. In Hinton's case, really far.
I shouldn't have been surprised, then, when later today I heard Block chat on the air with Leanne Hinton, one of Sam Hinton's daughters, on Hinton's passing at age 92 last Thursday. By any measure, Sam Hinton led a full and wonderful life, managing to raise a family, give concerts, and help run the Scripps Oceanographic Institute. But of course, as is so often (sadly) the case, it takes someone's passing to truly appreciate a life, and that's the case here...
Melissa Block's CD Changer and Ours Look Similar
To those of you visiting here from Melissa Block's post on CDs her family's been enjoying, welcome. You'll find over 140 reviews of CDs here (all accessible from the artist links on the right-hand side of the page), plus news and interviews squeezed in whenever I can find the time.
For what it's worth, you can follow the links below to my reviews of the albums Melissa lists...
-- Catch That Train! - Dan Zanes and Friends (review / interview)
-- You Are My Little Bird - Elizabeth Mitchell (review)
-- New Orleans Playground - Various Artists / Putumayo (review)
-- Alphabet Songs - Steve Weeks (Vol. 2 review, Vol. 3 review)
-- The Johnny Cash Children's Album - Johnny Cash (review)
-- Whoever Shall Have Some Good Peanuts - Sam Hinton (review)
And thanks for stopping by!
Review: Whoever Shall Have Some Good Peanuts - Sam Hinton
Originally released in 1961, Sam Hinton's Whoever Shall Have Some Good Peanuts is a classic beloved by many families. In August, Smithsonian Folkways re-released the album (for the first time on CD) so that a new generation of families could hear these stories in songs.
If the only thing Sam Hinton did in his life was direct the Scripps Oceanographic Institution in southern California for about 20 years, that by itself would be a full life. The fact that he's also an accomplished musician (reportedly knowing 5,000 songs) and artist (doing the drawings for the reknowned Rise Up Singing collection) makes me feel, well, that perhaps I could perhaps do a little bit more on the side. Or in my full-time job.
Anyway, the 20 tracks showcase Hinton's clear voice -- he nimbly navigates fast songs like "Michael Finnegan" while giving character to somewhat more midtempo tunes like the gently bouncing "Mr. Rabbit" or sweet songs like "The Eagle's Lullaby." And his talent for vocal mimickry is adeptly shown on tracks such as "The Barnyard Song," on which he, yes, imitates many barnyard animals. (Given Hinton's "daytime" job, it's not surprising that many of songs deal with animals and the natural world.) Hinton accompanies himself on guitar; it's unobtrusive, but it's the lyrics and melody that are the stars here.
I think kids ages 2 through 7, along with their associated adults, will appreciate these stories in songs the most. You can hear samples of the tracks at the album's Folkways page. I also should note Folkways' typically excellent album package, which in this case features Hinton's excellent notes on the songs along with an introductory essay from Bess Lomax Hawes.
Whoeve Shall Have Some Good Peanuts is reminiscent of a Pete Seeger album, sharing a fine voice and a strong folksinging tradition. There is a looseness, however, to the interpretations that also reminds me of Woody Guthrie's kids' albums. If you have any affinity for the albums of those two artists, you will certainly enjoy this album. Recommended.