There are at least a couple videos for songs off the latest Putumayo collection for kids, Animal Playground (review).
The first is for Asheba's "No More Monkeys," a song which I freely admit that I don't like (and that, frankly, is putting it mildly. Which I do a lot.) The video is not without its charms, however, and I think it's fun for kids.
Now, the true discovery on the disk is the Be Good Tanyas' "The Littlest Birds," which was the leadoff track on their debut Blue Horse. This video, while kid-appropriate, isn't the most exciting in the world. But the song -- that song is great.
So here's the deal -- tell them you'll let 'em watch "No More Monkeys" if they watch "The Littlest Birds."
Because parenting is all about compromise.
(Thanks to Z Recommends for the heads-up on the Be Good Tanyas video.)
Review: Animal Playground (Putumayo) - Various Artists
I’ve long believed that Putumayo’s strength -- at least in its kids’ music releases -- is compiling good, if not entirely challenging, mix CDs. They’re not trying to compile an anthology -- if they throw in a few good songs you’ve never heard of amidst the familiar ones, then they’ve succeeded in their modest goals. On that count alone, their new Animal Playground disk, released this week, is a typical Putumayo release, mixing some familiar animal-themed songs in with the unfamiliar in a combination that will make it easy for a parent to pop in the CD and for the kids to enjoy.
On the familiar side is Asheba’s “No More Monkeys,” which I will admit to loathing. I like some of Asheba’s music, but there’s something about the slightly hyperactive rhythm of this particular track that sets me on edge and my finger for the skip button. I know, the kids love it (so much so, Putumayo’s included a video for the song on the disk), but I don’t. Somewhat less familiar (but more enjoyable to me) is the Wee Hairy Beasties’ “Animal Crackers,” a fun and bouncy leadoff track.
I've also thought that Putumayo's popularity (as opposed to their strength) has a lot to do with flattering mostly white middle- to upper-middle class people that they have a funky, global perspective. (Putumayo may just have best CD covers in the record business in that regard.) But just because that might be true doesn't mean that Putumayo's not good at finding fun tracks from around the globe. They are, and this album is no exception. The Be Good Tanyas, a Vancouver band which had never really interested me before, gives the album its best track, a gently bopping song anchored by the chorus’ phrase “The littlest birds / Sing the sweetest songs.” (It’s the “Sheep” of this album, for those of you who recall Putumayo’s last Playground disk, Folk Playground, and its standout Zoe Lewis track.)
The foreign-language tracks are fun, though, really, Putumayo could have put these songs on a future collection called, say, Robot Playground or Sports Playground and you or your child would never have known the difference. I doubt many parents will use Putumayo’s liner notes; Ze’ Renato’s swinging “Cantiga do Sapo” is Brazilian tune apparently about a frog, though it could just as well be about a dog, or rapid inflation in South American economies. A couple exceptions -- the 30-year-old track “Nella Vecchia Fattoria” from the Italian group Quartetto Cetra is unmistakably “Old MacDonald Had a Farm.” And Ladysmith Black Mambazo does a peaceful “Mbube,” better known here as “The Lion Sleeps Tonight.” They might be in foreign languages, but even your 3-year-old who’s limited to a 100 words of English will recognize and enjoy those tracks.
Given the language barriers on many of these tracks, the 36-minute album is pretty much an all-ages affair, though the English-language tracks make it more of a disk for 2- to 7-year-olds. You can hear samples of the tracks here.
Animal Playground is a decent collection of music and one that most families will listen to and find some favorites in. You might be able to make a better mix tape, but it’ll probably be in far fewer languages. That’s not a good reason to get this (or any) album, but it’s not a bad thing, either. Recommended.
Review in Brief: Asian Dreamland - Various Artists (Putumayo)
The first region-specific release in its Dreamland series, Putumayo's Asian Dreamland collection was released earlier this month with, yes, a collection of lullabies from Asia. Coincidence or not, it's one of the few areas of the world that Ellipsis Arts hasn't covered in its collections of world lullabies.
Although I keep an open set of ears when it comes to music, after more than three decades of listening to it, I've certainly developed some preferences, and one of those is a general indifference to music from Asia. I think it's perhaps the stringed instruments found in many Asian melodies, which may be relaxing to some, but not to me. So it came as little surprise to me that my favorite tracks on this 32-minute disk were those that downplayed the stringed instruments, such as "Cradle Song," from the Tatarstan artis Zulya, or "Aka Tonbo," a Japanese lullaby sung by Aiko Shimada and Elizabeth Falconer. Instrumentals like "Asadoya Yunta," which features a shamisen, a 3-stringed instrument similar to a banjo, were less pleasant to me. As slow as the instrumentals were, they would definitely keep me awak.
But one of the advantages of youth is that the ears of the young haven't developed their prejudices like their stick-in-the-mud dads, and so it's possible your kids will be incredibly relaxed by this collection. At the very least, it's a user-friendly collection of traditional Asian tracks supplemented by Putumayo's always helpful liner notes (you think I could identify a shamisen by myself?) A collection of lullabies, it's most appropriate for kids ages 0 through 6, though I'm sure older kids interested in traditional Asian music would find this a useful starter. Listen to Real Player samples here. Again, this collection is not for everyone, but if you're willing to try something new, Putumayo as usual offers you a good place to start.
Melissa Block's CD Changer and Ours Look Similar
To those of you visiting here from Melissa Block's post on CDs her family's been enjoying, welcome. You'll find over 140 reviews of CDs here (all accessible from the artist links on the right-hand side of the page), plus news and interviews squeezed in whenever I can find the time.
For what it's worth, you can follow the links below to my reviews of the albums Melissa lists...
-- Catch That Train! - Dan Zanes and Friends (review / interview)
-- You Are My Little Bird - Elizabeth Mitchell (review)
-- New Orleans Playground - Various Artists / Putumayo (review)
-- Alphabet Songs - Steve Weeks (Vol. 2 review, Vol. 3 review)
-- The Johnny Cash Children's Album - Johnny Cash (review)
-- Whoever Shall Have Some Good Peanuts - Sam Hinton (review)
And thanks for stopping by!
Please Release Me: November (and December) 2006 Releases
As we slide into November and December, the number of new releases is typically scaled back because there's, like, a bajillion different things going on. Setting aside the daylight-to-task ratio, which is at its lowest point of the year, who wants to compete against the hundreds, nay, thousands of Christmas-related CDs flooding the market? ("On the first day of Christmas / My auntie gave to me / A Christmas album from Kenny G.")
Having said that, there are a few releases coming out here over the next couple months:
Nov. 7: All Together Now - V/A (a Beatles covers album with a kids' chorus)
Nov. 14: Play! - Milkshake
Nov. 14: We Wanna Rock - Thaddeus Rex
Nov. ??: Hey You Kids! - The Jellydots
Dec. 5: Asian Dreamland - V/A (Putumayo)
Dec. ??: Ernie & Neal - Rock the House
Which of these should be on your gift list for the winter-based gift-giving holiday of your choice (or on the purchase list of your favorite local library)? Tune in... find out...
Review: New Orleans Playground (Putumayo) - Various Artists
It's safe to say that the fine folks at Putumayo Kids aren't putting together a collection called, say, "Phoenix Playground," or even "Chicago Playground." Phoenix has a decent musical history for a city so young, and Chicago's musical history is tremendous, but New Orleans is probably the only American city with a musical background robust enough to provide so many songs to choose from while offering a distinct-enough sound to make the mix-tape at which Putumayo excels sound good.
While touching on many strains in New Orleans music, New Orleans Playground (to be released on Tuesday) relies most heavily on the side of rhythm and blues. With a number of classic songs on the collection (most notably Lee Dorsey's "Ya Ya" and Fats Domino's "Whole Lotta Lovin'"), the adults may be forgiven for thinking that they've accidentally turned on the radio and "KOOL 97, Classic Oldies!" (See also Dr. John's bouncy-yet-mellow "Row Row Row Your Boat" and Buckwheat Zydeco's massive reworking of "Skip To My Lou" into "Skip To My Blues" for familiar voices.) But there are enough much less familiar artists and songs to make the collection not feel stale. I particularly liked Charmaine Neville's "Second Line," a fun tribute about New Orleans' brass band tradition. Credit goes to Putumayo for not always picking an obvious artist -- it was nice not to hear a more-famous Neville brother on the collection, and they chose the unknown-to-me Hack Bartholomew for a rendition of "When The Saints Go Marching In." It's too bad, however, that the collection mostly ignores New Orleans' strong jazz tradition -- while it's hinted at on some of the more brassy tracks, this collection needed a jazz track from the birthplace of jazz.
If you didn't have the familiar Putumayo illustrations, you wouldn't necessarily know that this collection was targeted at kids (only one or two tracks are really kid-focused), but let's say that kids ages 3 through 9 are most likely to enjoy it. You can hear some samples at Putumayo's album page.
This collection is a gentle if incomplete introduction to New Orleans music. Expertly compiled and arranged, both parents and kids will enjoy it. Recommended.