A small delight.
I've been a big fan of Rhode Island storyteller and songwriter Keith Munslow for awhile now. His last album of songs, Accidentally (on purpose) (review) was a well-crafted collection of children's pop, and his Dressed Up for the Party -- two stories, two songs -- is a popular request in our house. His new album Homemade Fun is even better. As you might expect from a storyteller and improv performer, Munslow spends a lot of time thinking about kids' lives and the importance of imagination in those lives. So on the funky horn-tinged "Every Day Is A Summer Day," he sings about picturing summer in the midst of winter (and sounds like a bit like Stan Ridgway on "Mexican Radio"). The silly "The Leftovers" describes an army of left-too-much-overs marching through the house. And on the '80s pop homage "Watchin' All the Cars Go By," the narrator sees freeway traffic and sings "Every one has a place to be / every one has a story for me / They just keep comin' / and I wonder why..."
The humor in a lot of the songs is definitely not subtle (you neither expect nor receive any subtlety on a song title "Code Id By Doze"), which is fine -- kids'll eat it up. But parents (and kids paying close attention) will probably howl most at the denouement of "Dust Bunny," about a kid who chooses a dust bunny to be his pet. And the near-instrumental surf-rock of "Spork," featuring awesome tenor saxophone work by Gordon Beadle, is the best dance song of the year.
The 34-minute album is most likely going to be appreciated by kids ages 5 through 9. You can read lyrics to the album and hear a few samples here. Homemade Fun is a sweet nugget of an album and what a lot of kids' music should be -- great music well-played and with lyrics that touch upon kids' experiences. Parents will like; kids will love. Definitely recommended.
Review: Dressed Up For the Party - Keith Munslow
I have been a fan of Rhode Island-based Keith Munslow since hearing his fun 2005 album Accidentally (on purpose) (review here). But I hadn't heard any of his storytelling until giving his recently-released Dressed Up For the Party a spin.
I should have known his storytelling would be every bit as fun (and funny) as his music. There are just 4 tracks here stretching out over the album's 47-minute runtime, nicely sequenced. The opener, "Five Second Rule," is storytelling with some strutting blues bookending Munslow's observations on the eternal food/floor conundrum. It's an amusing appetizer to the main two stories here. The 18-minute "No Token, No Milk" tells the story of a school-aged Munslow losing the token he needs to get his carton of milk. It's the funniest story here.
It's followed up by "Marfa the Barfa," a more dramatic story (though not without funny points) with no music about a 13-year-old girl whose fondest wish of going out to sea with her fisherman father is thwarted by her throwing up over the side of her father's boat (repeatedly). At nearly 20 minutes long, you might think that it would drag or fail to keep the kids attention, but my kids (especially the 6-year-old) hang on to every word. I could see where both stories were going (or at least the major plot points), but in storytelling it's the details and the execution (listen to the squeak of Martha's brother's tricycle and its use), and Munslow's got those down pat.
The disk wraps up with the title track, an amusing musical number about a kid who doesn't want to, uh, get dressed up for the party. It's a light dessert to the disk. It shows off Munslow's musical chops, along with that of his co-producer, Bill Harley (a talented singer/storyteller in his own right, and a Grammy-winner to boot). With the exception of "Marfa," music is important to the tracks, and even in the comparatively non-musical "No Token," Munslow's use of the African box drum the cajon made my two-year-old dance like crazy.
The stories will be of most interest to kids ages 4 through 10. You can read the liner notes and lyrics at Munslow's page for the album or listen to samples at its CDBaby page.
Dressed Up For the Party is a solid album of storytelling with some sweet musical accompaniment. In pajamas at home, or in school clothes in the car, your kids will enjoy the disk and you will, too. Recommended.
Review: Accidentally (on purpose) - Keith Munslow
The Rhode Island School of Design may be known for many things, but musically it may be most known nationally for being the incubator of the Talking Heads. On a smaller scale, however, perhaps it should also be known for Keith Munslow. Munslow, who has taught in RISD's Young Artist Program, released his third album for kids, Accidentally (on purpose), in 2005, and while there's nothing remotely resembling, say, "I Zimbra" on the disk, it's still a well-crafted album of children's music.
Munslow employs a wide variety of musical styles on the disk. Perhaps the best track is "Bad Robot," a swampy, bluesy stomp about a robot rampaging through the neighborhood (sort of). With a winning melody and a horn section (not to mention great lyrics and), the song works for both the 7-year-old and the adults in the car. (The dryly witty sound effects at the very end show the care taken to put this album together.) Beyond the blues, Munslow employs the polka ("Absentee Polka"), swing ("Dancin' in the Kitchen"), and even a touch of Randy Newman-esque pop, but without the cynical view of the world ("Cardboard Box"), among other styles. Munslow and his large cast of backup musicians give his lyrics a fine, well-played setting.
Lyrically, Munslow likes to tell stories. If you're reminded a little bit of Bill Harley (I was), it's not surprising to find out that Munslow and Harley have collaborated on a number of projects in the past. The title track, which leads off the album, includes some amusing couplets ("I accidentally tracked that mud in/ accidentally pushed my cousin / accidentally clogged the drain /accidentally called up Spain") but also crafts a small comeuppance for the narrator. A number of songs deal with imagination, both positively ("Cardboard Box" and "I Just Wanna Be a Frog") and, er, less so ("Bad Robot").
Kids ages 4 through 9 will most appreciate the overall package of the songs (the music is appropriate for a broader audience, it's the lyrics that won't interest the youngest ones very much). You can hear samples and read the lyrics from the 29-minute album here. The album is available through Munslow's store, CDBaby, and the iTunes Music Store.
While the album isn't perfect throughout, that's probably just because the first three or four songs are so strong that the merely good songs on the rest of the disk just don't quite compare. But overall Accidentally (on purpose) is a fine, well-crafted album of creative children's pop. Recommended.