When many of us last saw Loren Hoskins and Kevin Hendrickson, they were tearing it up as the leaders of the Portland-based pirate rock band Captain Bogg and Salty. So when I heard that they'd been tapped to write the music for (and appear in) Disney Junior's animated show Jake and the Never Land Pirates, I figured it'd be an excellent fit. And if you've heard the music (a soundtrack was recently released), you'll know that it doesn't sound that much different from their work in Captain Bogg & Salty. There's a new "pirate rock" episode airing tomorrow, Thursday, November 10th as part of a big Jake and the Never Land Pirates marathon highlighting the music from the series, including sing-along versions of the live-action videos from the show. (Airs 6 - 11 AM, but, as they say, check your local listings.) So I thought this was an excellent time to catch up with the pair. They talked last week from the studio (where they're working on music for Season 2 of the show) about their musical influences growing up, the good and not-so-good parts of songwriting for TV, and why you should check your spam inbox every once in a while. Zooglobble: What are your musical memories growing up? Kevin Hendrickson: Listening to Credence Clearwater Revival and the Bee Gees on my mom's stereo. Taking piano lessons. Loren Hoskins: We listened to Marty Robbins' Gunfighter Ballads, Disneyland albums, Elvis -- I grew up in a fairly conversative household, but my parents said, "Elvis is OK." Given your work as Captain Bogg & Salty (and otherwise), it's obvious why Disney picked you for this job, but were there any interesting stories about how it came about? Hoskins: Actually, there is one interesting thing... I was working on a musical adaptation of Treasure Island, and Kevin was about to become a father again, and I happened to randomly check my spam e-mail filter. In there I found an e-mail from a VP of music at Disney saying they were interested in working with us. I re-read it 4 times and send it to Kevin, asking, "Do you think this is legit?" I talked with Steve Roslonek, AKA Mr. Steve on PBS, once, and he said that he'd learned a lot about songwriting, especially with TV's very short time limits on songs... what have you learned about songwriting in writing for Jake?