Why, yes, yes it would. Frances England's got herself a spiffied-up website and a video and slideshow to boot. Now if only Lunch Money and the Jellydots would jump in with videos for their awesome three- and two-wheeled songs...
Award Season is Around the Bend...
Those East Coast and Midwestern bloggers beat me to the punch, but congratulations to Frances England for winning a Oppenheim Platinum award for her fabulous debut Fascinating Creatures.
(And, on a completely unrelated note, every time I hear about the Oppenheim awards, I keep on wanting to call it the Oppenheimer awards, thanks mostly to the Old 97's, who had a great track by that name off their 1999 CD Fight Songs. Unfortunately, that track's not available at their website, but you can hear samples from that album and others here.
Welcome Interstate Managers, er, Salon Readers
Welcome to those of you finding us because of the Salon article on "kindie rockers". (Welcome also, as always, to people looking for downloads of and lyrics to "Great Big World," from Hoodwinked. I still can't help you with those, despite your insistent pleas.) Thanks, Salon, for the link, and for posting some fabulous mp3s from said rockers. (Scott Lamb's article is worth sitting through the Honda ad non-subscribers will have to watch in order to read the article -- it's a nice summing up of the current state of kids' music.)
If you're new to the site, I encourage you to look around -- links to other kids'-music-related blogs as well as to every full album review (including Justin Roberts, Dan Zanes, Laurie Berkner, and Milkshake) can be found on the right. If you're wondering what to get that 4-year-old nephew for his birthday, check out my page of album recommendations by age. I treat kids' music the way any parent who really likes music would -- with my own set of interests but with an understanding that perhaps not every song off Spoon's Gimme Fiction is going to appeal to my 5-year-old (let alone my 1-year-old).
There's so much great kids' music being made, and not just by the rockers mentioned in the article who have made their way to kids' TV screens. Dig in -- you're bound to find something you and the kids in your life will really like.
Saturday AM edit: You know, I could actually help readers "dig in" if I specifically mentioned a few artists and albums that readers might not be familiar with if they're only sticking to the TV/Noggin crowd. No disrespect meant to the Noggin crowd -- Zanes, Roberts, and TMBG, in particular, are all among my favorites kids' artists -- but these four albums are tremendous, too.
Silly Reflection, by Lunch Money (review)
If You Ever See An Owl, by the Terrible Twos (review)
Fascinating Creatures, by Francis England (review)
Gustafer Yellowgold's Wide Wild World DVD, by Morgan Taylor (review)
This Week: Coast to Coast to Coast
This week at Zooglobble, we're going from LA to New York (with a review of Dan Zanes' Catch That Train!) and back again. See -- we exhibit both East Coast and West Coast Bias! (I can do the Chicago thing -- Justin Roberts and Ralph's World -- only so often. Though there are more reviews coming from those two, too.)
Also, it's been just over a month since the NPR interview that sent many of you here. Thanks again to everyone who's read, commented, e-mailed, or linked here. Also, many thanks to all the artists who have sent me their CD or DVD. I'm still working my way through them all, and while I won't review all of them here, I've got a lot of reviews (and other things) lined up in the weeks ahead.
Finally, here are links to a few posts in case you missed 'em the first time around.
Frances England's Fascinating Creatures -- review, interview
Lunch Money's Silly Reflection -- review
Bruce Springsteen's We Shall Overcome (The Seeger Sessions) -- review
Gustafer Yellowgold's Wide Wild World DVD -- review
Anne Hathaway's "Great Big World", from the Hoodwinked Soundtrack -- review. Goodness, there are lots of people wanting lyrics and mp3s for that song. (Too bad I don't actually have the lyrics or mp3s.)
Thanks again for reading.
Interview: Frances England
After listening to Frances England's debut album Fascinating Creatures, I thought she would be a great artist to kick off an occasional series of interviews here on the website. I wanted to find out more about one of the most unique children's music albums I've heard in quite some time and the artist behind it.
England graciously agreed to the interview, even admitting that it was a "great excuse to stop studying." (Hey, anything I can do to help. I remember my own graduate school days.) Thank you very much, Frances.
This is a long interview, but worth your time.
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What sort of musical background or experience did you have prior to recording the CD?
I started playing the violin when I was young but slowly gave it up as I hit my teens and started playing guitar in college. I’ve never been in a formal band but have always enjoyed sitting around singing and playing music with people (mostly around campfires or at small parties and get-togethers).
What led you to recording Fascinating Creatures?
A couple of different things. After my son was born I started collecting kid’s music and for the most part was pretty disappointed in what I was finding (this is of course before I knew about cool blogs like yours that shine a bright, guiding light on this genre of music). [Ed. note: I swear, I made no request for such a comment.] Slowly, I started replacing the stuff I loved listening to – indie artists and bands like the Postal Service, Sufjan Stevens, M. Ward – with the Wiggles and Raffi. Don’t get me wrong, I know there is value in some of that stuff and Liam is a huge Wiggles fan but it wasn’t the type of music we could genuinely enjoy together. So I started writing songs that I hoped would appeal to both of us...
Review: Fascinating Creatures - Frances England
I initially approached Frances England's 2006 debut album Fascinating Creatures as if I were playing a game of "spot-the-influence." Did I hear Elizabeth Mitchell (who recorded a low-key and lo-fi debut CD a number of years ago)? Did I hear Cat Power or Yo La Tengo, a couple artists England herself cites an influences?
And after a couple spin-throughs, I thought that to play that game was unfair to England, who has recorded one of the most adventurous children's music albums in some time, quite unlike anything out there at the moment.
England wrote all 13 songs on the album and recorded it with her husband's cousin Billy Riggs. Lyrically, England covers the 4-year-old waterfront -- tricycles ("Tricycle"); trains, trucks, boats and airplanes ("Where Do They Go?"); and the fun of a blueberry pancake breakfast ("Blueberry Pancakes") -- without talking down to the listener. These aren't new topics for children's music, but lines like "Tell me where do all the big boats go? / As they crash against the wild, dark sea / With containers stacked both high and low / The captain steers towards land and safety" aren't a typical children's music lyric.
Musically, the first half of the CD is a low-key affair, primarily acoustic guitars and light percussion. But on "Charlie Parker," the middle song on the album, that the album kicks into a higher gear, adding electric guitar and drums. It's a little odd to hear a rock song about jazz greats (albeit with some scat singing), but it works. The next song, "Digging in the Dirt," about gardening (natch), is an even fuzzier rock song. Eventually the CD winds down again, returning to acoustic guitar and England's voice.
Although England's voice reminds me a little bit of the nasally twang of folksinger Iris DeMent (particularly on "Where Do They Go?"), it wasn't until I heard England rock out that I figured out who she reminded me most of -- Tanya Donnelly in her Belly years, alternative rock in which Donnelly's voice was used as another instrument along with the wall of guitar sound. England yodels, yips, and in general provides the musical variation on the simple instrumental backup.
The album isn't perfect -- the mix of instruments on the rock songs sounded a bit muddied to my ears, for example. And England can sometimes try to fit too many syllables into a lyric. (One of my favorite songs on the CD, the closer "Little Bright Star," doesn't do that, and shines -- pun unintended -- for it.)
But that's quibbling. Fascinating Creatures is a good album, a very promising debut. (My wife likes it, and she's a much harsher critic of these kids CDs than I am.) It's probably best for kids age 2 through 7. Right now the CD is available through CD Baby, where you can hear samples of each track.
Finally, the copy I received was attractively packaged in a slimline case and burned on a nicely printed CDR, which may or may not be the version available for purchase. Those of you looking for a more complete package as with CDs from more established artists may be surprised. But what my copy lacked in heft it more than made up for in the feeling that here was something that I could say was the start of something big, like it was a little secret known to only a few. But I don't think this CD or Ms. England will stay secret for long. Recommended.