Welcome Interstate Managers, er, Salon Readers

Welcome to those of you finding us because of the Salon article on "kindie rockers". (Welcome also, as always, to people looking for downloads of and lyrics to "Great Big World," from Hoodwinked. I still can't help you with those, despite your insistent pleas.) Thanks, Salon, for the link, and for posting some fabulous mp3s from said rockers. (Scott Lamb's article is worth sitting through the Honda ad non-subscribers will have to watch in order to read the article -- it's a nice summing up of the current state of kids' music.) If you're new to the site, I encourage you to look around -- links to other kids'-music-related blogs as well as to every full album review (including Justin Roberts, Dan Zanes, Laurie Berkner, and Milkshake) can be found on the right. If you're wondering what to get that 4-year-old nephew for his birthday, check out my page of album recommendations by age. I treat kids' music the way any parent who really likes music would -- with my own set of interests but with an understanding that perhaps not every song off Spoon's Gimme Fiction is going to appeal to my 5-year-old (let alone my 1-year-old). There's so much great kids' music being made, and not just by the rockers mentioned in the article who have made their way to kids' TV screens. Dig in -- you're bound to find something you and the kids in your life will really like. Saturday AM edit: You know, I could actually help readers "dig in" if I specifically mentioned a few artists and albums that readers might not be familiar with if they're only sticking to the TV/Noggin crowd. No disrespect meant to the Noggin crowd -- Zanes, Roberts, and TMBG, in particular, are all among my favorites kids' artists -- but these four albums are tremendous, too. Silly Reflection, by Lunch Money (review) If You Ever See An Owl, by the Terrible Twos (review) Fascinating Creatures, by Francis England (review) Gustafer Yellowgold's Wide Wild World DVD, by Morgan Taylor (review)

Yeah, I Liked Catch That Train! Too

Wow, you go from reading Dan Zanes' newsletters to finding yourself quoted (or at least linked) in Dan Zanes newsletters. It's enough to make you a little dizzy. (Thanks to the fine folks at Festival Five for the mention.) If you're one of those newsletter readers, and you're new to the site, welcome. You'll find a lot of other artists here who are making a career out of making family-friendly (or, as Zanes puts it, "age-desegregated") music. Zanes is pretty unique, but if you like his stuff (and I certainly do), you're certain to find another artist or blogger you'll enjoy (if you haven't already). For those of you not on the DZ e-mail list, two things: 1. Why not? (Go here and enter your e-mail address to join.) 2. The newsletter posts a link to where you can watch video clips of the 4 videos currently showing on Playhouse Disney. (Catch That Train!, Let's Shake, Malti, and Down in the Valley) (Congrats, too, to the Lovely Mrs. Davis for the linkage as well.)

Crosseyed and Painless

David Byrne recently posted a few thoughts on the past, present, and future of album art. Byrne's main point? We shouldn't necessarily mourn the loss of album art (which was often designed without the artist's input) with the rise of the iPod et al. Bryne posits a future in which recorded music is free while graphic designers develop ways to entice those listeners to pay for other stuff (merchandise, etc.) associated with the artist. (Thanks to Stereogum for the original reference.) What does this have to do with children's music? I don't know whether many children's music artists spend much time considering album art. Even if they do (and they probably do), the results often doesn't show that. Raffi's early albums, while pretty darn good, could hardly be considered to have great album art. Those covers are pretty good compared to some I've seen. Aside from the Wiggles, who have very consistent art direction (THE WIGGLES! SMILING! FUN, BRIGHT COLORS!), there aren't a lot of kids' artists whose art direction I love. Dan Zanes is a conspicuous exception (it helps if your brother-in-law is an artist), and there are some other exceptions, too. (The packaging of Lunch Money's Silly Reflection is fabulous, for example. By the way, do you have that album yet? Why not? Go!) I think much of children's music is trapped behind packaging that screams "you, the adult, will tolerate this and that's all." And I think that may explain partially why certain albums do or don't do well. Flipping through the small kids' music section at your local Borders... what are you going to choose? If you're trying to decide what to give as a gift for your niece's 4th birthday, what are you going to choose? How about looking at covers online? (Yes, I realize that, considering the current plainness of this website, this is a bit "pot-calling-the-kettle-black.") While bad album art won't always win (Raffi's CDs are still very popular), it takes an awesome album to overcome that art. While Byrne may be right that album art in general may fall by the wayside, I think that day is further away for kids' music than for most music. And just because I dig the Talking Heads, here's a page with some Talking Heads audio samples. The obvious choice for this site is "Stay Up Late," a funky tune from Little Creatures, but how can you not listen to something from Remain In Light? Go have fun. What's your favorite children's music album cover/packaging?

Googling Children's Music

Google has introduced a beta version of Google Trends, which tracks the popularity of certain search terms. What can this tell us about the popularity of children's music? A lot (though it means nothing to me in terms of what our family actually listens to). Here's Dan Zanes. A spike in mid-2005 -- I'm guessing there must've been some Noggin-related activity around then. The graph only appears to go through early-April, so there's little evidence of a Catch That Train! bump in the available data. Looks pretty good until you compare him to... Laurie Berkner. Note the spike in early 2006 -- that would be the release of We Are... The Laurie Berkner Band DVD. Again, looks pretty good until you compare her to... They Might Be Giants. I'm guessing the spike in mid-2004 has to do with the release of The Spine, their last non-children's release of new material. So they have the advantage of non-kids-related stuff, too. But you don't need that if you're... The Wiggles. Hoo-boy, those other lines are getting mighty flat. But even that's not all that impressive once you type in... High School Musical. Breaking Free, indeed.

Review: Folk Playground (Putumayo) - Various Artists

"Folk Playground is neither 'folk' nor 'playground' -- discuss." The Putumayo label got its start a number of years ago putting together mix tapes for use in its clothing store. They have since abandoned the clothing store, focusing solely on music, and have developed a kids' music label, Putumayo Kids. The latest entry in the Putumayo Kids series of CDs is the 2006 release of Folk Playground, to be released on Tuesday. The 33-minute CD may confuse folk purists while also confusing some parents new to the children's music scene. The key component in the definition of "folk" seems to have been whether or not acoustic guitar was included on the track. The "playground" songs -- "This Old Man," "Froggie Went A Courtin'," -- aren't necessarily "folk music" in execution (or, if they are, it sort of stretches the definition.) The term "Folk Playground" is marketing and stretches the definition of what's actually on here. Now, if you are a devoted children's music listener, you may already have half the songs (or at least half the artists) already in your collection. The problem with the selections from the more familiar artists is twofold. In some cases, the selections are not very representative of the artist's work (Justin Roberts' "Roller in the Coaster," while a nice little song, is a less common type of song for him, compared to the rave-ups; Laurie Berkner has made a name for herself for her originals, not covers. Neither would be considered folk artists.) In other cases, the songs are more representative of the artists' overall work, but not necessarily a highlight from their catalog (Dan Zanes' "Hop Up Ladies," Trout Fishing in America's "Fill It Up," Elizabeth Mitchell's "Crawdad"). These songs are perfectly fine, but I could probably have come up with a half-dozen songs each that I'd've preferred to see on here. (I do think Brady Rymer's "It's All How You Look At It" is pretty good, though.) Of the less familiar artists (kids' related -- Leon Redbone is hardly an unfamiliar artist), the clear standout song on the CD is Zoe Lewis' "Sheep," about her musings while seeing sheep from far above in an airplane ("I wonder what are you thinking as your little pink lips go round and round and chew / Does night time bring you dreams of spring, mutton, mint sauce, leg of lamb or stew? / (Sorry, sheep)"). It's a sprightly melody, sung with whimsy, and mixed with tin whistle, among other instruments. Forget about the less familiar artists -- it's the best song on the CD, period. The album is probably most appropriate for kids age 2 through 8. You can download lyrics and listen to sound samples at Putumayo's page for the release. In the end, after listing all my criticisms, you might be surprised to read that I like the CD. It's a case where the whole is greater than the sum of its parts. Putumayo's history as a mix-tape creator serves it very well here as Folk Playground is a CD which will serve as a very pleasant soundtrack to a session of coloring or game-playing. While there are few standout tracks here, the overall listening experience is nice.

Train Songs

In honor of the release of Dan Zanes and Friends' Catch That Train! (review here), I thought I'd list a few songs about trains for kids. (Note: references to the Island of Sodor will be summarily deleted.) (Last updated May 23, 2006) "Catch That Train!" - off of Dan Zanes and Friends' (DZ&F) Catch That Train!, of course "Choo Choo Ch'Boogie" - also try DZ&F's Catch That Train! "Wabash Cannonball" - many, try DZ&F's House Party "Guysborough Railway" - try DZ&F's Night Time "Rock Island Line" - try DZ&F's Family Dance A whole bunch of songs on DZ&F's Parades and Panoramas "Freight Train" - try Elizabeth Mitchell's You Are My Flower, also (reader-recommended) on Enzo Garcia's Breakfast with Enzo "Little Red Caboose" - many, try Elizabeth Mitchell and Lisa Loeb's Catch The Moon "I've Been Working on the Railroad - many, try Laurie Berkner's version on Buzz Buzz "New River Train" - try Raffi's New River Train "Choo Choo Train" - try Ralph's World's debut Ralph's World "The Little Engine That Could" - try the Hollow Trees' self-titled debut (sorry, Greg!) -- Yosi also has a "Train Medley" on Under A Big Bright Yellow Umbrella that includes some (if not all) of the songs listed above. -- Reader BethBC also notes that James Coffey has an entire CD of train-related songs called My Mama Was a Train. I'm sure there are more, but this is a decent start -- if you post 'em in the comments, I'll add them above.