Review: My Neighborhood - Johnny Bregar

In every reviewer's career, there are the artists you find, follow devotedly, and wonder why the rest of the world isn't quite as enamored as you.

Exhibit A, for me, I think, is Seattle's Johnny Bregar.  I thought his first three albums Stomp Yer Feet!, Hootenanny, and Dragonfly were on par with any recent three-album set from just about any artist you'd care to name.  While they were received positively, with radio airplay and cuts on a couple of Putumayo Kids albums, he hadn't received the attention that his peers (Justin Roberts, TMBG, Elizabeth Mitchell, a few others) had.

And then, 3 1/2 years of silence.  Much of that silence is because Bregar has been struggling to find his singing voice (literally).  And while that condition isn't fully resolved, Bregar has finally released his fourth album for kids, My Neighborhood.  For fans of the first three albums, it is good to hear Bregar's voice once more.

While I don't think Bregar's included too many more guest artists than on Dragonfly, he brought enough guests to his Bainbridge Island studio to make his rootsy Americana with a hint of bluegrass seem like a small party.  There's a mellow, soulful vibe to the album's best tracks, even a bit of wistfulness at points.  The title track recounts a stroll through the narrator's neighborhood, evocative of Mr. Rogers if he'd had a chance to listen to some Jack Johnson.  The next track "Weekend" evokes the best of the Counting Crows sonically in service of praising the fun of Saturdays and Sundays.

While Bregar still invites some younger kids to sing along (as on the uber-confident rocker "Yes I Can"), he's mostly moved on from the preschool songs he originally made his name on.  (I will admit to being tickled pink that Bregar, who I once called "the next Raffi," includes a simple, sing-along version of the Raffi classic, "You'll Sing a Song".)  Bregar's playing (and that of his guests) is unfussy, but there are some nifty instrumental turns.  I will admit to skipping forward past "Pancho," but the vast majority of the songs stand up to repeated spins.

The songs here are most appropriate for kids ages 4 through 9.  You can listen to selected tracks by going here and clicking on the "Listen Now" button.

I've laid it out as best I can without coming over to your house or minivan and commandeering the CD player or iPod and making you and your kids listen.  My Neighborhood is what we expect good kids music to be these days -- musically rich, thematically diverse, and (for older kids, anyway) lyrically sophisticated.  Please please please try it.  Highly recommended.

Itty-Bitty Review: Creepy Crawly Love - Duke Otherwise

It's been awhile since I've heard a good off-kilter kids music album, an album with a distinct perspective on song subjects and a musical approach to match.

If your family collection is similarly deficient, allow me to suggest Duke Otherwise, AKA Noah Riemer, whose debut album Creepy Crawly Love comes out of the Upper Midwest's House of Mercy Recordings to take up space on your family's CD shelf (or computer hard drive) next to John and Mark's Children's Record, The Great Adventures of Mr. David, or perhaps Zak Morgan (thanked in the album's liner notes).

Take "I Used to Think," a jazz-with-a-bit-of-klezmer tune with a hyperactive narrator sounding a bit like Sesame Street's Count declaiming that features the lyrics "I used to think the world was flat, not round / I used to think I weighed a thousand pounds / Can you believe I used to think that e=mcHammer?"  Or Tin-Pan-Alley-via-the-midway "Git Yer Fiddle Out," featuring (among other things) a dog toy, train whistle, trombone, and strummed fiddle, and lyrics like "Get your fiddle out and strum it / Get your trombone out and drum it / Get your xylophone and drive it / C'mon! Drive, drive, drive!" that only get odder from there.  Riemer obviously delights in wordplay, using nifty, brainy lyrics to sing about short-tailed dogs ("Dog Without a Tail"), the Spanish language interrupted by other languages ("How Do You Say 'No' in Español?"), and other eccentrics, all in a musical packaging that's like a slightly peppier Tom Waits.

While a few of the songs will amuse preschoolers, it's really kids ages 6 through 10 who will most appreciate the album.  You can hear clips of many tracks at the Duke Otherwise homepage, or stream a few full-length songs here. I would be surprised if Creepy Crawly Love became a massively popular hit -- it's a bit too off-center for that.  But these types of albums often become adored in some households, and if what you hear here tickles your fancy, then I think your household will give this album a happy home.  Definitely recommended.

A Tasty Review: Four Kids Music Albums for Locavores

Delicious album coverYou don't need to have been locked up in a fast-food restaurant's storage closet for the past few years to know that eating food produced locally has become a Big Thing. Playing around in the dirt and growing fruits and vegetables with bright colors? No wonder that last year's Maria Sangiolo and Friends' album Planting Seeds was just the tip of the iceberg (not the lettuce) when it comes to the mico-genre of "Farmers Market Kindie." I'm not a huge fan of "lesson" music, but it's possible to strike a good balance between entertainment and education. Here are four recommended kids music albums whose musical benefits are as good as the lessons inside. (Note: several food metaphors follow. Tread cautiously.)

The first (and most diverse sonically) album is from Bay Area trio Orange Sherbet, who will release their first album in five years, Delicious, on May 15. The collection of mostly original tunes was inspired by band member Tamsen Fynn's experiences with the Local Foods Wheel, a tool for discovering local, seasonal food in the San Francisco Bay Area. The result of the album Fynn's made with bandmates Jill and Steve Pierce is a sound that's part playground chant, part lounge-jazz, and and a few other genres thrown in, too. (Yes, that is a Santana reference in the Latin guitar rock of "Rice & Beans.) And while sometimes albums that feature lots of different musical genres sound awkward in totality, the result here is much, much closer to the successful, eclectic mix of a Dan Zanes or Dog on Fleas album.  The album's most appropriate for kids ages 5 through 9; you can listen to 3 of the tracks here. (Sound intriguing? Check out the band's final Kickstarter campaign.) With Delicious it's likely you'll want seconds.

Groovin' in the Garden album coverNext on the grocery list is Groovin' in the Garden, from New York musician and storyteller Laurie McIntosh, aka Story Laurie. It's focuses much more on playing in the garden. So there are a fair number of traditional or well-known songs ("Shoofly Pie", "Five Little Monkeys", "Hokey Pokey") mixed into the originals from McIntosh. Her partner in crime for the album is New York state producer and musician Dean Jones from the aforementioned Dog on Fleas, who plays nineteen instruments, sings, and probably catered the recording sessions for all I know. It's a little more narrowly folk-focused than Delicious (and geared toward kids slightly younger, 3 through 7), but still features variety in its menu selections.

Grow album coverAndrew Queen represents Canada in this quartet of food-based albums with his latest album Grow. While the fine liner notes feature recipes and some songs -- "Macaroni and Cheese," the traditional "Fried Ham" -- fit very clearly into the food theme, others such as "The Witch's Brew" and "Worms" (no, it's not a paean to composting), seem to, er, strain the theme.  It shares the folk tradition with the other albums here, and musically, the use of instruments like fiddle, banjo, and a well-deployed tuba is reminiscent here.  (There's also a very communal sound to the vocals.)  Queen is more interested in telling stories in song than even Laurie, so if you're looking for something in that vein for kids ages 5 through 9 (and don't need a whole album of songs praising CSAs), this will fit the bill nicely.

Green & Growing album coverAnd for dessert, we have Shannon Wurst's Green & Growing. I've already praised the album packaging, but the songs inside are nice, too.  They are definitely on the preachier side of the food issue (with detours into energy-saving and recycling) -- so if you don't lessons mixed with your music, you're probably better off with the other albums (particularly the first two).  The object lessons aren't always dry, though -- the brief "Label Able Mable" is a tongue-twisting finger-picking ode while "Criss Cross Applesauce" is a soulful activity song.  (Plus, you have a dinosaur on "Recyclasaurus Rex Visit").  The album's best for kids ages 4 through 8, and you can listen to a few tracks here.  For a country-folk take on ecologically sound eating and living, Green & Growing will hit the sweet spot.