Itty-Bitty Review: Hot Dog! - Caspar Babypants

Hot Dog! album coverThere is no stopping Caspar Babypants. He released my favorite kids album of 2011, Sing Along! (review), in August 2011, and his next album is due out in September 2012.

An album out once a year would reflect a pretty creative clip as it is, but that's too slow for Mr. Babypants -- AKA Chris Ballew -- as next week his new album Hot Dog! is released. How's a new album every 6 months or so work for you?

It works for Ballew. There's no sign that he's cranking out subpar music, trading on his good name for a quick buck or two -- just the opposite, in fact. He's tapped into some super-creative vein, a modern-day folksinger amplified with a home studio with a whole host of instruments and mixing programs. With Laurie Berkner taking multiple years between album releases, Ballew has taken over the mantle of Preschool-Songwriter-In-Chief.

Ballew's equally adept at reconfiguring traditional folksongs ("This Old Whale," a take on "This Old Man") and writing new ones ("All That I Have Got"). He'll mix in the occasional story song ("Eleanor the Elegant Elephant") and pure kid-friendly pop (the funky "Stompy the Bear" and the light-as-a-feather "I Don't Mind"). And while Ballew is responsible for most of the music here and offers a clean, minimal sound, he puts the occasional guest artist (Visqueen's Rachel Flotard, for example, on "More Moles") to good use.

The 49-minute album will be most appreciated by kids ages 1-6, but as with most Caspar Babypants albums, you'll probably listen unabashedly even if they're not around. With Hot Dog!, Chris Ballew continues his streak of fabulous songwriting for kids. I, for one, am glad I'll only need to wait another five months or so to hear more Caspar Babypants music. Highly recommended.

Review Two-Fer: Putumayo's Instrumental Dreamland / Brazilian Playground

Instrumental Dreamland album coverYear in, year out, the Putumayo Kids offshoot of the main Putumayo label consistently releases a handful of well-curated albums of music from around the world and closer to home (if home happens to be North America).

From a reviewer's perspective, they almost do this too well -- if the quality varied more, it would be easier for us to note the outstanding ones, and ignore the misfires. As it stands, they're inevitably all good, but it's hard for one to stand out and demand special attention.

I was reminded of this as I listened to the two most recent releases from the label. There is nothing bad with Instrumental Dreamland, the latest in Putumayo Kids' "Dreamland" series. You could give it to a parent at their wits' end in trying to comfort a wailing infant, and they would probably be grateful. It's soothing, devoid of over-emoting vocalists, and peaceful -- a solid album of lullabies. It is also somewhat superfluous amidst the sea of other lullabye albums available. Because almost every song features a guitar (or at least some other guitar-like plucked instrument), there's a sameness to the songs that is frankly unusual for a Putumayo disk, which generally features more instrumental and stylistic diversity, even in its Dreamland series. I even felt it was too Western-ized -- do we really need yet another cover of "What a Wonderful World?" Kids of all ages (and their parents) will appreciate Instrumental Dreamland either at night or anytime a half-hour of quiet time is needed, but there's far less "need" for this album than most of Putumayo's disks.

Brazilian Playground album coverBrazilian Playground, on the other hand, is closer to a "typical" Putumayo Kids disk (if such a thing can be said to exist). It features eleven songs from the Brazil's large and diverse musical heritage. The album opener, "Alo... Alo," deftly mixes the traditional sound of the bossa nova with electronic beats, while the follow-up, Gui Tavares' "Pancada" has a mellow pop sound. And Chico Cesar's "Mama Africa" sounds like it draws as much from reggae as anything from Brazil. (My favorite track: Adriana Macel's bright, sun-dappled "Samba Dos Animais")

This is not an entirely new disk -- Putumayo released this originally in 2007. For this re-release, Putumayo cut 5 tracks, added 3 new ones (Cesar's track, a jazzy "O Rio Tem Cachoiera" and a slow track at the end called "Anhanga), and re-ordered and remastered the rest. The three tracks are fine, but owners of the 2007 disk shouldn't feel the need to upgrade. Kids ages 3 through 7 will be the ones most likely to dance along and enjoy Putumayo's typically solid work on the liner notes. Brazilian Playground is Putumayo doing well at what it does well -- bringing a mostly unfamiliar sound to English-speaking America and presenting it in a sparkling light. Recommended.

Itty-Bitty Review: Kings & Queens of the Forest - Kira Willey

I really liked Kira Willey's first album of music for kids, Dance for the Sun. It was one of those rare albums written with a specific purpose in mind -- in this case, yoga music for kids -- that not only served that purpose but also could be listened to outside of that context. (It's an album that still gets played occasionally in our house.)

So of course I was eager to hear Willey's long-awaited follow-up, Kings & Queens of the Forest. I'm happy to report that Willey retains her touch at crafting poppy kids music which which could please folks who don't know their downward dogs from hot dogs. There's an obvious bias toward songs that encourage movement -- the leadoff track "Roller Coaster" talks about going up, down, and to the side, for example -- but lyrics are sometimes subtle enough that the yoga origins aren't obvious. "Let the Sun Shine In," for example, features Willey's brother Tom Shileds Jr. doing his bass vocal thing again in a jazzy song that could be about the sun salutation but is pretty much just a happy song. And "The Mixing Bowl" happens to accompany a two-person yoga move, but is lovely no matter the time or place.

The songs here are most appropriate for kids ages 4 through 8. You can listen to a handful of tracks from the new album at Willey's Soundcloud page. As with its predecessor, the hour-plus album also features Willey leading the yoga poses for each song.

Kings & Queens of the Forest is a pleasant collection of pop songs for kids with jazz, surfer, country, and acoustic undertones. Fans of Dance for the Sun will like this new one, and I would have difficulty picking a favorite between the two. Kings & Queens would stand up fine on its own, but for families (and teachers) looking for an album to encouragement (yoga or otherwise), this will definitely fit the bill. Recommended.

[Disclosure: I was given a copy of the album for possible review.]

Itty-Bitty Review: Rock-O-Matic - Imagination Movers

It took me a little while to appreciate the Imagination Movers -- in their early, pre-Disney years, I didn't hear anything particularly special in their music. Not bad, by any means, just nothing... noteworthy. But writing songs for your TV show -- constantly -- and playing live shows -- constantly -- will hone your songwriting chops, and their new, post-Disney album Rock-O-Matic bears the fruit of all that hard work. There are some kids musicians who attempt to map out the interior life of a child. The Imagination Movers are not those musicians. They instead write silly songs about goofy dance moves ("Dance Kung Fu," the album opener) or shiny pop-rockers about going to outer space ("Blast Off"). Or perhaps they write songs that will sound good when they play in front of audiences of 1,500 people or more (the dancehall of "Everybody Sing" or the Queen stomp of the title track). There are plenty of songs here that sound pretty good coming out of the minivan speakers and will sound even better in concert. (A couple more favorites: "Rain Rain," which neatly weaves "Rain rain go away" into a Movers original tune, and "Little Red Wagon".) For the most part the 43-minute album will resonate with kids ages 4 through 7 (though a couple songs, like "Buckle Me In" aim at a younger crowd). In addition to the CD, the album also comes packaged with a 30-minute DVD that mixes silly comedic interludes (a la Monty Python or The Muppet Show, though nowhere near as brilliant) in between videos, some of which ("Little Red Wagon," "Blast Off") are very, very good. Longtime Imagination Movers fans will certainly not be disappointed by Rock-O-Matic, the band's best album yet. But even families who spend their kids music time in independent waters should find quite a bit to enjoy on the disk. The Movers have earned their success with a keen eye (and ear) toward pleasing family audiences of all ages and Rock-O-Matic offers willing listeners a generous portion of kid-pop confections. Recommended. Disclosure: I received a copy of the album for possible review. I also was asked to World Premiere the band's video for "Everybody Sing."

Itty-Bitty Review: Rockin' to the Fiddle - Jumping Through Hoops

Jumping Through Hoops is the name for an all-star band of Brooklyn Americana musicians, including Kristin Andreassen, guitarist Chris Eldridge, and the project's creator, child psychologist/stringband fiddler (a phrase I typed just so I could be the first person ever to type that) Dr. Kari Groff. Given Dr. Groff's background and the fact that the next JTH release is designed "to help families with the tough issues kids face growing up," you might think this would be a dry, didactic release. It's not. There are parts of this album so joyful it seems to burst forth from the computer or iPod. You need not be a believer to feel moved by the band's take on the spiritual "Open Up the Window Noah." The album opener "Dance All Night" mixes a subtly positive message ("Dance all day and all night long / find your voice and sing along / dance all night 'til the break of day / feet can't stop while the fiddle girl play") with a melody that will encourage many listening to dance along. "The Secret Key" is a gentle original about friendship, and you might think that maybe the overt messaging's kicking in, but that's followed up by the zippiest version of "Shortnin' Bread" you will ever hear. The rest of the album continues to maintain that balance, buoyed by accomplished playing. There are a handful of songs whose messages are targeted at kids ages 4 through 9, but it'll likely have a broader appeal than that. You can stream the 26-minute album using the widget below. Rockin' to the Fiddle is a fabulous little sliver of bluegrass and Americana for the whole family. Fans of folks like Elizabeth Mitchell, Little Mo McCoury, Rani Arbo & daisy mayhem, and Dan Zanes -- and just plain good music -- ears up. Definitely recommended.

Review: Coal Train Railroad Swings! - Coal Train Railroad

There are not many artists who play jazz for kids, which is a sad thing. Sad not because Jazz Is The American Art Form and more kids should be aware of their country's musical heritage (even though that statement is true). Sad because jazz can be one of the most playful musical forms, and who plays better than kids? On their second album, Coal Train Railroad Swings!, Nashville's Coal Train Railroad are every bit as playful as their pint-sized primary audience, adding several musical exclamation points to that in the title. From the get-go vocalist Katy Bowser throws herself into the preschool-focused lyrics with abandon. On the swingin' leadoff track "I'm Diggin' Me," Bowser sounds hopped up on pixie sticks as she fully inhabits the bouncing-off-the-walls-let's-play-superheroes! narrator. On big band-inspired "Dirt," I love the way Bowser throws off the word "dirt" at the end of every line, a statement of fact mixed with "what-are-ya-gonna-do?" insouciance. And I think you can probably guess the vocal approach she takes on the gypsy-jazz "I Hab a Code." Which isn't to imply that the music is just jokey -- they come from a kid-centered focus. Bowser can turn in gorgeous vocals as well, as on "With A Box." And she's very ably backed up by her CTRR co-founder, producer and bassist Christopher Donohue, and the rest of the band. They provide great accompaniment, playful when necessary, solid through and through. The album is very preschool-focused lyrically, which may very well restrict the repeatability for folks when kids aren't around, though the album closer, the gorgeous "On Our Swings," is a worthy successor to the West Coast jazz sound Vince Guaraldi made famous to a broad audience via the Peanuts TV specials. The album is more appropriate for kids ages 2 through 7, though that's a lyrical distinction -- musically, it works for everyone. You can hear the whole 27-minute album via the widget at the bottom of the page. I liked Coal Train Railroad's debut, but I really like Coal Train Railroad Swings!. If it's not quite the all-ages classic that Medeski Martin & Wood's Let's Go Everywhere is, it gets close. It's musical, smart, and, most importantly, fun. Definitely recommended. Disclosure: I received a copy of the album for possible review.