Monday Morning Smile: "Tatooine" - Jeremy Messersmith

Ever since seeing him at SXSW this spring, I've been a big fan of Twin Cities musician Jeremy Messersmith, whose album The Reluctant Graveyard will end up near the top of my Top 10 list of non-kids-music related albums for 2010. And while I haven't had too many chances to mention him here on the site, this video for his song "Tatooine" definitely qualifies. At least, if your kid is at all a Star Wars fanatic. Eric Power sets Messersmith's lovely and lo-fi piano-accompanied Star Wars-inspired tune to the Star Wars Trilogy, illustrated via paper animation. The video justifiably went viral when it was released a couple months ago. Pay what you'd like for the track here (and you can do so for Messersmith's other albums), or simply watch it below. Jeremy Messersmith - "Tatooine" [YouTube]

Interview: Jeremy Messersmith

JeremyM_1lowres.jpgWhen I went to Austin in March to speak at SXSW, I of course saw literally dozens of performances during the rest of my time there. One of my favorites -- if not the favorite -- was that of Jeremy Messersmith, a Minnesota artist whose set on a chilly night at Central Presbyterian Church managed to both capture that chill and defy it in equal measure. So what does this have to do with this website? Well, Zooglobble has always been a little idiosyncratic in reflecting my tastes (while it may cover a lot of artists it doesn't cover them all), and I've been listening to Messersmith's new album The Reluctant Graveyard (out tomorrow, May 4) a bunch since I was provided a copy of it a few weeks back. It's a great album, and thirteen big hit songs about death - perfect for a kids music website, right? Well, beyond the album's appeal to adults, Messersmith has, for 3 years in a row, played Minnesota's 89.3 (The Current) Rock the Cradle event for kids alongside such artists as Adam Levy and Haley Bonar who've recorded for music for kids. So I thought it might be interesting to get a bit of a perspective on playing music for kids from someone who doesn't do it very often. Read on for Messersmith's thoughts on his musical upbringing, philosophical rambling, and the surprising lack of interest in Kermit the Frog and Spongebob Squarepants. Zooglobble: What were some of your formative musical experiences? Jeremy Messersmith: Well, I started the recorder at 5, maybe? I think "Baa Baa Black Sheep" was my first song. I listened to a lot of church music - hymns, praise songs, and the like. The great thing about all that is that it's participatory. My dad would be in the front row, playing trombone; I was 3 or 4 when I was playing a wood block. They took inspiration from that Biblical text -- "Make a joyful noise" -- and thought everybody should join in. When did you decide to become a songwriter? Pretty late - not until college. But a friend of mine when I was a kid found me and sent me a copy of a song I "scaffolded" when I was 8 - I put new lyrics to an old melody. "A beast, a beast, rising in the east...". I must've been a jackass when I was a kid. So how did Rock the Cradle come about?