Best Kids Music of 2014: Top 30 Albums

If I were more disciplined about my writing, I'd have written this three months ago when people were thinking about holiday gift lists rather than, well, now.  The advantage is that, rather than giving you a "hot take" about music that I might regret later, I can let a few weeks or months go by and make sure I'm not forgetting (or including) something time has given me more perspective on.

Given that it is approaching the end of February, I think I'll skip the think pieces, the "what does it all mean" text and jump right into the list.  As always, my year-end best-of list matches the Fids and Kamily year -- that is to say, from October 1, 2013 through September 30, 2014.  So some good albums from the last 3 months [waves at Lori Henriques] will just have to wait for next year's list.

One final comment: I originally titled this the "Top 25 Albums" but when I went over my reviews, I realized that limiting it to 25 was going to a difficult proposition.  So I've bumped it up to 30.  That's a good problem to have.

Edit: A couple days later, I was going through my spreadsheet and realized that I totally forgot to add Key Wilde & Mr. Clarke's Animal Tales.  Can't leave that album off the list.  So now it's a Top 31 Album list.

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#1 The Pop Ups - Appetite for Construction

Review - "The Pop-Ups know that you don't need your parent's smart phone to have the world at your fingertips."

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#2 Charlie HopeSing As We Go!

Review - "It's traditional but not musty, sweet but not cloying, engaging but not pandering.  It's a gem of an album, definitely worthy of a comparison to Raffi."

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#3 Red YarnThe Deep Woods

Review - '"Mr. Rabbit" has an almost desperate urgency while "The Fox," which brings together "The Fox," "Midnight Special," and "Go Tell Aunty Rhody," is absolutely gorgeous.  This is a folk revival, in all the many meanings of the word "revival."'

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#4 Walter MartinWe're All Young Together

Review - "Whatever cool-points Martin may have lost by wadding into the kid's music world, the playful and sweet nature of this new album shows he doesn't care one bit. He feels very much at home."

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#5 (tie) The Okee Dokee BrothersThrough the Woods

Review - 'The title track, featuring a lovely descending bass line, is the spiritual successor to the last album's title track, but most of the songs are more content to celebrate tiny moments -- dancing with neighbors in "Jamboree," the gentle love song "Evergreen," the ode to keeping things loose "Out of Tune."'

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#5 (tie) Recess MonkeyDesert Island Disc

Review - "If the songs hold together in any particular way, it's more in their sound.  In the orchestrations (from Jherek Bischoff, brother of drummer Korum Bischoff), toned-down retro-rock, and love songs, this is easily their most Beatles-esque album since their little-heard debut Welcome to Monkey Town."

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#7 (tie) The Short FilmsKingdom Animalia

Review - "The entire album has a dream-like effect -- "Pegafox" is about a make-believe animal, for example, the body of a red fox with the wings of a red-tailed hawk.  "The Mysterious Okapi" is the kids song we never knew Portishead had written about an animal almost none of us know."

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#7 (tie) Elizabeth Mitchell - The Sounding Joy

Review - "The communal experience of singing in celebration is honored here, somewhat hushed, always joyful."

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#9 (tie) Danny WeinkaufNo School Today

Review - "You don't have to be a They Might Be Giants fan to appreciate this album (though TMBG fans are most likely to go nuts for this), just a fan of nicely-crafted, occasionally goofy, kid-pop."

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#9 (tie) Sólrún SumarliðadóttirSkýjaflétta

Review - "This is a thoroughly charming album and while I'm sure I will never get a chance to see the dance pieces these were composed for, I'm glad the album has a chance to cross the ocean for families with adventurous listening habits."

After the top ten, which I can give you because it matches my Fids and Kamily ballot, distinguishing between the rest of my list becomes a little more difficult.  So I'm taking the easy way out - alphabetical order for albums 11 through 31.

Laurie Berkner - Laurie Berkner Lullabies (review)

Bears and Lions - We're a Club in the Woods (review)

Edie Carey & Sarah Sample - 'Til the Morning: Lullabies & Songs of Comfort (review)

Caspar Babypants - Rise and Shine (review)

Danny Lion - First Songs (review)

Lucky Diaz & Family Jam Band - Aqui Alla (review)

Lucky Diaz & Family Jam Band - Lishy Lou and Lucky Too (review)

Laura Doherty - In a Heartbeat (review)

Gustafer Yellowgold - Gustafer Yellowgold’s Wisdom Tooth of Wisdom (review)

Thomas Hellman and Emilie Clepper (The Secret Mountain) - I Know an Old Lady Who Swallowed a Fly (review)

The Hipwaders - Year-Round Sounds (review)

Hullabaloo - Shy Kid Blues (review)

Jelly of the Month Club - Introducing… (review)

Randy Kaplan - Jam on Rye (review)

The Not-ItsRaise Your Hand (review)

Papa Crow - Full Moon, Full Moon (review)

Raffi - Love Bug (review)

Recess Monkey - Wired (review)

Brady Rymer and the Little Band That Could - Just Say Hi (review)

Secret Agent 23 Skidoo - The Perfect Quirk (review)

Key Wilde & Mr. Clarke - Animal Tales (review)

Weekly Summary (3/10/14 - 3/16/14)

Review: Two Kids Music Albums from Iceland

[Cue Jim McKay voice] Spanning the globe to bring you a constant variety of the best of kids' music from around the globe, it's Zooglobble! [End Jim McKay voice]

I've never been shy about shining the spotlight on kids music from outside English-speaking North America -- plenty of Spanish-language music from multiple continents, not to mention Putumayo and Secret Mountain (and other labels' ) albums from around the world.

I feel safe in saying, however, that this is by far the furthest afield I've ever traveled, because today I bring you not one but two album reviews from the fine country of Iceland.  Honest-to-goodness kindie music from the northern European country of just a shade over 300,000 people.

The first of the couple albums here is the classic Ekki bara fyrir börn.

"Classic?"  Huh?

Yes, because that album title translates into Not For Kids Only.  This, friends, is a faithful -- albeit Icelandic-language -- cover of the Jerry Garcia and David Grisman's classic 1993 family-friendly bluegrass album.

It's from Icelandic record label Warén Music, and while I'm not sure I could've told you what I expected such a remake to sound like in advance of hearing, I guess I was surprised at the result, which was... well, pretty straight-forward.  It is as if Garcia and Grisman learned Icelandic, got a pot of coffee, found a few more musicians, and re-recorded as if they were some American kindie version of Michael Haneke remaking Funny Games.  (What really happened? Somebody brought over a copy of the original, and the musicians were inspired to recreate it.)

Aside from the language barrier, musically it'll sound a lot the '93 version, albeit a little more punched up, as if a few more musicians stumbled across Garcia and Grisman as they noodled away in the woods.  It's a little odd at points to hear such familiar melodies with unfamiliar words (take "Lagarfljót" for example, the translated version of "Shenandoah").  And then there's Lautaferð bangsanna, which is "Teddy Bear's Picnic" as sung by a Tom Waits' vocal double in Icelandic.  (Listen to the whole thing here.)  With the language barrier, this is accessible to all ages.

I realize this is essentially a novelty record for the English-speaking world -- you'd have to be a massive Garcia/Grisman completist or speak Icelandic in your family to want this.  But it's joyful, and a neat reminder of music's boundary-less nature.

If Ekki bara fyrir börn is American kindie (or American proto-kindie) rendered inscrutable for the typical American audience, Skýjaflétta is thoroughly Icelandic in conception, but completely accessible to audiences of any language.  The album is the brainchild of Sólrún Sumarliðadóttir, who plays in amiina, an Icelandic sextet that grew out of a string quartet and, in addition to releasing music on their own has also played with Sigur Rós.  Sumarliðadóttir wrote the music to accompany a couple of modern dance pieces for very young children, up to age 3.  (According to Sumarliðadóttir, the first 5 tracks are for a piece called "Clouds," the remaining tracks score "Twist and Turn".)

As you might expect from that background, these aren't straightforward pop songs.  The word "Skýjaflétta" means "a braid made of clouds," and this is an ambient dreamscape, but a shiny one, filled with pops, clicks, and toy pianos.  Some tracks, like "Twisty Tangle and Turny Braid," (as translated in English) and "Build" are pensive, exploratory, while songs like "Explore" are designed for more reflective wonder.  They are all wordless, making them, of course, open to everyone.

You can listen to six tracks from the 31-minute album here.  Ironically, just as the Icelandic-language album is for all ages given that almost all Americans will just listen to the music, the instrumental nature of this album, makes it all ages, too, though kids under 5 might particularly groove to this.  This is a thoroughly charming album and while I'm sure I will never get a chance to see the dance pieces these were composed for, I'm glad the album has a chance to cross the ocean for families with adventurous listening habits.  Definitely recommended.