My Favorite (and the Best?) Kids Music of 2017

This past year has been challenging in terms of writing about kids music here at the site. There are a variety of reasons for that -- you can read this post for a few thoughts in that regard -- but the fact remains I haven't reviewed as many albums. I'm still receiving -- and listening to -- a lot of kids music, but those thoughts haven't been translated into words on a screen. It took me, sadly, 'til the end of April 2017 to write up thoughts on the best kids music of 2016, for an album award year that ended more than 6 months before.

As for this most recent year, I did once again submit my votes for the annual Fids and Kamily Awards I co-coordinate. You can read all about the 2017 Fids and Kamily Award winners here, but I do feel compelled to list my own ballot in the same year the awards were announced. (Small victories, amirite?)

Looking over this list, I'm once again struck by how my own personal favorites once again fell back on familiar and long-time names....

Kindie Keeps on Tickin' (Reviews of Early 2017 Albums)

After questioning why people read record reviews, I also said that I'd be taking a break writing reviews, at least as how I'd normally conceived of them.

But I had a few more albums -- a couple dozen maybe -- I wanted to get through first.

So let's take a look at a quartet of recently-released albums that show how kindie keeps on tickin' even while I get a little antsy about writing reviews.

The quartet can essentially be split into a couple of duos, the first pair a little more conventional, the second pair a little more atmospheric and adventurous. Both pairs of albums have a lot to offer their listeners, but will probably have their own distinct sets of fans.

Let's deal with the more conventional albums first, starting with Big Buncha Buddies, a self-titled debut from Keith Munslow and Bridget Brewer.

Munslow is a musician and comedian with a number of albums under his belt, while this is Brewer’s first, but her sense of humor (and voice) blends nicely with Munslow’s. Some songs use humor as the default (“That Was A Bad Idea,” “Why Did You Teach Me That Word,” which is a country ballad bemoaning a questionable parental decision) whereas others just have a comedic interlude (Brewer’s pleading with her overeager and misguided dog in “Stray Dog”). But there’s always a non-cloying sense of love and friendship, most notably on the last track “Don’t Grow Up Too Fast” and on the album’s centerpiece literally and figuratively “The Loneliest Whale,” which posits a connection between a solitary whale and a child trying to make her social way through the world. Gently, the 35-minute album presumes a world in which people have imagination, are a little bit weird, and make connections despite (or because) of it. Which as a non-obtrusive background to a set of songs that will amuse your 5-9-year-old, is a nice bonus.

Onward to Randy Kaplan, whose latest album Trippin’ Round the Mitten features his usual set of humorous takes, often featuring Kaplan as an aggrieved narrator dealing with the frustrations of the world around him. Now that Kaplan’s a father, he’s got an even more constant stream of inspiration. Kaplan has excellent taste in cover songs, sliding in ELO’s “Jungle,” The Dead Milkmen’s “Beach Song,” and “Mr. Bass Man” (among others), not to mention a sharp parodic ear, reworking “Mr. Bass Man” into “Mr. Spaceman” (hi, Elon Musk!) and turning Maroon 5’s “Sugar”’s inappropriate-for-a-four-year-old’s lyrics into an ode to a four-year-old’s favorite ingredient. Kaplan’s comedic approach could be wearying if it weren’t for the fact that he’ll thrown in an incredibly heartfelt song, like following up “Cat & Mice” (about what happens on a “guys weekend” with dad and son) with longtime producer Mike West’s “Tongue Tied,” a gorgeous apology in song that parents and kids have both felt. And in the case of Kaplan’s “On the Phone on the Toilet,” the salty and sweet are inextricably mixed. Kaplan doesn’t change his formula here, but when the formula works well as it does again, I’m OK with that. Longtime fans will dig in; if you’re new to Kaplan, this album is a fine place to start for your favorite 4-to-8-year old.

Moving on then, to the dreamier pair of albums, starting with Mo Phillips’ Spectacular Daydream, which is a strong contender for Most Accurate Album Title of the year, as the Portland musician gives us a dozen songs that seem inspired by, or designed to encourage listeners to, sleep. It’s not that this is a lullaby album, but the dreamy imagery (sample lyrics: “Your ears are made out of French toast”) and lush and often mellow musical arrangements -- and guest artists including fellow Portland musician Red Yarn -- encourage a relaxed listen rather than active engagement. The prominent use of ukulele helps in this regard as well. In fact, thanks to a grant from Portland’s Regional Arts and Culture Council, Phillips has turned the album into a ukulele songbook with elaborate drawings -- it’s definitely the one album I’d encourage tracking down in physical format if you care at all about it. (The younger listeners in the 3-to-7-year-old target audience may want to color the illustrations, too.) Along with Pointed Man Band’s Between the Waves and the Cardoons and Red Yarn’s Born in the Deep Woods, Spectacular Daydream is the third in what has been an impressive 2017 thus far for Portland-based kids music.

Finally we have The Moonlights, the debut from The Moonlights, better known to kindie fans as the duo's component parts, Dean Jones (Dog on Fleas, kindie super-producer) and Rachel Loshak (Gustafer Yellowgold). From the album's very start, when "That Light" quotes Shakespeare, there's a fable-like quality to the 33-minute album that is completely enchanting. (That album cover picture of a moon shrouded in fog is an excellent visual companion.) The songs celebrate the natural world in all its many splendors, often in awe, but occasionally feature a more comedic touch. "Symphony for Dogs" is about writing a symphony for canines that humans can't hear while "Early Bird" spins the phrase "the early bird gets the worm" into a whole series of animal pairings. And while the dueting between Jones and Loshak is lovely on tracks like "Colour of Leaves" and "Bake a Cake" (the sweetest love song you'll hear on a kindie album this year), I think it's really Loshak's voice which is the star, a clear soprano deployed to beautiful and occasionally humorous effect, featured by Jones' typical instrumentally restrained but eclectic arrangements. To me, this ranks up there with Dog on Fleas' best albums and Jones' solo Napper Delight. These four albums are all worth you checking out -- all definitely recommended to be sure -- but this one is my personal favorite, definitely a candidate for my favorite of the year.

Review: Tiny Destroyer - Keith Munslow

I've listened to Keith Munslow's new album Tiny Destroyer album several times now, and I have been having difficulty putting my finger on exactly what it is that appeals to me about this album, and Munslow's work generally.

Maybe the problem is that if I write it down, it sounds pretty prosaic. Here goes:

Keith Munslow writes good songs with humor, and plays them well.

Yeah, it doesn't sound any more relevatory written down than it did in my head. But just because something is boring doesn't make it any less true.

Take the leadoff track, "Coffee Breath," an ode -- or anti-ode, really -- to a parent's love of coffee. The narrator child complains about his parent's breath while underneath Corey Pesaturo plays some pretty amazing accordion for a Argentian/Rhode Islandan tango. On Munslow moves through musical genres -- the doo-wop of "Intelligent Clam" (about, well, a bivalve with brains), the jazz swing of "Seeing Monkeys," the martial strut of "Tiny Destroyer" -- telling stories that should provide a grin if not outright laughs. "Knocks the knickknacks from their nooks" from the title track isn't an objectively funny line, but it's a perfect one. Tiptoeing around a sleepy dad, kids hopped up on sugar, riding a bike ("Magic Bike," one of a couple songs not going for the laugh), these aren't uncommon topics for the genre, but they're sharply executed. I realize that my personal favorite, "The Last Chicken Wing," might not match up with the preference of the 7-year-old, because Munslow's underplaying of a dramatic piano ballad about who's going to eat the last piece from an order of wings is subtle, but that 7-year-old will appreciate it when she's older.

Munslow doesn't spend the entire album going for yuks. He also performs a couple longer stories (7 and 10 minutes long) -- "Old Joe's Bones" is gently scary and foreboding, while "Princess Pepper's Story" is a bit of self-empowerment. And "I Can Still Say I Love You," which closes out the album, is a little bit of "Cat's in the Cradle" for the 21st century (but loving instead of depressing).

The 48-minute album will be most enjoyed by kids ages 5 through 9 (and by new parents of infants and toddlers). As a side note, I thought the physical copy was one of the nicer packages in terms of layout and design -- by no means elaborate, I just thought Denise J.R. Bass' design, fearing Eric Fulford's illustrations, neatly captured the songs and stories within.

Munslow is now a parent and has perhaps an entirely new perspective on parenthood. In addition's to his numerous gigs, he's led a variety show for a number of years. Parenthood + a little bit of theatricality + excellent musician = a bunch of fun. Simply said, Tiny Destroyer is my favorite Munslow album to date. Definitely recommended.

Note: I received a copy of this album for possible review.

Best Kids Music of 2013: Top 25 Songs

It has been too long since I posted a list of my favorite songs of a year. 2011, to be exact.

Oops.

(I already said how embarrassed I was about that.)

Following up on my list of Top 10 kids music debuts in 2013, here's my list of my 25 favorite (or best, depending on your perspective) kids' songs on albums released over the past year ("year" defined as between November 1, 2012 and September 30, 2013, to match the Fids and Kamily Awards this year). I should note that some of these songs have been floating around for a few years now (the Trout Fishing and Shine and the Moonbeams songs), but have only now found themselves on a proper release. One could do much worse than to put all 25 on a mix CD or iTunes/Spotify playlist.

Hey, wait, I've done that! Here's the link (go here if you're in Spotify). See the end of this post for the embedded stream. By the way, songs not on Spotify are marked with an *

In any case, picking these 25 songs was tough, tougher than in most previous years, I think. I had another 15-20 songs I was seriously considering for this list, and on another day, my mood would have struck me differently and at least a couple of those songs would be on here. But I'm pressing the "publish" button today.

Top 25 Kids Music Songs of 2013 (listed alphabetically by artist)

"Similes and Metaphors" - The Bazillions (Heads or Tales)

"When Pigs Fly" - Sandra Boynton (performed by Ryan Adams) (Frog Trouble)

"Thingamajig" - Lucky Diaz and the Family Jam Band (Lishy Lou and Lucky Too) -- I know, I know, the album was released on Oct. 1, 2013 and so technically speaking shouldn't be on here. But come on, this was song was awesome. And there was a single, so that's what I'm hanging my hat on...

"Lonely Girl" - Cat Doorman (The Cat Doorman Songbook)

"It's Not Fair To Me" - Bill Harley & Keith Munslow (It's Not Fair To Me)

"Dinosaur" - Lori Henriques (The World Is a Curious Place To Live) *

"Wag More" - Boxtop Jenkins (You're Happier When You're Happy)

"Take You Into My Arms" - Joey No Knows (Color This Album)

"Nine O' Clock Behind the Jack Rabbit" - Josh & Gab (I'm Not a Bully!)

"You Made Me a Sock Monkey" - Billy Kelly (AGAIN!) *

"Have You Ever Been Jealous?" - Alastair Moock with Rani Arbo (Singing Our Way Through: Songs for the World's Bravest Kids) *

"Let's Skateboard" - The Not-Its! (KidQuake!)

"High 5 Your Shadow" - Ratboy Jr. (Champions of the Universe)

"The Deep End" - Recess Monkey (Deep Sea Diver)

"Recess" - Justin Roberts (Recess)

"Bully Bully" - Shine and the Moonbeams (Shine and the Moonbeams)

"Home of Song" - Paul Spring (Home of Song)

"Song Without a Rhyme" - SteveSongs (Orangutan Van)

"Duermete" - Heidi Swedberg and Friends (My Cup of Tea)

"The Late, Great Nate McTate" - Trout Fishing in America (Rubber Baby Buggy Bumpers)

"Here Comes My Friend" - Underbirds (Underbirds)

"Scavenger Hunt" - The Verve Pipe (Are We There Yet?)

"Stay True" - The Watson Twins (Pioneer Lane)

"Bigga Bagga" - Key Wilde & Mr. Clarke (Please To Meet You)

"Honeybee" - Dan Zanes & Elizabeth Mitchell with You Are My Flower (Turn! Turn! Turn!)

Weekly Summary (8/26/13 - 9/1/13)

Another fun week of content for your perusal (or re-perusal, if in fact that's a word meaning "read again" and not a type of kangaroo). There's always more stuff elsewhere beyond this main page, so feel free to explore (or subscribe via RSS) to the other portions of the site.

March Z7: What You Missed (Or Not, I Hope)

I do feel compelled to remind you occasionally of what great music you're missing out on if you're not signed up for (or opening up) the Zooglobble newsletter. Newsletter recipients get the occasional Z7 newsletter featuring 7 tracks from 7 artists, downloadable for free for just 7 days.

The March Z7 has come and gone, and here's what we featured this time around:

The Not-Its! - "Let's Skateboard"

Moona Luna - "No Me Digas"

Paul Spring - "Home of Song"

Bill Harley & Keith Munslow - "It's Not Fair To Me"

Milkshake - "Starry Starry Night"

The Boogers - "Pandas Are Dangerous"

Hand Aid - "Felt Around the World"

As a mixtape, I'm not sure that set of songs flows well, but those are seven fine songs, folks. More Z7s are in the works. Sign up today.