Radio Playlist: New Music September 2017

Between catching up with stuff I missed last time and the late summer/early fall rush of new music, I've got a whopping 16 songs in this month's new music playlist. (Feel free to check out the August list here if you missed it.)

As always, these Spotify playlists are limited in that if an artist hasn't chosen to post a song on Spotify, I can't put it on the list, nor can I feature songs from as-yet-unreleased albums.  But I'm always keeping stuff in reserve for the next Spotify playlist.

Check out the list here (or right here in you're in Spotify).

**** New Music September 2017 (September 2017 Kindie Playlist) ****

"Ellen Lemon" - Gustafer Yellowgold

"Fiesta De La Brea" - Lucky Diaz and the Family Jam Band

"Ten Little Piggies" - Caspar Babypants

"Miss Mary Mack" - Jazzy Ash

"Come Gather 'Round" - KB Whirly

"Sway" - Alphabet Rockers

"My Purple Fox" - Purple Fox and the Heebie Jeebies

"That Thing" - Randy & Dave

"Pennies and Forget-Me-Nots" - Steve Pullara and the Cool Beans Band

"Conjunctions" - Big Don

"You Could Be the One" - The Bazillions

"Going for a Drive" - Marjo Wilson (aka Cotton Dandee)

"Beethoven's Horse" - Ralph's World

"Alphabet Tebahpla" - Danny Weinkauf

"Hooray for Spinach" - Val and the Whippersnappers

"I've Got No Strings" - Jess Penner

A Massive Caspar Babypants Playlist

Jump For Joy album cover

Today marks the release of Jump For Joy!, the 13th album for kids from Caspar Babypants, AKA Chris Ballew.

Thirteen albums for any artist is a significant achievement, but the fact that Ballew has done so in basically little more than 9 years is even more amazing.

And the fact that those 13 albums are uniformly good to great -- not a stinker among them -- is the most impressive feat of them all.

Jump For Joy! is another good Caspar Babypants album, and while I'd probably pick a different album to introduce a listener to CB (More Please! or Sing Along!, to suggest a couple), it's certainly a worthwhile spin.

I have written many words about the music of Caspar Babypants -- many, many words.  Let's face it, trying to say something interesting about the latest album from some who is releasing new music every 33 or 34 weeks can get difficult.  Let's just say I think that Ballew is one of the great songwriters for preschoolers of this era or any other.

So rather than going into more detail on his latest album saying, basically, "I like this -- you should try it out," I decided to put together a playlist of my favorite Caspar Babypants songs.  And as I went through his albums one by one, I quickly realized that to do something like a 15- or even 30-song list wouldn't do Ballew justice.

I present to you, then, one hundred awesome Caspar Babypants songs, up to and including songs from Jump For Joy!, out today.  I have not tried to organize these 100 songs into the perfect Spotify playlist -- they are simply CB songs, ordered chronologically by release date.  The one exception I made was to move all the songs from Night Night!, Ballew's lullaby/nighttime album, to the very end, but even then you'll hear a few lullabies from his other works scattered throughout.  (I also tried to keep the songs I picked from Winter Party!, his Christmas/holiday album, not very... Christmas-y so that it works even in the heat of late August.)

Anyway, parents, enjoy, and Chris Ballew, thanks.

Screen Time (Kids Music and TV Shows)

I have had in my list of potential posts for the site an item I called "kids music TV shows" for at least a couple years.  I'd probably been thinking about the idea for long before that.  The general idea was to survey the landscape of kids music and broadly cover the wide variety of kids musicians who were making television of some sort in the consumer guide fashion to which, for better and worse, I default.

But in between the time the idea first took hold in my mind and now, something has shifted, and we're in a far more uncertain time for the creation of visual entertainment.

Think back, if you will, to a decade or so ago, back when dinosaurs ruled the earth.  No, that's not right.  What I meant to say, back when Jack's Big Music Show and Imagination Movers aired on Noggin/Nick Jr and Disney Junior/Playhouse Disney.  While their premieres didn't literally overlap (Jack's last show premiered in April 2008, while the Movers' first show didn't air until September that year), in my mind they are lumped together in the golden age of kids music on television.

While Laurie Berkner had already released four albums by the time Jack's Big Music Show premiered in 2005 and had achieved some level of popularity, there's no doubt that her appearance on every episode catapulted her into kids music superstardom.  (It was the release of a Laurie Berkner DVD in 2006 that was one of the precipitating events leading to my first NPR piece.)  And the show gave guest spots to about a dozen other kids' musicians as well.  While I don't think the bump for individual artists besides Berkner was meaningful, I think the idea that there was a modern take on kids music broadly was.

The Imagination Movers' show was very different stylistically from Jack's, but it, too, had a dramatic impact on the Movers' career.  While they had achieved a fair amount of success, especially in their New Orleans hometown region, the Disney show significantly increased their reach.  I went to their Phoenix-area concert in 2009, and at least a thousand people showed up, outdrawing Dan Zanes.  They were a big deal.  (They're still popular, but I'm guessing they would be even more so were the show still on the air.)

Certainly the success of those two shows could have led to more shows that drafted kids musicians into leading roles.  And my memory going back to the 2010-ish era was that a lot of musicians wanted to be drafted.  But almost at the same time that Berkner and the Movers were having success, a couple of other shows laid down an alternative path that I think proved to be the downfall of kids music on TV: Yo Gabba Gabba and The Fresh Beat Band.

YGG debuted in 2007, even before the Movers' show, and Fresh Beat Band debuted in 2009.  In each of their own ways, their approaches likely diminished the allure of kids music to both television executives and audiences.  With Gabba, the guest musical artists didn't come from kids music -- they came from the world of music for adults.  The first season guest stars were very indie -- The Shins were probably the biggest "get" -- and lent the show a certain sheen of "cool" that kids musicians are unlikely to ever provide, certainly not on a kids' show.  And as the show became more popular, the guest stars did, too.  (When The Roots, The Flaming Lips, Solange, and Weezer are willing to do your show, there's no need to check out Zooglobble for the hot new kids music star.)

The Fresh Beat Band took a different approach, but one that also excluded kids' musicians.  By recruiting singers and actors for the band, the producers of the show essentially created the Monkees for preschoolers.  (Not a slam.)  It was an approach that also proved popular (the show toured live, as did YGG), but one that didn't require any current kids' musicians.  And even if you think, hey, a band of kids' musicians created out of whole cloth, that's better than nothing, well, the show was eventually sunsetted, with Fresh Beat Band of Spies, an animated show, taking its place in a way starting in 2015.

In the wake of Jack's and the Imagination Movers shows, and while YGG and Fresh Beat Band were on the air, there was a lot of interest by kids' musicians about getting their own series off the ground.  A TV series was held up as the holy grail, the brass ring folks sought.  I don't want to suggest that it was the only thing people cared about, or that they were obsessed by it, but... there was no small amount of interest.

It's not like there was no success -- Lucky Diaz and the Family Jam Band got their live-action series Lishy Lou and Lucky Too on the air on several Indiana PBS stations starting in around 2013.  Billy Kelly put together four interstitials called I'm Thinking of an Animal for Rochester, New York PBS station WXXI in 2012.  But the successes for Lucky and Alisha and Billy were more regional in nature.  And Laurie Berkner's return to kids' TV in Sprout's animated interstitial series Sing It, Laurie! never really achieved the visibility of her first show.

If you want to think of the cup as half-full, though, let's not forget Steve Roslonek, AKA SteveSongs, who as "Mr. Steve" served as a co-host and musician on PBS Kids' preschool morning block.  And perhaps the biggest success was that of Tim Kubart, who after years playing with the Jimmies and creating Tim and the Space Cadets, made it onto Sprout through co-hosting the Sunny Side Up show.  And just this week the Sunny Side Up show became Sprout House, a new morning show on which Kubart -- and other kindie artists -- will now play music.  This seems like a positive turn of events, though the expected bump for any artist besides Kubart in terms of visibility should probably be small.  As with Jack's Big Music Show, the important part is in the overall visibility, though Sprout's viewership, compared to that of Disney Channel and Nick Jr. of the pre-2010 years, is likely small.  Big, in the world of kids music, but small(er) culturally speaking.

Of course, kids haven't stopped watching video, they've just moved to other places -- Amazon and Netflix, and YouTube, for example.  But that switch hasn't meant kids music getting featured there.  Sure, Amazon includes full-length episodes from Lisa Loeb and Amy Lee, but those are just one-off on-demand productions.  (Also note that those aren't kindie-first artists.)   Other networks like Ameba and BatteryPOP will offer kids music channels (generally compilations featuring a single artist), but there's less of a sense of kids music as a genre.  It's great that that avenue exists for artists, but if you're a parent, you're unlikely to stumble across kids music serendipitously -- you have to seek it out, and most likely, seek out an artist you're already familiar with.  And unfortunately for musicians, the amount that YouTube pays per stream is waaaaaay less than even places like Spotify, which many artists already feel pays too little.  (If the numbers in the linked article are accurate, a YouTube creator would have to get 150,000 views on a video just to earn $300.)

So after all this hand-wringing, I am going to end with a list of TV shows/channels on the internet that feature kids musicians.  If you are one of those dedicated parents looking for serialized shows, or at least a channel that isn't merely videos, this list is for you.  Note that I'm deliberately excluding YouTube artist channels such as those from Laurie Berkner, Caspar Babypants, and Patty Shukla that are very popular (Shukla has 385 million views), but aren't featuring shows.

If you're a kids musician whose show has been left off this list, drop me a line!

Ralph's World - Time Machine Guitar [YouTube]

A couple notes: 1) This show is well done -- it features Ralph and a group of puppets learning about music and (eventually) time travel adventures.  It is in many ways reminiscent of Jack's Big Music Show.  Ralph's been working on the show for a loooong time (his daughter Fiona is now also working on it), so I'm glad to see it finally reach public eyes and ears.  2) Ralph, update the playlist for episode #2!

Miss NinaMiss Nina's Weekly Video Show [YouTube]

This is a simple show -- every Tuesday morning, Miss Nina posts a simple live-action singalong song.  But it's probably that simplicity that's helped her attract more than 14,000 subscribers to her YouTube channel, which makes her a star among YouTube kindie musicians.

Lloyd H. Miller - Ursa Major / Ursa Minor [Vimeo]

This is a serialized spy show for kids written and directed by Miller himself.  It's low-tech, and there wasn't too much music in the episodes I saw, but fans of Miller (solo or in the Deedle Deedle Dees) may want to check it out.

Dan Zanes - Dan Zanes and Friends [YouTube]

A short-lived series from 2014 featuring, well, a day (a week? a month?) in the life of Dan Zanes, musician.

How Do We Sing? [YouTube]

Finally, How Do We Sing? is a wordless meditation on weighty topics -- dreams, motherhood, death -- as told through the eyes of three puppet characters.  One of the co-creators (and puppeteer) is Chicago's Erin Flynn, thought of fondly 'round here for her Dreamer of Dreams album more than a decade ago and who also performed on the most recent Ella Jenkins album.  How Do We Sing? is definitely not a bright, shiny, poppy piece -- it's meditative and doesn't feature "kids music" at all -- but may strike some viewers as beautiful.  (If you're one such viewer, pitch in on their Kickstarter to make a full-length movie!)

Video: "Froggie Went a Courtin'" - Caspar Babypants

It's a little hard to hear because of his history with the pop-punk Presidents of the United States of America, and because his Caspar Babypants project has such a whimsical pop sensibility, but Chris Ballew's work as Caspar Babypants is very, very folk.  His originals generally have a simple core, easily replicable as sung work by the novice.  And he's very committed to reworking folk song classics and giving them new life.

Jump for Joy album cover

For "Froggie Went a Courtin'," perhaps the hoariest of folk song chestnuts, Ballew ditches the amphibian's sword and pistol, and replaces them with a ring and bouquet -- because Froggie's asking to get married, duh.  It's not that this new version is any better than the thousands that have come before it (though it's better than a lot of them), but his willingness to make the song his one is folk as anything.

The song is on his forthcoming album Jump for Joy! (out August 18), and as with many of his videos, features Ballew's own drawings.  (Look for Beatle John.)

Caspar Babypants - "Froggie Went a Courtin'" [YouTube]

Four on the Floor (Kids Music Reviews for Preschoolers)

Owl Singalong cover

Here's the next installment of reviews of albums before I pause a bit with my reviews.  Last week I covered some recent (2017) releases, but this week's roundup includes some albums more than a year old.

I wanted to take a look at some recent albums targeted at the preschool set, those kids moving close to (if not sitting directly on) the ground.  This isn't a complete listing of such albums, but they are four albums that I think give a fair overview of where 21st century music for your favorite 3-year-old is at the moment.


We'll start with the most famous kids musician on this list, and arguably, the first kids music superstar -- Raffi.  Most folks recognize the first wave of kids musicians -- legends like Pete Seeger, Ella Jenkins, Woody Guthrie, Leadbelly -- as folksingers, including the social justice component that folksingers have often been recognized as having, especially in the United States from the '30s through the '60s.  They weren't just singing about animals and playtime, they also sang about freedom and justice.  (Sometimes they even did so simultaneously.)

It took awhile, but Raffi has become every bit the political folksinger his predecessors were.  When he first burst onto the scene in the mid-1970s, his first albums were classic sing-along stuff, but he avoided political items.  Gradually, however, he mixed in songs celebrating the natural world, with "Baby Beluga" becoming a touchstone song for hundreds of thousands of kids in the early '80s.

His 2016 album Owl Singalong came comparatively quickly on the heels of his previous album, 2014's Love Bug, signifying new inspiration after more than a decade away from the genre, and this album is filled with lots of songs celebrating the importance of the natural world and, one senses, a new urgency from the 68-year-old Canadian singer.

There's a sprightliness to the music here, aided by Raffi's newfound discovery of the ukulele.  Longtime friend and collaborator Ken Whiteley and his son Ben help out with instrumentals, his niece Kristin Cavoukian sings on a couple songs, as do a number of others, and he deftly mixes new takes on old classic music circle songs like "More We Sing Together" and "The Lion Pokey" with folk songs written with a wider circle in mind, like "The Garden Song" and "Somos El Barco."  (Oddly enough, this may be the album pitched at the oldest audience of these four.)  Raffi's voice is as fine as ever, though he's still willing to be very playful with his voice, too.  All in all, this is a fine collection of songs, a worthy addition to Raffi's long discography.

Love Bug cover

Another artist who covers much the same ground as Raffi is Maryland's Valerie Smalkin.  A ventriloquist and musician who's been performing a long time, her 2016 album Love Bug (see, a Raffi connection right there!) could easily find a home in many a preschool classroom.  For the most part, the album is filled with originals with a couple more traditional songs ("Hey Betty Martin," "Bumblebee") mixed in.  The physical album comes with suggestions for making listening to the songs a more interactive process as well, which is not unusual for these types of albums -- it's another common theme we often see.  The execution of these songs in arrangements is just enough improved over most such albums that I think it won't wear out its welcome nearly as fast.  Smalkin's appealing voice helps out as well.  (I could do with less synth, but most similar types of albums lean on that synth even more than it's leaned on here.)  I wouldn't listen to this album by itself as much as I would the other three albums here, but for those looking for a little more movement and interaction as part of their listening experience, this might do the trick.

Songs for Little Ones cover

Moving on to an artist clearly inspired by Raffi -- Charlie Hope.  I've compared the Canadian/American Hope favorably with the Canadian legend, and her latest album, Songs for Little Ones, released late last year, does nothing to dissuade me from the comparison.

Whereas her previous albums tended to be a little more of a mix of original songs (and some darn catchy ones to boot) and classic kids' songs, this new album shifts the balance of the songs to the classic side, with only 3 originals -- still lovely -- and 22 covers.  I tend to think that new families should have multiple versions of these types of albums just so those families can hear how, say, Raffi's take on "Down By the Bay" differs from Hope's here, but there are far worse voices to include on a short list of albums of classic songs than Hope's bright, clear voice.  The arrangements here are more folk-pop -- no synths, but poppier perhaps than Raffi's earthier approach (just enough tasteful percussion or perhaps an occasional string instrument or recorder to liven it up).

Away We Go cover

Finally we have Caspar Babypants.  Chris Ballew has been remarkably consistent and productive in making remarkably good music for preschoolers over the past decade, and there's nothing in his latest, 2016's Away We Go!, that changes that assessment.  Ballew heads the other direction as Hope, as this new album leans more heavily towards original tunes than reworking classic kids' songs.  There are some nifty new takes, like the concluding track "If You're Sleepy," which converts "If You're Happy and You Know It" into a very sleepy (and very Beatles-esque) wind-down track.  It's mostly a solo effort from Ballew, with only Jen Wood providing vocals on "If You're Sleepy" and the Okee Dokee Brothers pitching in on a couple tracks, but his poppy arrangements are, as always, filled with verve and occasional surprises.  And as always, Ballew's lyrics are fanciful (tiny horses, runaway pancakes, best friends snail and spider) and playful.

If I were to pick the album I'd listen to most on repeat, it'd probably be the Caspar Babypants album just because it's the most varied in melody and words, with the Raffi a close, close second.  But Songs For Little Ones would make a fine addition to any home or preschool classroom, and I think Love Bug could find a good home in a classroom as well.  They're all recommended to varying degrees.

Note: I was given a copy of these albums for possible review.

Christmas and Holiday Kids Music 2016

It has been a comparatively slow season this year for Christmas and general holiday-themed kids music, at least compared to previous years.  But that doesn't mean we've been left with coal.  Hanukkah and Christmas are only a week away, so let's jump in!

First, there's the first holiday song from Charlie Hope -- she's released a jolly and bright rendition of "Up on the Rooftop."  For the moment, you can still download it for free via the Soundcloud widget below!

Charlie Hope - "Up on the Rooftop" [Soundcloud]

Lard Dog and the Band of Shy - Rudolph cover

If Hope's track offers a simple reminder of youthful anticipation, the following track from Lard Dog and the Band of Shy serves up a blast of Christmas rebellion.  It's "Rudolph the Red-Nosed Reindeer," but a version unlike you've ever heard before, mixing in "Wild Thing," the Ramones" and even "Dreidel, Dreidel" into the holiday classic.  I really like both Hope's and Lard Dog's tracks, but they are toooootally different strains of Christmas songs, y'all.  Anyway, grab the free download at Lard Dog's website.

And while I would not have expected "hard-rocking" to be the most prevalent holiday song type, with Annie Lynn's "I Kept Your Present," that is, in fact, the case.  What to do when you find the perfect gift... for you, not for the person you bought it for?  This song has the answer.  You can stream it on Soundcloud, but the better version by far is her video.  The hands slay me.

Annie Lynn - "I Kept Your Present" [YouTube]

I'm sure I've missed some of this year's holiday music made specifically for kids -- let me know if I have [Ed: I did! Thanks, Sagan, for the reminders and heads up!]

A modern, electronic take on some holiday music comes from the Bay Area's Liz DeRoche, AKA The Singing Lizard.  There's not much on her Holiday Party EP that is specifically kid-focused, but the arrangements are fresh and worth exploring, even if you don't happen to have any little ones around.

The Singing Lizard - Holiday Party [Bandcamp]

Speaking of modern takes on Christmas music for kids, Minnesota's Uncle Dox features some fast but laid-back rhymes on "Santa."  There's been some really good hip-hop music for kids, and some good Christmas and holiday music for kids, but I'm hard-pressed to think of many hip-hop holiday music for kids.  This fits in that small Venn diagram intersection for sure.

Uncle Dox - "Santa" [Soundcloud]

A mellower take on some Christmas songs comes courtesy of Father Goose, who gets Dan Zanes, Sonia De Los Santos and others to help out "Irie Christmas." As you might suspect from the title, his take on a few Christmas classics gets mashed together with a reggae beat.

Father Goose - "Irie Christmas" [Spotify]

While we're on the Spotify edge of the world, how about something new from Colorado's Steve Weeks?  It's been a while, right?  Well, if you're looking for a tender ode to family togetherness or the meaning of the season, whatever your spiritual persuasion, you won't find it here.  Unless, of course, "Decorate the Cat" is how you celebrate the solstice.  Maybe it is.  I'm not judging.  In any case, this is a pretty amusing song.  (Again, unless, you're very much anti-cat-decorating.)

Steve Weeks - "Decorate the Cat" [Spotify]

Moving on, then, back to videos and something slightly more sincere.  The video below comes courtesy of Sara Lovell.

It's for "Wake Up It's Christmas Time," and it's one of those Christmas songs that celebrates the Christmas season mostly cultural and not spiritually, but makes an effort to celebrate the "spirit of the season," as it were in a most welcoming and non-exclusionary way.

The video itself is pretty simple -- Lovell strumming her (tenor?) ukulele in the woods -- but as a vehicle for the song itself, it works just fine.

Sara Lovell - "Wake Up It's Christmas Time" [YouTube]   

You'll notice that these features have been very much in the Christmas realm, albeit secularly and culturally.  Luckily, we have at least one entry this year full-on celebrating Hanukkah, which, unbeknownst to me, is now 25% more festival-ly.  Let the Macaroons explain in their animated video for "10 Days of Hanukkah."

The Macaroons - "10 Days of Hanukkah" [YouTube]

Finally (he says, not sure what else might come down the pike), there's the latest Caspar Babypants album, Winter Party!.

Winter Party album cover

I'll be honest -- I totally forgot about this album.  I mean, I got it in, what? July? August?  It's, like, 110 degrees here then, and, well... I really have no excuse, but now we're here in December and we're smack-dab in prime holiday-listening music time.

Winter Party is every bit as delightful and whimsical as you'd expect a Caspar Babypants holiday album.  You can stream the entire album via YouTube below, but above that, how about his take -- nature focused as always -- on "The Twelve Days of Christmas?"

Caspar Babypants - "The Twelve Days of Christmas" [YouTube]

Anyway, the songs are a nice mix of traditional songs (including folk songs reworked so that they are holiday songs) and a few originals.  Having said that, the Christmas songs are reworked lyrically so that they're not specifically Christian in the spirit of inclusiveness, but that could throw people who are used to the original lyrics of, say, "Silent Night."

If that doesn't bother you, you'll find Winter Party to be lots of fun (and, frankly, even if you do, you'll be able to skip the couple tracks on which that happens).  I think it's definitely recommended.

Caspar Babypants - "Winter Party" [YouTube]