Kids' Songs About Emotions

While I generally shy away from songs and kids music that explicitly teach subjects in a didactic way, that doesn't mean that a) non-didactic songs don't teach the listener, and b) you can't create a very catchy song that also happens to be educational.

There are lots of songs that take history as their subject, and there are any number of math, non-English language, science, and standard school or preschool life skill subjects in song. Emotional literacy, however, is a trickier subject, as the songwriter isn't so much covering facts as she or he is trying to write a song explaining the very emotions songs usually generate. It's a meta idea... for 4- or 7-year-olds.

Back in 2008, I said that there really hadn't been much if any non-didactic kids music about emotions written, and that there was a niche waiting to be filled. Luckily, I think that niche has been filled, at least a little bit -- there are now a number of tracks that I think could serve as tuneful introductions for a young audience to what emotions are.

I've provided a list below, but if you've got more to add, list them in the comments! (Note that the list generally tries to limit itself to songs about emotion, rather than including songs that deal with emotion in passing. Such a list would be much, much longer.)

“It’s Alright to Cry” - Rosie Grier (among many others) [stream]

"Cry Cry Cry” - Ziggy Marley (feat. Jack Johnson & Paula Fuga) [stream]

“Joy Comes Back” - Alastair Moock [stream]

“Furry Happy Monsters” - R.E.M. [video]

“Sad” - Big Block Singsong [video]

“Brave” - Big Block Singsong [video]

“Happy” - Big Block Singsong [video]

"Mad" - Big Block Singsong [video]

“Mama Is Sad” - Justin Roberts [stream]

“Happy Sad Silly Mad” - Jeremy Plays Guitar [video]

“Sad Robot” - The Jellydots [stream]

“Are You Happy?” - Alison Faith Levy [stream]

“If You’re Happy and You Know It..." - Raffi (and many many others) [stream]

"In All of the World" - Papa Crow [stream]

"Alright, Okay, Just Fine" - Gwendolyn and the Good Time Gang [Spotify]

"Feel What U Feel" - Lisa Loeb feat. Craig Robinson [Amazon]

"Feelings Change" - The Pop Ups [stream]

Best Kids Music of 2015: Top 30 Songs

Developing a list of my 30 favorite songs from the past year is probably the most foolish ranking I attempt here every year. The number of albums to consider is large, but it is finite. Multiply that number of albums by 10 or 12, however, to consider the number of songs, and we're talking thousands of songs to consider. And, as I noted last year, a list ranking favorite songs is "ephemeral, subject to the whims of a particular moment. More than that, it probably tends toward the poppy, upbeat, and lively." I feel confident, though, these 30 songs, listed alphabetically, are among the best that kids music offered us in the past year. ("Year," as always, defined as Oct. 1, 2014 through Sept. 30, 2015, though with particular songs no doubt that range should be considered more guideline than firm window.)

Anyway, I've combined these into a handy Spotify playlist found at the bottom of this list (click here if you're already in Spotify). Enjoy!

"If a Sandwich Was a Sandwich” - Turkey Andersen

"Grapes" - Andrew & Polly

"Use a Contraction" - The Bazillions

“Owl” - Big Block Singsong

"Sad Baby” - Caspar Babypants

“La Golondrina” - Sonia De Los Santos

"Cuantos Tacos (The Taco Song)” - Lucky Diaz and the Family Jam Band

“Loving Cup” - Cat Doorman

"Kitty Wampus" - Duke Otherwise

"Action, Friends, Action" - Funky Mama

"Tomorrow Is a Chance to Start Over" - Hilary Grist

"Cakenstein" - Gustafer Yellowgold

“It’s Gotta Rain (If You Want a Rainbow)” - The Harmonica Pocket

“If I Were a Bird” - Charlie Hope

"Sloop John B. (feat. Jesse Wagner)" - Josh and the Jamtones

"Breakfast Club (feat. Carly Ciaricchio)" - Tim Kubart

“To the Woods” - Molly Ledford & Billy Kelly

"Hello, Goodbye, Shalom" - Joanie Leeds and the Nightlights

"The Start of Things” - Alison Faith Levy

"Refreshments On Neptune” - Todd McHatton

"The Way We Gets Down” - Mista Cookie Jar & the Chocolate Chips

“Together” - Moona Luna (feat. Secret Agent 23 Skidoo)

"Give Some, Get Some” - Papa Crow

“Indoor Picnic” - The Pop Ups

"Turkey in the Straw" - Red Yarn

"You Were Meant To Be" - Renee and Friends (feat. Glen Phillips)

"I Like to Ride My Bike” - Rock 'n' Rainbow

"Minnesota" - Rocknoceros

“All I Want” - Vered

"Get Happy" - The Verve Pipe

Best Kids Music of 2015: Top 30 Albums

Slowly but surely, I'm getting better about writing these "Best of" lists in something approaching timeliness. Even if it might be a bit late for holiday gift-giving purposes, I'm writing about the best of 2015 in 2015.

This past year was another good one in terms of new releases, so once again it was difficult to narrow down the musical year -- I'd guess that I once again listened to 250-300 albums -- to what is, in essence, the my favorite 10%.

As always, my year-end best-of list matches the Fids and Kamily year -- that is to say, from October 1, 2014 through September 30, 2015. So some good albums from the last couple months [waves at They Might Be Giants] will just have to wait for next year's list.

#1 (tie) - Molly Ledford & Billy Kelly - Trees

[Review] - "Like the trees they sing about, this duo's connection six years ago has grown into a sturdy friendship and musical collaboration. You're unlikely to hear a more joyful celebration of the natural world and our relation to it this year."

#1 (tie) - The Pop Ups - Great Pretenders Club

[Review] - "So often trailblazing releases are notable more for their context than their content, but in the case of Great Pretenders Club, the album's music is every bit as notable as the way it's been introduced to the world. This is, simply put, one of the year's best albums."

#3 (tie) - Lori Henriques - How Great Can This Day Be?

[Review] - "After winning the Joe Raposo Children’s Music Award, named for the composer of classic songs for Sesame Street and the Muppets, last year, her smart and joyful music, which sounds like it’d fit right in on those classic shows, is finding a wider audience. Her new album How Great Can This Day Be shows off those musical talents."

#3 (tie) - Red Yarn - Deep Woods Revival

[Review] - "Red Yarn’s fervor for American folk music is evident on Deep Woods Revival. While folk music has never gone away in the children’s music genre, he forcefully makes the case for its continued relevance in the era of the mp3."

#5 (tie) - Big Block Singsong - Big Block Singsong Greatest Hits Vol. 1

[Review] - "So, yeah, I’m late to the party, but better late than never. Big Block Singsong is ten tons of fun. After listening and watching, your kids’ll probably have a two-banana day, too."

#5 (tie) - Duke Otherwise - Beehives and Bedheads

[Review] - "Looking for an album that provides guidance on moving through early childhood life transitions? Move along, then, because this album kicks off with a song called “Dancing Pig” that answers the question, “What would a Tom Waits song about a prancing porcine sound like?,” and never really gets any less weird from there."

#5 (tie) - The Amazing Keystone Big Band w/ David Tennant - Peter and the Wolf and Jazz!

[Review] - "The melodies themselves are unchanged, but the band's arrangement brings in a wide variety of jazz styles -- stride piano, hip-hop, free jazz, blues, cool jazz, and the like. None of the stylistic shifts seem out of place -- rather, they feel appropriate to the story."

#8 (tie) - Josh and the Jamtones - Rocksteady

[Review] - "Have I made it clear enough that Rocksteady is a party, through and through? Because it is, enough so that your kids probably won't even need that lullaby album to fall asleep to after dancing like crazy."

#8 (tie) - Jazzy Ash - Bon Voyage

[Review] - "With Bon Voyage, Jazzy Ash fully connects with her own family’s musical heritage, yet incorporates those 100-year-old traditions into 21st century kids music. It's a buoyant and warm-hearted album for the younger set."

#8 (tie) - Charlie Hope - Where the Path Will Wind: Songs, Stories and Friends 2

[Review] - "Where the Path Will Wind is essentially an audio magazine, an aural equivalent, perhaps, to her Sing As We Go! video series."

#8 (tie) - Tim Kubart - Home

[Review] - "While I've always thought Kubart's music had their share of pop hooks, Home is bursting at the seams with them and is his best effort yet... [B]less Tim Kubart and his big pop heart."

#8 (tie) - Alison Faith Levy - The Start of Things

[Review] - "Imagine, however, if other musical strains of the [1960s] -- psychedelic pop, Phil Spector's Wall of Sound production -- also found themselves working their way into kids' music with songs for the youngest listener."

#8 (tie) - Caspar Babypants - Night Night!

[Review] - "I hope Ballew doesn't take this the wrong way, but his album is forgettable in all the right ways. What I mean by that is the music, while catchy, isn't necessarily one bouncy hook-filled song after another. Rather, it features a more consistent -- and obviously far mellower -- tone."

The eagle-eyed among you will note that that list includes a baker's dozen of albums, not ten. I didn't squeeze an extra three albums into my ballot -- only 3 of those 6 albums tied for 8 made it in. But it was such a hard choice that I'm sure I'd pick a different 3 every week. For Fids & Kamily I need to make a choice. But this is my list, and so I'm listing thirteen albums.

After these top thirteen, distinguishing between the rest of my list becomes even more difficult. So once again I'm taking the easy way out - alphabetical order for albums 14 through 30.

Turkey Andersen - Turkey Andersen [Review]

The Bazillions - On the Bright Side [Review]

Bunny Clogs - Whales Can't Whistle [Review]

Cat Doorman - Calling All the Kids to the Yard [Review]

Sonia De Los Santos - Mi Viaje: De Nuevo Leon to the New York Island [Review]

Lucky Diaz and the Family Jam Band - Adelante! [Review]

Hilary Grist - Tomorrow Is a Chance To Start Over [Review]

Gustafer Yellowgold - Dark Pie Concerns [Review]

Lloyd Miller - Glory! Glory! Hallelujah! [Review]

Alastair Moock - All Kinds of You and Me [Review]

Keith Munslow - Tiny Destroyer [Review]

Pointed Man Band - The Flight of the Blue Whale [Review]

Recess Monkey - Hot Air [Review]

Renee and Friends - Simpatico [Review]

Rocknoceros - Plymouth Rockers [Review]

Big World Audio Theatre - The Peculiar Tales of the S.S. Bungalow [Review]

Suz Slezak - Watching the Nighttime Come [Review]

Interview: Alison Faith Levy

Alison Faith Levy - credit Danny Plotnick

Many of us in the kids music world first heard Alison Faith Levy as part of the late, great San Francisco kindie band The Sippy Cups, but with two solo albums under her belt, including her most recent album The Start of Things, Levy has carved out an identity in the kids music world entirely her own.

Levy and I chatted by phone a couple weeks ago to talk about she reconciled her love of theatre and of rock and roll, the inspirations behind The Start of Things, and what it's like to parent a musically precocious kid.

Zooglobble: What are your first musical memories?

Alison Faith Levy: I think the first memory I'm really cognizant of is being little, sitting in the back of the car when I was 3. We were driving through a toll plaza in New York, hearing Simon and Garfunkel, and I was singing along. I always sang along.

At 5, we took a family vacation to Jamaica, and I spent so much time outside singing along to the performers playing steel drums that I got a sunburn. When we got home, I plunked out a tune on the piano. At that point, I start getting lessons.

hen did you decide to become a musician?

I was a child of rock and roll, and a collector of that music, but never saw myself as being able to do that. My heroes were Elton John, David Bowie with that big rock voice, and I was a girl with a showtune-y voice. But about the time I went to college, I started hearing indie bands like R.E.M. and I saw that I could do this.

At the same time, I was at NYU [New York University] for a Theatre degree, and they were very intense. So I switched my major to Philosophy.

Do you use that degree?

When I talk with [my son] Henry. I definitely think that way. Helped when I managed a bookstore. It was an interesting time at school, and I think it fit in with me questing for a bigger picture.

So the Sippy Cups went on hiatus a few years back... what led you to eventually making your first solo album, World of Wonder?

When [the hiatus] happened, I didn't even know if I'd do kids music music again. I was doing adult music, playing in the band McCabe & Mrs. Miller with my friend Victor [Krummenacher]. But I still had all these ideas. I played these Storytime Wednesdays, and they were packed, so I wrote some songs. It was so organic -- half of the songs on [World of Wonder] were those for the kids, and the others were directed more inward, so I would just weave the two together.

Were there any organizing principles behind the next album, The Start of Things?

Hmmm... "Pull Your Weeds" is about being yourself, that's somewhat a theme of the album. It wasn't a conscious idea, but as I wrote songs, it came out. I always loved Cat Stevens and that movie [Harold and Maude] "If You Want To Sing, Sing Out" came from -- it's a perfect kids' song. I'd say it's half and half -- half are more direct with kids. But I tried to give each song some emotional truth. Except for "Froggy Dance"... except that's got an emotional truth for me, because it came straight from the old country.

A lot of your music has a definite '60s influence -- have you always liked that sound?

Yes, but when I write a song and talking with the producer, I have a touchstone, jumping-off point. So for "TLC" on the new album, I told my producer [Allen Clapp] I wanted some early-Get Happy Elvis Costello -- the drum rolls, the Farfisa organ. "Rainbow Tunnel" was total Burt Bacharach, which was great because Allen is a big Bacharach fan. He wrote "Do You Know the Way to San Jose," so it was a great sound for "Rainbow Tunnel," which is a song about driving around.

With "Little Dreamer," I was super-specific with the sounds, wanting it to sound like a John Lennon ballad. I really have an open musical palette -- it's a super nice way to honor my influences -- Beechwood Sparks for "Ballad of Boo Ghosty," or Nina Rota and Fellini for "The Froggy Dance."

I don't usually want to ask musicians about what it's like being a parent, because it's not the purpose of the interview, but your son, Henry Plotnick, is particularly precocious in writing and releasing music, so I wanted to ask... what's it like being one of Henry's parents?

We don't know where Henry's life will take him -- he's very gifted, so people want to release his music, a couple albums so far -- but we're letting him lead. He applied and got into the arts magnet school here in San Francisco, but we really want to let it unfold as it will and not put any expectations on him. The only thing we push is taking classical lessons, so he understands technique, repertoire, and the importance of keeping up with those lessons.

He's getting offers from labels, which... I got my first record deal when I was 30, so for me this is, like, "I don't even know what the music business is." What would a record label offer even look like?

So we just want to make sure he's well-trained in jazz and classical. But he's also talented in science, he writes poetry. A lot of people might think we're pushing, but we're not at all.

From my external perspective, it really doesn't look like that at all.

Oh, good. He's got a balanced life, and a lot of good buddies... When it comes to reviews, he prefers reading the more critical reviews, because those are the ones that just aren't about his age. If that had happened to me, I'd've been a lunatic. But I don't even know if his friends know about all that -- they just play.

What can you tell us about the World of Wonder musical you're working on?

There's some interest on the part of a new local musical theatre company, so we've been doing readings and getting feedback. Based on that, I did a rewrite and wrote a new song.

I'm learning how to get a stage musical on its feet. I don't have a firm commitment [from a company] yet. I'd love to get it onstage now, but doing so needs a lot of people. I've seen the full production in my mind, though, and it's great.

Before I joined the Sippy Cups, I did some work on writing a musical for adults. But this is working backwards from the way it usually works, where the songs move the story forward. Maybe Mamma Mia worked, but mostly it's other way around.

I see how the "Itsy Bitsy Spider" comes down from the ceiling, though. Putting it together is a lot more work, but I want to do it right and more stuff like that in.

Big Time Tot Rock Band - credit Danny Plotnick

I've often thought that Fountains of Wayne songs would make for a great Mamma Mia-like musical...

Yeah... and where's the David Bowie musical?!? C'mon!

I'd love to write something organically from scratch from start fo finish -- that'd be a huge artistic and technical leap.

What's next for you?

A ton of performances -- the live band performances [with the Big Time Tot Rock Band] have really ramped up. Mostly local [gigs], but now I've booked something in New York for October.

Creatively, I want to get that World of Wonder musical up on its feet. And maybe do that Sharon Jones 12-piece soul band. Gotta find the horns for that.... That, and raising a high school kid.

Photo credits: Danny Plotnick

Review: The Start of Things - Alison Faith Levy

Kids' music in the 1960s -- that is to say, kids' music before there was even a name for it -- basically took the folk music path that was one of the dominant musical strains of the era. For Pete Seeger and Ella Jenkins, there was some distinction between folk music for adults and that for kids, but it was a distinction more of presentation than of subject matter. And that folk music orientation was basically the default kids' music option through the '80s if not the '90s until the kindie wave swept through at the start of the 21st century.

Imagine, however, if other musical strains of the decade -- psychedelic pop, Phil Spector's Wall of Sound production -- also found themselves working their way into kids' music with songs for the youngest listener. Were that to have been the case, Alison Faith Levy's brand-new album The Start of Things would be a stellar example of that alternate reality rather than sounding so unique in today's kindie landscape.

Levy first came to the attention of the kids' music world as a member of the Bay Area band The Sippy Cups, which started out as a kid-friendly cover band for the music of the '60s and '70s before gradually becoming a band which wrote its own psychedelic-inspired kindie pop. The band had been on hiatus for several years before Levy released her first solo album, World of Wonder, in 2012. While there were echoes of the Sippy Cups' psychedelic and Wall of Sound production on that first solo album, it's much more pronounced on The Start of Things. The opening title track features a groovy organ, horns, and the theme of how it's OK to be nervous when tackling a new project (first day of school, opening night of a play, etc.). It's my favorite track on the album, just a great pop song for kids that a lot of adults might sneak into their own playlists.

The track "Pull Your Weeds" envisions a friendship between Cinderella and Snow White and the empowering lyric (printed on the inside of the CD package, so clearly resonant with Levy) "Do your thing / Love what you do / Appreciate your beauty / Pull your weeds and / Stand your ground / And the world will come around." While "The Start of Things," Pull Your Weeds," and songs like "Rainbow Tunnel" and "Little Dreamer" sound like they could easily be part of a musical Levy is working on based on World of Wonder.

Other songs, however, are rooted more in interactivity -- the raucous "Are You Happy?" runs through a series of emotions that the kid-listeners are encouraged to mimic. The "Ballad of Boo Ghosty" is a silly little story about a ghostly friend, while "The Froggy Dance" is a nonsense poem. Given these tracks, the 32-minute album will be most appropriate for kids ages 3 through 6, though some of the songs mentioned earlier in the review have a slightly older age range.

The Start of Things has a '60s-inspired sound, but it still sounds fresh. That colorful and rainbow-adorned album cover nails the vibe of Levy's bright and empowered songs. Definitely recommended.

Note: I received a copy of the album for possible review.

Video: "The Froggy Dance" - Alison Faith Levy

I'm looking forward to hearing Alison Faith Levy's brand new album The Start of Things, which gets a release on April 21. While a lot of Levy's kids music (both solo and with The Sippy Cups) has a big Wall of Sound, er, sound, the first song from the new album to get a video comes from a very different musical place.

"The Froggy Dance" is based on a nonsense poem handed down through generations and set to music by Levy. Levy turned to animator Maddie Loftesnes to bring to (visual) life the silly animals Levy sings about like the frog-bird. It's handmade and silly and fun.

Alison Faith Levy - "The Froggy Dance" [YouTube]