Launching Season 2 of The Unexplainable Disappearance of Mars Patel

Unexplainable Disappearance of Mars Patel logo

When I first talked with Chris Tarry in the early days of fall 2016, the podcast he helped put together, The Unexplainable Disappearance of Mars Patel, had barely begun, with only one full episode released.  Even with just that single episode, it was clear that the serialized mystery featuring the middle schooler Mars and his friends trying to figure out why some of their friends are disappearing had production, writing, and voice acting talent in spades.

Less than seven months later, the podcast joined the Panoply network as their first kids podcast, and has been widely celebrated, most notably in securing a Peabody Awards nomination, one of only nine podcasts to be so recognized (and the only one specifically for a kids' audience).

So like the title character in Season 1, the show itself has most definitely left the launching pad and is heading To. The. Stars.  That, in case you aren't a fan already, is the catchphrase of Oliver Pruitt, the namesake of the mysterious Pruitt Prep and a man of hidden motivations who constantly manipulated Mars and others during the course of Season 1.

Season 2 begins Monday, and with the beginning of the second season, I thought it'd be fun to check back in with Tarry to see how his life with the show has changed, and what we can expect in Season 2 -- not plot twists, mind you, what's the fun in knowing that?, but the overarching story goals.  If you haven't started subscribing to the show for your older elementary schoolers, now's the time.  Of the growing number of podcasts for kids, this is still one of the best.

Zooglobble:  What are your narrative and story-telling goals with this season?

Chris Tarry: With season two we've really tried hard to continue the arc of the story in way that feels like we've picked up right where we left off. In season one, Oliver Pruitt was clearly in charge, and there was this sense that he was in control of the various story revelations and pacing of the podcast, and that he was operating a fair distance (perspective wise) from the time line of the show. I don't think it's giving too much away to say that in this season, the show begins to catch up to him.(edited)

Zooglobble: What was the most gratifying part of the past 7 months or so since Mars Season 1 came out?

The most gratifying part of the show since last season has been that our audience has continued to grow even though we haven't released a new episode in months. It's also nice that the podcast has started to receive a little success in terms of recognition (the Peabody nomination, a few other high-profile awards and press). As you know, we conceived and launched the show as an independent production, so to see it getting the attention outside the traditional podcast areas is a very nice feeling.

What do you hope to accomplish through your affiliation with Panoply (congratulations!), both in terms of storytelling and production as well as broader awareness, that you couldn't as an independent production?

We're really excited about our partnership with Panoply. They have been incredibly supportive and the relationship has allowed us to take the production of season two to new heights. We hope their substantial reach in the podcast world is going to help take the show to the next level audience-wise.

Do you already have plans for Season 3 mapped out?

Yes, we've got season three sketched and hope to be starting production soon!

What are you wearing to your Peabody Awards ceremony?

I'm going to start with pants and work my way up.

Radio Playlist: New Music April 2017

Time once again to spin some new music.  (The last list, from March, is right here.)  A bit shorter than last month's list, but even at 21 minutes long enough to hopefully get to at least one errand or dance party.

As always, it's limited in that if an artist hasn't chosen to post a song on Spotify, I can't put it on the list, nor can I feature songs from as-yet-unreleased albums.  But I'm always keeping stuff in reserve for the next Spotify playlist.

Check out the list here (or right here in you're in Spotify).

**** New Music April 2017 (April 2017 Kindie Playlist) ****

"Birdies' Ball" - Red Yarn

"Beginning of the End" - Chibi Kodama

"Shy Shark" - Wayne Potash

"Hello & Goodbye" - Rabbit!

"Superhero Dance" - Paul Cargnello

"Home Is Family" - Ginalina

"Robot City" - Einsteinabot

"We Are Pandas" - Princess Backpack

How I Got Here: Dan Elliott, Pointed Man Band (Graceland, the Library and Midnight Vultures)

Dan Elliott playing the accordion

Sometimes I see the submissions for the "How I Got Here" series by kids musicians talking about albums important in their musical and career development, and their essays are episodes of discovery to me, albums I'm knowledge of in name only.  But other times I'm much more familiar with the albums, and reading is an experience of seeing an old favorite through someone else's eyes (or, rather, hearing it through their ears).

That's the case this around, as Portland's Dan Elliott, AKA Pointed Man Band, shares a few words about Paul Simon's Graceland and Beck's Midnite Vultures, two albums I've still got sitting on my actual shelf.  And while those albums might not be the first albums that come to mind when you hear Between the Waves and the Cardoons, Elliott's latest lushly orchestral-pop opus, reading the essay, you can see where he's coming from.  So step inside his Hyundai and find out how those albums influence him.


Although the name Pointed Man Band is a direct homage to Harry Nilsson’s The Point!, well before I knew that album, I spent my most formative years with Paul Simon’s Graceland. Growing up, our household consisted of plenty of Greatest Hits records but the full album cassette of Graceland was always close at hand. I’m pretty sure we wore it through. This is an album that I know from beginning to end probably better than any other and it’s also the album that I owe much of my musical curiosity.

Graceland album cover

From the accordion opening of “Boy in the Bubble,” you know you are in for an adventure. And the songs themselves help to sing you across the vast landscapes, combining the familiar with the unknown. There is always a story being told to capture your attention and the South African band presents a new take on what you thought you were going to hear. Paul Simon changed my world with this album and he taught me to always be thirsty for ways to cross cultures, have a sense of humor, and push boundaries when creating music.

Throughout high school I was continually seeking out music from different parts of the globe. Starting with a helping hand of Ladysmith Black Mambazo being an integral part of this album, it became easier to draw paths and connections to other artists. During my late teens and well into my twenties, I was always going to the library to find the the world section which eventually lead to my love of Samba, Tango, Reggae, Indian Ragas, Jazz, Classical and the list grew on and on.

As Graceland opened my eyes and ears to the music of the world, Beck’s Midnite Vultures opened my mind to how to get over teenage angst and have a ridiculously good time while making, more often than not, no sense at all.

Midnite Vultures album cover

One night as a freshman at university, I saw the music video for the first track off of Midnite Vultures and I was hooked.  The video was as completely and perfectly nonsensical as the song it accompanies.  The album is absolutely incredible, elusive of any one genre, hysterical and a studio and headphone masterpiece.  For me this was an amazing example of a person not taking themselves too seriously, on so many levels, but making sure to pay the utmost attention to quality and challenging themselves to advance. I found and still find much comfort in that.

This album is so lush and so well produced that I can’t help but want to revisit it again and again. Lyrics would work their way into personal jokes with good friends and there’s nothing quite like turning some of these tunes up and singing along with your best raucous falsetto. Not to mention, if I can ever find the song “Debra” in a karaoke book, it’s on!

They are two vastly different artists and albums, but together they continue to inspire me to always pursue new and different paths. And above all, not to lose that desire to produce my own personal headphone masterpiece.

The Best of Kids Podcasts from March 2017

I'm a big fan of podcasts, but I'm hardly the only one to note how difficult discovery is with podcasts.  Sure, I've got a comprehensive list of podcasts for kids, a regular review of the top-ranked kids podcasts, and participate in Kids Listen, a group created to support and advocate on behalf of kids podcasts, but with all that it can still be a little hard to jump in.

On top of all that, music has it pretty easy, comparatively speaking -- I can embed YouTube and Vimeo videos, or stream from Soundcloud or Bandcamp, not to mention make Spotify playlists.

So I'm starting something new I hope might change that just a little bit.  I'm going to start a monthly list of podcast episodes, and publish them via an app called RadioPublic.  It's an iOS and Android app that lets you download and listen to podcasts, but also features recommendations, both from RadioPublic employees and guest curators, but also listeners like you.  And me.  So download the app, search for "The Latest Podcasts for Kids and Families," and you'll be notified every time I update this list, which should be monthly.

As for the list itself, a few caveats -- first, while RadioPublic is open-source, and it's pretty easy for podcasts to make the list, if RadioPublic hasn't selected it, or a podcast producer hasn't submitted it, it can't be heard.  Most of the podcasts I would've recommended were there, but there were at least a couple I'd've been interested in featuring which weren't available via the app.  Second, I'm planning on limiting these lists to ten episodes, mostly because as a recommendation feature, I find long lists not optimally helpful.  Obviously, this means that I'm likely to omit some fun episodes each month (and also means I'm limiting myself to one episode per podcast).

My goal with this regularly updating list to get a broad range of types of shows and episodes featured over time.  If your favorite show is missing, let me know!  There's a good chance I'm already familiar with it and couldn't squeeze it in, but maybe you've got an entirely new podcast to share, and I'm all ears for those, too.

With all that said, let's get to the best of kids podcasts from March 2017!  (Use this link to listen from the RadioPublic website.)

(In no particular order)

"The Wind and the Sun" - Stories Podcast: I'm Team Sun, of course.

"49: Ronald Reagan and the Pineapple Paradise" - Story Pirates: Presidential Fan Fiction should be a holiday every year.

"#12 - BFG" - Buttons & Figs: All about the BFG!

"Marlow's Metamorphosis" - Storynory: Hearing the human Marlow act like a dog while Astropup gets to make human-like asides.  Win!

"S2E8: The Iceboy Cometh" - The Alien Adventures of Finn Caspian: Back with the main storyline of the kids from the Explorer Troop.  Very strong LOTR vibe to this one...

"The ups and downs of elevators" - Brains On!: All about elevators, including the crazy one in the Brains On! offices.

"Part One: The Welcome Wall from the 'The Violet Crown (How to Be Super, Book 1)' Original Audio Story Series" - Sparkle Stories: The start of a new story series - an adventure set in modern-day Austin, Texas that sounds perfect for fans of Percy Jackson & the Olympians.

"The Case of the Whale Shark Party with Rafael de la Parra" - Tumble: I think they should name the whale shark Stefan.

"How Do Piano Keys Make Sound" - But Why: It's a But Why episode about music -- of course I'm going to include it!

"08.1 - On the Road - Part 1" - Shabam!: Mixes the overarching story -- kids on the run from a zombie-like outbreak -- with the history of transportation of all types.

Better Late Than Never: 2016 Children's Grammy Nominee Reviews

One of the embarrassing things about writing about the nominees for the 59th Annual Grammy Award for Best Children's Album is that even though I did so in late January 2017, many months after the 5 nominated albums were released, I had only reviewed one of the 5 nominees, Frances England's Explorer of the World.

So while I'm transitioning out of more intensive review mode into something... else, I did want to make sure I added a few words about each of these nominees.

As I went back and listened to these albums, or at least these following four albums, I was struck by the idea that these albums weren't necessarily albums that took incredible creative leaps beyond what the artists had done before.  Instead, these albums are good examples of the type of music some of kindie's most popular and consistent artists have to offer.

Let's start with the act that's been the most prolific for the longest time, Seattle trio Recess Monkey.  The biggest -- and really only -- novelty of Novelties, the band's 13th (!) album, is the fact that it was released on Amazon Music and can only be purchased or streamed there.  Aside from that, it's another  solid collection of pop-rock songs pitched at your favorite ever-so-slightly snarky 7-year-old.  Yes, the song "Sweaty Yeti" is every bit as silly as that title might suggest.  Compared to other albums of theirs like Desert Island DiscNovelties dials up the clown prince factor, and dials down the emotional factor which, while never prevalent, sometimes played a supporting role.  But this is immediately identifiable as a Recess Monkey album and given the large role the band has played in encouraging other kindie musicians and their consistency (13 albums in, like, 12 years), the Grammy nomination was deserved.

Next we have Press Play, from New York's Brady Rymer and the Little Band That Could.  If Recess Monkey's calling card has been silliness and high energy, Rymer's has been emotionally open roots rock, and he's been offering it for even longer than Recess Monkey, albeit at not quite as frenetic a pace.  (Press Play is Rymer's eighth album for families, dating back to the year 2000.)  Rymer sings unironically about the virtues of trying new things, being kind, and the blessings of family.  They're the kind of sentiments that, stripped of Rymer's energetic singing and his harmony-filled Little Band That Could, could feel cheesy or trite.  But Rymer's music has always managed to move past that and make those valuable notions on tracks like the country-tinged "Dress in Blue" and the horn-and-organ-aided "Chain Reaction" fun to dance to.  Rymer earned another Grammy nomination for Press Play, and it's because his music usually goes down as comfortable as a plate of burger and fries in the hometown diner the band is posing in an album photo.  

The only one of this year's nominees who had previously won a Grammy (for Can You Canoe?), The Okee Dokee Brothers, came back with the final album in their three-part "Adventure Album series," Saddle Up.  As you can probably guess from the title, after traveling down the Mississippi River and up the Appalachian Trail, this time the duo went out west, spending a month on horseback in June 2015.  So there's more of a cowboy theme to their music, though I wouldn't describe this album as the boys going full Riders in the Sky.  As with the album's two predecessors, this album gently weaves a few more traditional songs (such as "Ragtime Cowboy Joe") into the originals.  One of the niftiest tracks is "Sister Moon and Brother Sun," which features Navajo lyrics on a story with Native American roots -- its mere presence on a "Western" album is, if not groundbreaking, at least noteworthy for its relative rarity.  The album features a slick DVD, and while the boys didn't earn another Grammy for this one, I think the three Adventure albums are definitely one of the most critically (and, comparatively, commercially) successful trio of kids' albums of the 21st century.  Fans of the Okee Dokee Brothers would likely have taken this just as much to heart as their two previous albums.

Last on this list of reviews is the actual Grammy winner this year, Secret Agent 23 Skidoo, a previous nominee and first-time winner for Infinity Plus One.  Skidoo continues to be the most vibrant practitioner of hip-hop for the younger set -- nobody else is as consistently intricate lyrically and musically.  I don't think Infinity Plus One is quite as... weird as its predecessor The Perfect Quirk, but it is far out, man.  Literally.  Because as you might guess from the album art, Skidoo's got a serious deep space vibe going on here.  A song like "Pillowfight Pillowfort" seems in the distant past at this point.  I'd say the whole album is more space-inspired than space-themed (the killer track "Secret Superhero" isn't really about space, for example), but in more than a couple places he proves to be a huge Carl Sagan fan.

As always, one of the secret weapons of Secret Agent 23 Skidoo albums' high repeat listenability is the depth of the musical arrangements.  You might hear "hip hop" in terms of the album description and think there's no connection with, say, Brady Rymer's roots-rock, but tracks like "Young Soul" and "Long Days & Short Years" would not sound out of place at all on Rymer's album.  (Actually, can we get a Skidoo/Rymer collaboration?  Thanks in advance.)  Infinity Plus One is a very solid collection of songs targeted more at the upper elementary school crowd, and while I think any of Skidoo's albums are a worthy entry point to his work for your family, this newly Grammy-crowned work is definitely an excellent place to start.  I'd recommend all these albums -- hopefully I've given enough clues to suggest which might be most appropriate if you're entirely new to kids music.

Very finally, I would be remiss if I didn't re-remind you of the review I did for Frances England's Explorer of the World, the other album nominated in this category.  I described it as "more experimental than most kids music," and if the four albums above are more refinements of the artists' individual artistic paths, I think Explorer shows off England's exploration (appropriately enough) of new paths, particularly in the music arrangements.  Tracks like "City Don't Sleep" feature sonic collages featuring everything but (and probably including) the kitchen sink.  This album was every bit as worthy a Grammy nominee as the four albums above, and I just didn't want you to forget about it as you were considering the albums above.