It's hard to review benefit albums because the worthy cause behind most such albums makes reviewing the music itself difficult. Who wants to say the album's bad if the cause is good? In the case of Joey's Song for Kids, Volume 1, luckily, the songs are mostly pretty good. First, the cause -- the album benefits The Joseph Gomoll Foundation, which raises money for epilepsy research and advocacy in honor of Joey Gomoll, who died suddenly at the age of 4 while afflicted with Dravet's Syndrome, a rare form of epilepsy. After his passing, his dad channeled his energies into establishing the Foundation and getting literally dozens of artists to donate songs (mostly unreleased ones at that) for a series of benefit albums, some with music for adults, some for kids and families. Which brings us to the music itself. The first few songs, while certainly competent, aren't terribly exciting, staying in a bland album-oriented-rock rut. If you've heard a dozen or more different versions of "The Wheels on the Bus," for example, Lowen & Navarro's version isn't going to stand out at all. But a few songs through, maybe around April Smith and The Great Picture Show's fun and bouncy "Say, Say, Oh Playmate," the album gets more interesting and mostly stays that way. Jon Dee Graham's previously-released "Hippopotamus," is a great little acoustic country-folk tune, and Ellis Paul (no stranger to family music) turns in a wistful "Mr. Teetot." Special mention also goes out to Gurf Morlix's previously released "Dan Blocker" - not specifically a kids song, but the one most likely to be stuck in family's heads. The album is probably most appropriate for kids ages 3 through 7. (For those of you without kids in that age range, you may also care to try the similarly-titled Joey's Song, Volume 1, a collection of songs for adults from the same types of artists - Neko Case, HEM, Robbie Fulks - found on the kiddo version, though I think I preferred the kids' album.) In the end, beyond the worthy cause, Joey's Song for Kids, Volume 1 stands on its own merits musically. Good intentions aside, it's an album that will likely be played after the initial charitable impluse has subsided. Bring on Volume 2. Recommended. Disclosure: I was provided a copy of the album for possible review.

Do Fun Stuff is hardly a new idea -- there's a long lineage of compilation albums featuring adult artists recording songs for the swing set, er, set, arguably starting with Free To Be You and Me more than 35 years ago. Even the indie rock genre has been part of the act (see: Yo Gabba Gabba!, See You On The Moon, Colours Are Brighter, Play, and three For The Kids albums, just for starters). This album, the brainchild of music blogger Ryan Marshall (Pacing the Panic Room), is a worthy new addition to the tradition, the equal of many of those collections. Marshall used to work in the music industry and still has friends there, such as the indie-pop band Rabbit!, who contribute 5 of the album's 13 songs. They're some of the best tracks, such as the uptempo leadoff "Pass It On," the rock ballad "Always a Blue Sky," and the lullabye closer ("Sleep," and natch). But the other artists pitch in nicely in a similar indie-pop vein. A few of the songs tell a story or have some greater moral (hate to spoil it for you, but in Davey Rocker's "Morton the Caterpillar," Morton ends up becoming a butterfly), but it mostly has a gentle springtime bouncy feel. The songs here are most appropriate for kids ages 2 through 7. (Spin the tunes in the widget below.) This digital-only release is also noteworthy in 2 other ways: 1) it managed, albeit briefly, to hit the #1 spot in the iTunes Children's Music store, which is pretty amazing for an indie release, and 2) more importantly, it's a benefit album for which 100% of the proceeds will go towards funding graduate students who will do additional research into the Smith Magenis Syndrome, a developmental disability (Marshall's stepson is diagnosed with SMS). Little of that would matter if the album wasn't good. But it is good, worth your time and money. Fans of those indie-rock-for-kids albums above will definitely enjoy Do Fun Stuff as well and even if you don't know your Frightened Rabbit from your Rabbit! methinks your family can still rock (and mellow) out to the songs here. Recommended.

If you have any tie to the family music genre, then you are undoubtedly aware of Many Hands: Family Music for Haiti, the compilation put together by Dean Jones and Bill Childs to benefit a variety of Haiti efforts. So there are really two components worth discussing here -- the music itself and What It All Means. Oddly enough, I'm going to dispose of the big picture question first. The biggest worthwhile component of the project is that it'll benefit the Haitian People's Support Project, which supports nutritional and educational programs in orphanages, schools, and temporary shelters throughout Haiti. It's an especially important task in the wake of the devastating earthquakes there early this year. Beyond that, the album is pretty much the first family-music-by-family-musicians benefit album ever. Sure you have the For the Kids series, for example, but those consist primarily of songs recorded by "adult" musicians dabbling in the family music field. The fact that so many "new school" family musicians (and a few "old school" musicians) came together so quickly on this project speaks to the supportive nature of the genre, which bodes well for the future. All of which I ignore when it comes to reviewing albums. My view tends to be, if you want to support a cause, support it directly with your money, time, and other talents, rather than doing so indirectly. (Or be forced to support a cause you disagree with because you support that indirect thing.) Luckily you don't need to compromise with Many Hands -- while I imagine the Venn intersection between families who like the new family music scene and families unaware that there was even an earthquake in Haiti would be small, you could give this album to those families, and they'd very much enjoy it. Because it's a compilation, there isn't the coherency of theme you might get from a single artist (or a compilation focused on, say, the songs of a single artist). Essentially it's a really good mixtape, and the list of good songs here far outweighs the list of duds. Rather than list all of the really good songs, here are 3 that I think are particularly noteworthy: 1) Lunch Money's "You Are Here" is, as I've noted already, one of my favorite tracks, both for its album-appropriate theme of connection as well for its mostly-sweet, a little bittersweet melody. 2) Jones' duet with Hudson Valley poet Jerrice Baptiste is another sweet and thematically appropriate tune, with Jones' falsetto and Baptiste's more spoken-word vocals about building a nest underlaid with a folk-electronica melody. 3) Jonathan Coulton's "The Princess Who Saved Herself" is neither sweet nor thematically appropriate. It does, however, if I'm allowed to use this phrase on a family music website, kick ass. It's everything a parent of a daughter would want said daughter to hear in formative music-listening years. (Except for the reference to math rock. Really, who likes that?) There are more good songs -- how could I review an album with songs from They Might Be Giants, Pete Seeger, Dan Zanes, and Elizabeth Mitchell and other luminaries and not even touch on their tracks? -- and, as I said they definitely outnumber the so-so ones. The album's probably most appropriate for kids ages 4 through 9. You can get the album in a lot of places, including Amazon, iTunes, and, starting in September, Whole Foods. Simply put, Many Hands: Family Music for Haiti is the year's best family music compilation and one of the year's best kids music CDs, period. Buy two: one for your friend and one for your own family. Many families will thank you. Definitely recommended. [Disclosure: I was provided with a copy for possible review. I also premiered a stream of an album track. And Bill's a friend. The kindie music world is a close-knit one. That's why you have this album here.]