Everybody loves cupcakes, blowing out the birthday candle, and most of all, great music.
Jay from Lunch Money outdoes himself (last year's poster) with this, the poster for this year's Family Music Meltdown. (Though the type is sorta hard to read in this JPG version, it looks awesome in its 18 MB glory.)
Saturday, Sept. 27th -- doors at 5, show at 6, and tickets just $5 (infants free). With Super Pal Universe, Joe McDermott and the Smart Little Creatures, Laura Freeman, Telephone Company, and Family Music Meltdown name-creator Mr. Leebot. (And who knows who else might show up?)
Woo. Hoo.
For Those Who Can't Wait For Summer Music Festivals
Perhaps you're thinking you don't want to wait until August or September to see a whole bunch of kids' music artists. Perhaps you're also thinking, hey, I'd like to see the Judds reunite! (Coachella's got Portishead, you decide which you'd prefer.) Well, then, Coachella's countryfied cousin, Stagecoach has come to rescue. In addition to booking the Eagles for the festival's second, Stagecoach also is doing its Half-Pint Hootenanny once more and announced its lineup today, with some familiar names on the list:
Brady Rymer
Buck Howdy with BB
The Bummkinn Band
Tom Freund and Friends
Uncle Ron and Aunt Sandii
Kid Fiddlers
The Bon Family and California All-Star Cloggers
Croakers Youth/Family Square Dancers Club
That's a decent lineup there. Stagecoach is May 2 through 4 in Indio, California.
And what if you prefer Austin in springtime?
Sara Hickman: Sings "Iolana," Drinks Beer (Not Simultaneously)
One of the best parts of Sara Hickman's performance at the Austin Kiddie Limits Festival last September was her performance of "Iolana," from her album Big Kid (that's the song I made my Bob Dylan reference for). Well, the fine folks at DadLabs got Sara to visit them in their studio and give them another performance.
(Warning: I think I've skipped past some of the saltier language in the first half of the video -- yes, a post with kids' songs that has salty language, great -- but in case I'm still low-tech here, the song starts about 4:30 into the video.)
Between this and part 1 of the interview, Hickman sounds like she'd be a heckuva fun person to have a beer with. (Note: the song in this first part is hysterical, but definitely not for the kiddos.)
Review: Newborn / Toddler - Sara Hickman
Austin-based artist Sara Hickman has been making albums for well over 15 years now. I can remember owning a cassette with her self-produced debut Equal Scary People (who knows where that tape resides now?)
Several years ago, Hickman decided to record a kids CD inspired -- of course -- by the birth of her kids. And so in 1999, Hickman released Newborn, a collection of songs for "parents who have trepidation about singing to their newborns." Half collection of lullabies, half something more uptempo, the 40-minute album generally succeeds, usually in more the uptempo parts. A simple swinging version of "A-Tisket A-Tasket" or a gentle reading of Cat Stevens' "Moonshadow" -- pleasant to listen to. And Hickman gives her own "A Slice of Heaven" a nifty a cappella treatment. Less successful are the lullabies. I'm a parent who has no trepidation about singing to my kids, and the lullabies here intimidate me, actually. "It's Alright" is a song Hickman created for her 4-month-old daughter, and while the lyrics are sweet and give great comfort, Hickman's strong voice is a bit overwhelming. Maybe I'm wrong here, but it doesn't sound at all like the way I would sing to a colicky baby -- it's that version that I want to hear. The lullabies are fine (I've heard much worse), but they don't always sound the way lullabies might actually be sung.
Now, if the first album occasionally suffers from a bit of preciousness, Hickman's 2001 follow-up Toddler suffers in no way whatsoever in that regard. In about 43 minutes, Hickman records 31 tracks of silly songs, playground rhymes, and a few stories that do a much better job of showing how simple it can be to just sing for your kids. In writing notes on the CD, I repeatedly used the word "fun" to describe the tracks. From the instant-classic playground chant "I Like My Boots" (co-written by Hickman and 8-year-old Kristen Nichols) to the zippy "Weenie Man" to the ear-wormy melody of Hebrew folk song "Hiney Rakevet," Hickman seems to be having a blast. It's multi-cultural, multi-lingual, and a blast of energy from start to end. Unlike Newborn, Hickman also uses a few more instruments (on both albums, the playing is great).
Sara's choice of album titles makes it remarkably easy for this reviewer to peg the age range, though I'd go a little on the older side, 0-4 for Newborn, and 1-6 for Toddler. You can hear samples and read lyrics for Newborn here and a few samples from Toddler here.
Sara Hickman has crafted a couple nice CDs here. With some sweet melodies, Newborn might make a nice gift for a parent-to-be and is recommended, if only because it's not totally lullaby-driven. But it's Toddler that's definitely recommended -- it's the stronger album and will get much more use owing to the fun evident on the disk.