One of Zooglobble's West Coast readers, Katy, was inspired by my review of the two Why Not Sea Monsters? albums (featuring Justin Roberts and Liam Davis) to provide her own view of the albums. Her spiritual background (much stronger than mine, as you'll see) makes for a slightly different perspective on the disks. And while I don't envision making reader reviews a common occurrence here (though y'all are welcome to do so in the comments), I thought this review merited its own post.
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As a minister in the United Church of Christ as well as mother to two girls (5 and 7 ½) who are big Justin Roberts fans, I wasn’t sure at first what to make of these scripture-based CDs. Until I listened to them. And then I was completely sold. First off, I should confess that I describe myself as a liberal/progressive Christian (yes, we do exist!), so it’s hard for folks like me to find scripture-based material that’s fun to listen to and at the same time consistent with the message we want to teach our kids. As a rule, I tend to be leery of contemporary Christian music because I find it is often poorly done musically, or it’s bad theology, or both. With a Master’s Degree from University of Chicago Divinity School (the “Harvard” of U.S. theological schools), Justin Roberts has done his homework here. His music makes the texts accessible and theologically sound to my way of hearing, without dumbing them down.
I find the Hebrew Scriptures CD is somewhat more enjoyable than the New Testament. I tend to turn toward this CD more often, but more because of the music than the texts they’re based upon. I love his take on the story of Noah’s Ark on “Make That Two.” And the lyrics to “No Spring Chicken,” in reference to the story of Abraham, are beautiful (“But love is longer than the Nile/lift your eyes to the stars above/And watch them as they burst and bloom with love.”). Finally, his and Liam Davis’s version of Craig Wright’s song, “Where Were You?” from the Book of Job, is stunning. It always sends chills down my spine. Having said that, I find the line, “Imagine towers wreathed with smoke” jarring because I can’t help thinking of 9/11. Still, the overall mood of the song more than makes up for that one line.
As for the New Testament CD, it contains so many of my favorite gospel stories that emphasize Jesus’ message of love and inclusion, that I really like it too (the Prodigal Son in “Now You’re Back,” the Banquet of Heaven in “Guess Who’s”, the Good Samaritan in “Not Today”). There’s also the story of Zacchaeus in “What’s He Doing Up There?” As a tax collector, Zacchaeus would have been ‘persona non grata’ in the culture of the time since he served the Roman Empire. Nevertheless, Jesus sees his faith and invites him to a meal, which completely challenged contemporary views on socially acceptable behavior (Jesus did a lot of that). I also really love “Shh Shh Shh”, about Mary and Martha, and “Rub-a-dub-a-dub-dub.” I never would have thought to put the story of Jesus washing the disciples’ feet to a reggae beat with a kazoo orchestra—but it totally works. Roberts and Davis infuse all these stories with so much new life and humor that I hear them in a whole new way. That’s no small task. And I really appreciate the inclusion of biblical women in both CDs (Lydia, Ruth, Mary and Martha, Sarah, etc.).
Another benefit of these CDs is that they have led my daughters to ask me, on many occasions, “Mommy, tell me about this story…” As a result of these CDs, we have had many more discussions about God’s love, serving the poor, including people who are often left out, etc., than we would have otherwise. It’s really nice to have some good music between Sundays to back up the values we want to live by as a family. I will definitely be using these CDs in our Sunday School program, and I am telling friends and colleagues in other churches about them too.
This Week: Heading West
So long, Chicago -- this week on Zooglobble it's West Coast-related artists. That's right, we'll have reviews of new albums by Ice Cube and Pearl Jam and... [whisper, whisper]... oh, you're probably right. OK, scratch that, we've got some other artists to talk about.
And if you missed the interview with Justin Roberts or the review of his Why Not Sea Monsters? albums with Liam Davis, check 'em out.
Review: Songs from the Hebrew Scriptures / Songs from the New Testament - Why Not Sea Monsters?
For many artists, children's music is a side project. If you're Justin Roberts, however, you're already a children's music artist, so what's your side project? It's recording as Why Not Sea Monsters? with frequent collaborator Liam Davis.
In late 2005, Roberts and Davis released two Why Not Sea Monsters CDs -- Songs from the Hebrew Scriptures and Songs from the New Testament. Most of you will recognize that these albums have a distinctly... Biblical aspect to them. (My readers, they're sharp.) Roberts was commissioned to write many of these songs by Augsburg Fortress Publishers, he wrote a few more when deciding to record the album, and added a couple covers.
To put in context my review of the album's music, I should explain to you my history with Christian music.
Which is to say, virtually none. Aside from my U2 albums (upon which some churches are basing entire services), the only Christian music album I've ever owned was Amy Grant's Unguarded, and I didn't buy it for the praise music. I bought it because the music was good. The message was secondary. (That's still the case today, even though I'm now an active member of a mainline Protestant church.)
For the most part, the music here is good. Those of you expecting Meltdown! Bible Stories, as Roberts and Davis dial back some of the tempo and layering of instruments found on that album. Instead, they're content to play mostly midtempo acoustical songs in the manner of "Roller in the Coaster" off Way Out or "Koala Bear Diner" off Meltdown!. Given that many of these songs may end up in Sunday School curricula, the fact that many of these songs are little more than guitar and drums and/or bass, the simplicity is appropriate. (Each of the 35-or-so-minute discs include chords and lyrics.)
The best songs are those where Roberts lets his humor shine and he puts his own spin on stories so familiar that most people, Christian or not, would recognize them. On the sweet and poppy "Why Not a Spark?," Roberts' narrator tells of God choosing what to bring forth at the Creation, but he keeps getting ahead of himself ("On the fifth day / God said, why not sea monsters / Why not starfish and lobsters / why not airplanes over water / Wait that's later!"). Or Daniel in the lion's den who beckons the lion with "Here kitty kitty / Won't you come kitty kitty" ("Here Kitty Kitty"). As a whole, Roberts has written Christian music without much trace of sappiness.
I found the songs on Songs from the Hebrew Scriptures more enjoyable, and maybe that's because my raised-not-in-Sunday-School theological foundations are pretty weak and I was drawn to the more familiar stories in the Old Testament. Hebrew Scriptures also has the advantage of having Roberts cover Craig Wright's "Where Were You?," a beautiful hymn ("Where were you when I crafted you a language... / So you could live and die with dignity / And shake your fist with poetry, imagining creation from the first") for which Roberts and Davis pull out all the instrumental tricks (strings, for example) they've otherwise left in the bag. It's an absolutely gorgeous song. On the other hand, New Testament's stories are less familiar and the songs aren't as compelling ("Lydia" has the lyric "Her name was Lydia / Our hearts will never be rid of ya," which, I'm sorry, bugs the heck out of me).
Biblical songs can probably be sung at any age, but I think the morals and religious precepts contained within the songs are most appropriate for kids aged 3 through 10. You can hear samples by going through the Sea Monsters website.
In the end, this is a Christian music album, and there's no two ways around it. Having said that, I think you just need a basic Christian belief system (regardless of whether you attend church regularly) to enjoy the CDs. [And, as a reader subsequently pointed out to me, the Hebrew Scriptures CD is appropriate for persons of the Jewish faith as well.] Regardless of your faith, if you're not sure these are for you, start off with Hebrew Scriptures. Recommended.
Interview: Justin Roberts
The one thing I discovered from teaching preschool is you shouldn't have a preconceived notion of what kids will respond to. So I don't try to guess. -- Justin Roberts
With three CD releases in the past six months (the highly acclaimed Meltdown! and two "Why Not Sea Monsters?" scripture-related CDs with collaborator Liam Davis) and a very active 2006 touring schedule, Justin Roberts has been a very busy man as of late. Still, Justin must have exemplary time-management skills as he provided thoughtful responses to the questions below. Read on to find out which characters in Roberts' songs have echoes of Justin himself, who he's trying to please when writing songs, and what rocking out with kids is more fun than.
And thanks again to Justin for the interview.
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When did you realize that you were going to make making kids' music your career?
I put out Great Big Sun in 1997 right as I was entering graduate school at the University of Chicago. I had no intention at that time of becoming a kids music performer. However, after finishing my masters in religious studies, I decided rocking out with kids was a lot more fun than studying Sanskrit. I stand by that statement today.
How much of your music is based on memories from your own childhood compared to watching kids as an adult?
I take a lot of inspiration from my own childhood, little memories and events that I use as building blocks. But sometimes I just make it all up. I think when I'm writing a song I try to get into the characters head and tell his or her story. In the same way that I would when writing a song for adults. So, while I might be inspired by the kids in my neighborhood cranking out chalk art, the character in the song develops as the story comes out.
Review: Folk Playground (Putumayo) - Various Artists
"Folk Playground is neither 'folk' nor 'playground' -- discuss."
The Putumayo label got its start a number of years ago putting together mix tapes for use in its clothing store. They have since abandoned the clothing store, focusing solely on music, and have developed a kids' music label, Putumayo Kids. The latest entry in the Putumayo Kids series of CDs is the 2006 release of Folk Playground, to be released on Tuesday.
The 33-minute CD may confuse folk purists while also confusing some parents new to the children's music scene. The key component in the definition of "folk" seems to have been whether or not acoustic guitar was included on the track. The "playground" songs -- "This Old Man," "Froggie Went A Courtin'," -- aren't necessarily "folk music" in execution (or, if they are, it sort of stretches the definition.) The term "Folk Playground" is marketing and stretches the definition of what's actually on here.
Now, if you are a devoted children's music listener, you may already have half the songs (or at least half the artists) already in your collection. The problem with the selections from the more familiar artists is twofold. In some cases, the selections are not very representative of the artist's work (Justin Roberts' "Roller in the Coaster," while a nice little song, is a less common type of song for him, compared to the rave-ups; Laurie Berkner has made a name for herself for her originals, not covers. Neither would be considered folk artists.) In other cases, the songs are more representative of the artists' overall work, but not necessarily a highlight from their catalog (Dan Zanes' "Hop Up Ladies," Trout Fishing in America's "Fill It Up," Elizabeth Mitchell's "Crawdad"). These songs are perfectly fine, but I could probably have come up with a half-dozen songs each that I'd've preferred to see on here. (I do think Brady Rymer's "It's All How You Look At It" is pretty good, though.)
Of the less familiar artists (kids' related -- Leon Redbone is hardly an unfamiliar artist), the clear standout song on the CD is Zoe Lewis' "Sheep," about her musings while seeing sheep from far above in an airplane ("I wonder what are you thinking as your little pink lips go round and round and chew / Does night time bring you dreams of spring, mutton, mint sauce, leg of lamb or stew? / (Sorry, sheep)"). It's a sprightly melody, sung with whimsy, and mixed with tin whistle, among other instruments. Forget about the less familiar artists -- it's the best song on the CD, period.
The album is probably most appropriate for kids age 2 through 8. You can download lyrics and listen to sound samples at Putumayo's page for the release.
In the end, after listing all my criticisms, you might be surprised to read that I like the CD. It's a case where the whole is greater than the sum of its parts. Putumayo's history as a mix-tape creator serves it very well here as Folk Playground is a CD which will serve as a very pleasant soundtrack to a session of coloring or game-playing. While there are few standout tracks here, the overall listening experience is nice.
Songs for Moms
Here's a list of songs for mothers or songs about mothers, in no particular order. I've avoided lullabies (songs by moms, typically), as well as songs about general parentual units, or songs about moms and dads.
If a song isn't on the list, it's because of one of the three "O"s: Oversight (I knew about the song and just forgot), Omission (I knew about the song and chose to exclude it), or Obtuseness (I didn't know about the song at all). I expect the third category to be fairly large, so feel free to add your suggestions in the comments section. And most (if not all) of these CDs are reviewed here, so if you're not familiar with a CD, look at the review sidebar to the right.
(By the way, Fran had the same idea and got there first, but between the two of us, I think we ought to come up with a decent mix CDs.)
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"Mama Don't Allow" -- numerous versions; try Brady Rymer's version off of Every Day Is a Birthday
"Mama Hug" -- Brady Rymer, Every Day Is a Birthday
"Mama Is Sad" -- Justin Roberts, Yellow Bus (it's a song about divorce, so I'm guessing it's not gonna go on too many mix tapes)
"Five Little Ducks" -- try version on the Old Town School of Folk Music's Songs For Wiggleworms
"Thank You Mommy" -- The RTTs, Turn It Up Mommy!
"The Coffee Song" -- Ralph's World, At the Bottom of the Sea (not really about moms specifically, but it was the first song that came to my wife's mind when I mentioned the topic of the post)
"Hush Little Baby" -- try version on the Old Town School of Folk Music's Wiggleworms Love You, though it's just as often that Dad is the person buying baby that billy goat
"Mother and I" -- Bill Thomas (and a Circle of Friends), Time Can Be So Magic