I'll go ahead and say straight out that since I wrote some liner notes for Take It Outside, the second family album from Minnesota's Okee Dokee Brothers, I think you can guess that I like the album. I do, indeed.
It's a big step forward for Justin Lansing and Joe Mailander, who are neither brothers nor from Oklahoma, but who do share a big ol' grin behind their band's genial name. Their first album Kids With Beards was pretty good, but this one is stronger in every way -- musically, lyrically, and sonically. "Neighbors" sounds like they've packed everybody in their neighborhood into the studio for parts of the chorus. "Hero" features a soaring chorus and guitar work from the Honeydogs'/Bunny Clogs' Adam Levy. And midway through the bouncy "Antidisestablishmentarianism," they decide that "now we're going to spell for you / 'Cause that's what kids musicians do" and proceed to do just that. (Their joy mounts as they continue to sing as they provide a frequency distribution, for example, of the letters in the word, capped by the definition and a gleeful "what's that supposed to mean?" followed by "Who caaaaares".) They do reflective OK, as on "What We Got" and "Sweet Dreams," but their strength is silly and/or goofy.
Kids ages 5 through 10 will most appreciate the lyrical themes and humor, while their Americana/bluegrass take on pop-rock, polished to a nice sheen by producer Tor Hyams will have a fairly broad appeal. You can listen to samples at the album's CD Baby page. Take It Outside has an outdoorsy theme, but even more so it speaks to an engagement with the rest of the world. With good humor and heart, the Okee Dokee Brothers have produced a CD for even the most curmudgeonly recluse and the kids who just want them to play a little bit. Definitely recommended.
[Disclosure: I was provided a copy of the album for possible review. Though that's pretty obvious, I think, given this particular album.]
Review: Is This Some Kind of Joke? - Billy Kelly
Billy Kelly is the whoopee cushion of kids music. Last year he stormed (politely) onto the kids music scene with Thank You For Joining the Happy Club, featuring the instant classic "People Really Like Milk" and other songs that usually brought smiles and occasionally laughs to listeners nationwide. For his just-released follow-up Is This Some Kind of Joke?, a self-described musical comedy album, he dials the funny up to 11.
The album starts off with poppy Is This a Joke?, which in just 2 minutes and 45 seconds, exhibits most of the Billy Kelly style -- nifty rhymes, fancy words, and a song you actually have to think about and listen to carefully if you're going to catch every reference. (I've listened to the album at least a half-dozen times, and I still think I've only caught 90% of the humor.) I say "most" of the style, because that song avoids the self-aware humor Kelly employs often. It's OK -- he uses it elsewhere, such as on "Me and My Brand New Haircut," on which Davy Jones sounds like he totally gets the joke. The chorus on the dance tune (natch) "The Dance From Outer Space" is like the best Greek chorus ever. Kelly hits more musical styles than he does on his debut (I especially liked the funk-sampled "Everybody's Got Their Underwear On"), but it's all in service to the lyrics. If you've heard the album, the lyrics "I already told you I can see you," "Thank you for saying you're welcome," "What's wrong with that guy over there," and "Where is the turtle wax?" will bring big smiles to your face. It's a bit darker than Happy Club -- instead of a song called "Springtime: It's My Favorite" there are songs about an alien dance taking over the world and swamp creatures threatening to take over the world -- but nothing too dark.
And "The Legend of Johnny Box," which owes a big debt, unsurprisingly, to the Man in Black. Wow -- it's one of those songs that starts out unassumingly, builds up to something big, then somewhere east of Poughkeepsie takes a turn into something silly, then epically silly, then beyond silly into that realm few people are willing to go. Let's put it this way... it's more than seven and a half minutes long, and it's worth every second.
As with his debut, it's going to be older kids who most appreciate the dense wordplay and humor Kelly packs in here, say ages 7 on up. You can hear some of the songs at his Myspace page or samples of all the tracks here. I should note that the first 1,000 copies of the album in physical format come hand-signed and packaged with an erasable marker and an incredibly dense maze in poster format that might take your kids the better part of an afternoon to work through.
Like some mutant offspring of the Holland-Dozier-Holland Motown songwriting team and Spike Jones (or possibly "Weird Al" Yankovic's cousin), Billy Kelly has written the album that precocious third graders have wanted all their life and just didn't know it. Their parents didn't know it, either, but now they do. No joke -- this is a seriously fun album. Highly recommended.
Review: "Ranky Tanky" - Rani Arbo & daisy mayhem
This is a disk that's been sitting on my desk for awhile, and I've actually listened to it a fair amount since receiving it a few months back. I feel slightly bad about this, some sort of cognitive dissonance between the desire to tell folks about a good CD and my inability to, you know, tell folks about a good CD.
The Connecticut-based band Rani Arbo & daisy mayhem has been making music stringband music for a good decade now, but Ranky Tanky is their first album specifically targeted at families. It's a big stew of songs familiar and not, "traditional" and "un." The first 4 songs -- Cat Stevens' "If You Want to Sing Out, Sing Out," traditional tune "The Green Grass Grows All Around," the Meters' "They All Ask'd For You," and the pop novelty hit "Purple People Eater" -- illustrate the band's omniverous, genre-disregarding approach to music. They just find good songs and give them new life.
In essence, while lots of artists talk about making music for families, relatively few of them have taken the Dan Zanes approach of making "age-desgregated" music truly expected to be listened to without irony filters. This album takes this path less-traveled. In the end, I think Arbo falls just a little short of Zanes, which is an admittedly high bar to reach. While the album maintains a genial vibe infused with warmth, there are times on the album where the jolt of a Father Goose or an out-of-left-field guest artist would have helped a bit.
In true Zanes-ian fashion, the idea of an appropriate age range is a little odd with this disk, but think of it as being best for kids ages 3 and up. You can spin five of the tracks here and listen to clips at its CD Baby page.
Ranky Tanky is one of those disks destined to be listened to long after the kids have grown out of their size 1 shoes. Fans of Dan Zanes and Elizabeth Mitchell will find the eclectic song choices and cozy arrangements to their families' liking. Though you were always sort of part of this family music world, we'll wish you a formal welcome, Rani -- hope you stick around for awhile. (It won't take me this long next time to tell folks.) Definitely recommended.
Review in Brief: American History + Rock 'N' Roll = Deedle Deedle Dees
I think the world of Brooklyn's Deedle Deedle Dees for many reasons. Some of them are obvious -- catchy tunes, they RAWK -- and some are less so. One of those "less-so" reasons is that the band is so clearly following their muse, writing and playing songs that interest them.
I mean, I can't think of any other kids musician or band who would record a song about, say, Eleanor Roosevelt, as the Dees have done on their latest album American History + Rock 'N' Roll = Deedle Deedle Dees. But there it is, a dreamy song about Eleanor Roosevelt, getting advice about what to do as she was becoming First Lady -- it's a nice character sketch.
"Nice character sketch" is a good description for the Dees' history-based music -- rather than trying to sing about the big, important historical events, they're more apt to sing about the smaller historical moments or non-Presidents -- the saucy, horn-assisted strut of "Bring 'Em In" (a possibly true story about the pitcher Satchel Paige) or the party of "Tres Muralistas" (about the Mexican muralists Diego Rivera, Jose Orozco, and David Siqueiros). And when they do hit the people you're more likely to read about in a fifth grade history book, it's more about just trying to give the audience a little hook to remember the person by; in "Tub-Tub-Ma-Ma-Ga-Ga," it's remembering that Harriet Tubman led people by walking, rather than trying to explain (in song) what the Underground Railroad was.
Musically, the album moves from shuffling rock ("Little Red Airplane") to horn-aided Mexican-tinged folk ("Tres Muralistas") to punk ("Put on the Dress," based on a true story of -- and featuring on the record -- Bill Childs). The musicianship is solid throughout and I especially enjoyed some of instrumental flourishes (the guitar on "John Muir" or the piano on "Si Se Puede!")
Though the Dees have songs for younger kids (primarily from chief Dee songwriter Lloyd Miller/Ulysses Dee), this album is entirely history-based. As a result, while younger kids will probably enjoy dancing around to the music, kids ages 7 and up will most appreciate the songs and stories told here. You can hear some samples here and I highly recommend the song notes the band's been posting here.
These are not the catchy, big-picture pop tunes of Schoolhouse Rock; instead, this album is more interested in the nooks and crannies of history. I hope the Dees continue to follow their personal muses -- their music isn't necessarily for every listener, but it's vibrant. The fact that it's an excellent historical survey is just a bonus. Definitely recommended.
[Disclosure notice: The band provided a copy for possible review.]
Video Game Review: Lego Rock Band (Wii)
We are not "gamers" by any stretch of the imagination -- somehow, being the sole kid without an Atari 2600 on my block growing up did not lead me to overcompensate by buying every single gaming console ever made.
So when I was offered a copy of Lego Rock Band for Wii for possible review (it came out right around Thanksgiving), my first task was to, well, find a Wii. Which probably gives you a pretty good indication of my gaming experience. (Previous total Wii experience = about 1 hour.) But, having secured a Wii and assorted equipment for a couple hours and my friend Larry (along with his kid) to enjoy the game with, I dove right in.
For those of you who aren't familiar with the whole Rock Band concept, in brief it lets players "play" console instruments (e.g., guitar, bass, drums) and/or sing-along karaoke-style along with popular songs in front of animated singers. The more accurate your "playing" (i.e., press the correct colored button at the proper time) is on these fake, simplified instruments (or the closer your vocals are to actual notes), the higher your score. Basically, it's karaoke without the crowds and with points.
And, in this, the latest version of the Rock Band concept, animated Lego characters.
A Sleigh-Load of Christmas/Holiday CD Reviews
There's so much holiday music in the kids music genre that just listening to it all this year was a daunting task. I've got eight albums that grabbed my attention in one way or another; one of them is bound to please your family (unless you're looking for a solstice, Kwanzaa, or Festivus album).
Let's start out with my 3 favorite albums of this particular season...
The most ambitious kids music holiday album of the year comes courtesy of The Hipwaders, whose A Kindie Christmas isn't so much an album of Christmas music as much as it is a Christmas concept album, covering the emotions and anticipation of the season. It's a collection of all-original tunes, done in the Hipwaders power-pop/rock style. "It's Wintertime" is a great dance tune, and "Santa's Train" sounds like an outtake to a Johnny Cash Christmas album, but my favorite track here, maybe of the season, is "There's Too Much Good," a very affirming sentiment at this time of year.
To say that the collaboration of Danny Adlerman, Kevin Kameraad, and Yosi finally bridges the divide between Christian and Jewish holiday traditions makes ...And a Happy New Year sound a lot duller than it really is. In reality, the three kids rockers mostly take turns in providing songs, alternately deeply sincere ("Starlight" and "Two Sets of Footprints") and goofy (the "12 Days of Christmas" reworking "A Pickle for my Christmas Tree" and a cover of Tom Lehrer's "I'm Spending Hanukkah in Santa Monica"). Featuring the season's hardest-rocking tune, the trio's cover of "Frosty the Snowman," it's an interfaith collection worth exploring regardless of whether you light menorah or advent candles.
Robert Burke Warren, AKA Uncle Rock, spent time in London's West End performing a Broadway show but also rocked in far earthier terms. On Express Your Elf, Warren taps into both of those performing personalities. On the one hand, he offers a crooning take on "The Most Wonderful Time of the Year" and a peaceful "My Favorite Things" (a perfect holiday song, when you think about it). Those tracks share space with the rootsy original long-lost nugget "Santa's Coming in a Whirlybird" and a cover of "Feliz Navidad" that neatly weaves "La Bamba" into the mix. It's a tough (and close) call, but it's my favorite kids music holiday disk of the year.
There are others for your listening pleasure. Read on for more...