Whose Noggin Is That?

We recently received a copy of Brady Rymer's latest CD, Every Day Is A Birthday, and the first thing my wife said when she saw the CD was, "Wow. Do we have any other kids' CDs with the artist's actual picture on the cover?" This amused me, because it was the exact same thought I had the first time I saw a picture of the cover. And, really, if you think about it, most children's music artists do not have a particularly large presence on their album covers. Ralph's World? Even on his latest CD Green Gorilla, Monster & Me -- Ralph is a tiny, animated man. Dan Zanes? Slightly less tiny, slightly less animated. Laurie Berkner? A little less tiny than Dan, a little less animated. And that's pretty much where the progression ends. (I guess Laurie's DVD has her featured a little more prominently.) Progress in the children's music world is typically on the level of Justin Roberts' Meltdown! CD, in which the animated child on his fifth kids album now looks much more Justin-like. Frankly, this probably doesn't matter much. This industry is probably significantly different than "adult" CDs, in which mass marketed CDs almost always come with the artist's picture prominently displayed (think of rap or country CDs, or U2 or the Rolling Stones). And even though the faces aren't there, there's often a graphical consistency to the cover art. But with the increasing folding in of "serious" children's music artists such as Berkner, Zanes, and Covert into major record distribution, it wouldn't be surprising to see more faces and fewer cartoons on CD covers.

Whither Jamarama Live Reviews?

Clea's post on attending Jamarama over the weekend reminded me of something I wanted to do... I've received a fair amount of website hits from people looking for Jamarama Live reviews. So I decided to see what I could find for myself. And the answer was clear: the reason I'm getting all these hits is because there really aren't any reviews out there. So rather than rail on the mainstream media, I went to the real power, people! The BLOGS, man! Jamarama Reviews Out The Wazoo(s) (West Coast Edition) Small Ages: The good (Dan Zanes), the not-so-good (Milkshake), and the ugly (the Ohmies) (this past weekend...) Buzzville: See above. Also, apparently Dan signs T-shirts! (Santa Barbara) Winters on the web: "It was sweet and treacly and nauseating. 70 minutes of my life I will never get back but worth it to see my son happy!" So at least we know it's 70 minutes long. (Santa Barbara) Gavin: All you ever wanted to know about sound for the show. And it wasn't that crowded. (Long Beach)

Review: Rocket Ship Beach - Dan Zanes and Friends

Rocket Ship Beach was the first Dan Zanes album I ever heard. This was maybe 4 years ago or so. I liked it, but it didn't quite grab me at the time the way his 3 subsequent albums did. In going back to the album for the purposes of this review, I tried to figure out why. Let's start out with the stuff I liked then, and still do. You wouldn't think that "Bushel and a Peck" from the Broadway musical "Guys and Dolls" would be a great fit for a chorus of elementary school children (whom I generally dislike hearing on record), but they sound great in the song. It's 180 degrees different from the Olive Oyl-stylings of Faith Prince in the Broadway revival from a few years ago, but lots of fun. My other favorite track on the record is Suzanne Vega's take on the "Erie Canal," which is... well, I don't want to say "eerie" (that would be too easy), but Vega's voice and Zanes' lap steel guitar blend together in a wonderful duet. The rest of the album is... maybe it's just too folk- and bluegrass-based for an entire album for my tastes. Yes, Father Goose and the Sandy Girls make their appearances, as does Barbara Brousal, but the overall feel of the album is definitely more "folk festival" than the other Zanes and Friends CDs. Maybe part of that is that there's only one Zanes original ("Hello," on which Brousal duets). In any case, the album is less diverse musically (if no less technically and musically accomplished). Don't get me wrong, I like the CD and I'm glad to have it in my collection, but I guess unless you're a big folk music fan, I would recommend one of Zanes' other CDs (probably "House Party") as an introduction to his stuff. The CD is best for kids ages 3 through 7 or 8, though like all of Zanes' work, it's definitely appropriate for people of all ages. Zanes' music is available in most stores with a children's music section. Recommended.

News: New Dan Zanes CD Coming This May

Dan Zanes has, without a doubt, the best kids' music e-mail newsletter going. Or, at least, it's the fanciest-schmanciest. Occasionally it even includes bits of news worth passing along. His e-mail earlier this week includes this note from Zanes (or his e.e. cummings-obsessed PR-person/webmaster): "the new dz and friends family cd is finished! it's called catch that train! it will be released in mid may. in addition to that old gang of mine which includes: father goose, barbara, cynthia, colin, yoshi, wunmi, and the rubi theater company, there are guest appearances by: the blind boys of alabama, nick cave, the children of agape, the kronos quartet, and natalie merchant." So there you go. Nick Cave doesn't really strike me as a children's music artist, but neither did Philip Glass, and that turned out wonderfully on House Party, so what do I know?

Review: Night Time! - Dan Zanes

The idea of a concept children's album is probably a bit too difficult to pull off. There aren't many I'm familiar with (John McCutcheon's quartet of seasons-related CDs is an exception). Concept albums for 4-year olds are a little broader generally, and don't always work. (Do you want to listen to 12 songs about addition? Didn't think so.) On his third family and children's music album, Night Time!, Dan Zanes wisely eschews an explicit "nighttime" conceit for a set of songs that sounds very similar to his other kids' music albums, just a little more... nighttimey. (Yes, I'm a critic and I'm allowed to make up words.) By "nighttimey," I basically mean "mellow and relaxed." This isn't sleepy-time music -- the leadoff track "Night Owl" with Aimee Mann is all about staying up late. The second track (my favorite on the album) is the jagged sea shanty "Pay Me My Money Down." When I first heard the album, I thought a song mentioning bars and jails was an... atypical choice for a children's music album, but in his liner notes he mentions that it was kids' favorite song when he would play schoolrooms. Go figure. It's a blast. While all the elements of a Dan Zanes album are there -- the beautiful Spanish duet with Barbara Brousal, the Sandy Girls folk song, Rankin' Don doin' his dancehall thang or whatever his thang is -- there is an element of looseness and relaxation that is emphasized more so on this album than on the other ones. Maybe it's just the subtle hints in the liner notes and pictures, but it's easier to picture this album being made (and listened to) as the sun sets long into the evening. The album's one false note, "What A Wonderful World" with Lou Reed and the Rubi Theater Company, fails precisely because it's the one song that doesn't sound like it just "happened." Aside from that, the concept, loose as it is, works. As with all of Zanes' albums, the album is probably best for kids ages 3 through 8, but is perfectly OK for infants and grandparents and everyone in between. The CD is available through Zanes' website, online, and in what seems to be an increasing number of offline locations. Highly recommended.

News: DZ and Disney, Laurie-Palooza

An article in Sunday's New York Times notes that Dan Zanes now has a deal with the Playhouse Disney network to produce his own music show. No word on when the music show will actually make it to the air. The article also notes that Laurie Berkner has signed up to be in Jamarama, a Lollapalooza-esque traveling kids' music festival starting this fall. What's intriguing to me about the festival is the locations -- classic rock and alternative rock venues. ("Daddy, tell me again about the time you saw the Pixies here...") Saturday, October 29 Morristown, NJ Community Theater Sunday, October 30 New York, NY Roseland Sunday, November 6 Chicago, IL Rosemont Theater Saturday, November 19 Philadelphia, PA Electric Factory Sunday, November 20 Washington, DC 9:30 Club