A while back the Official Wife of Zooglobble brought this book home from her preschool classroom. It's called What Instrument Is This?, and as you might deduce from the title, its structure is a series of questions encouraging the elementary-school-aged reader to guess the name of an instrument.
Now, given that the book is 20 years old, and some of the pictures inside appear to be at least twice that, one could be forgiven for dismissing the book. But it's a totally charming book, probably the best "introduction to instruments" book I've ever seen.
Author Rosemarie Hausherr organizes the instruments by instrument group (winds, strings, keyboard, and percussion), and features many different types of pictures and settings. There's just enough detail to make it interesting without overwhelming -- the recorder is a long, hollow piece of wood with eight holes, played by blowing into the whistle mouthpiece, with a "warm and cheerful sound."
While the text style and the design of the book remain remarkably consistent throughout (and the subtle logos representing each of the four instrument groups would look modern today), that's offset by the diversity of musical and photographic styles and subjects. Classical music, sure, but bagpipes? CBGB (yes, that CBGB) is thanked in the credits, so I can only assume the picture for the electric guitar (strings section) is from a gig there. The kids in the pictures reflect a fairly diverse crowd, spanning many races and featuring more than one child with disabilities playing (or experimenting with) instruments. It's nothing fancy, but it's great at keeping kids interested without trying too hard to do so.
The book appears to be long out of print, but Amazon has several copies for little more than the cost of shipping and I'm sure it's available elsewhere. (That's an Amazon affiliate link, by the way.)
What Instrument Is This? is a great book for preschool and elementary school classrooms, as well as families looking to introduce a visual element of music into their homes. Definitely recommended.
There's a reason this video had over 300,000 views within 48 hours of its release a couple weeks ago: it's enchanting. Sean and Lisa Ohlenkamp (and their friends) make a Toronto bookstore come to life using stop-motion animation. Regardless of whether you're pro- or anti-Kindle (and I think you can guess on which of the debate this video would side), the word "magical" isn't too much of a stretch to describe this.
The Joy of Books [YouTube]
A lot of kindie musicians dream of creating their own TV shows.
Most of the rest of them want to become authors.
That works out to varying degrees, of course. Chris Ballew, AKA Caspar Babypants, in addition to being a talented musician (and visual artist), has the good fortune to be married to artist Kate Endle. Togther they have combined to produce two lovely books -- Bunny Rabbit in the Sunlight and My Woodland Wish -- which parents (or kids) wholly unfamiliar with Caspar Babypants or Chris Ballew would be happy to have on the shelf.
In fact, these books owe the majority of their charm not to the words but to Endle's cut-paper artwork, which is simply beautiful. It's a collage but with everything meticulously planned and put just in the right place. (Take a look at that cover -- you'd think that it was entirely hand-drawn until you look closely at those bushes.) Both books are nature-based -- Bunny Rabbit presents a series of animals in different light settngs while My Woodland Wish is an ever-so-slightly more narratively-driven book that follows a girl spying on (and interacting with) various woodland creatures. The books are cute, but not too much so -- they don't over-anthropomorphize the animals (or give them eyes waaaaay out of proportional to the rest of their bodies).
The words/lyrics to the books (created by Ballew alone in the case of Bunny Rabbit; the two of them together for My Woodland Wish) aren't bad, they're just not what keeps me returning to the books. Ballew created Caspar Babypants melodies for the words, and while they don't have the zippy energy that I personally enjoy most about CB songs (nor should they given the subject matter), they definitely create a sense of dream-like wonder like many of his other songs do.
Caspar Babypants - "Bunny Rabbit in the Sunlight" (book preview) [YouTube]
(The video book preview for the other book is at the end of this review.)
The board book Bunny Rabbit in the Sunlight is most appropriate for kids ages 2 through 5; the picture book My Woodland Wish is more appropriate for ages 3 through 7. You can download both books' tracks here.
I should also note that this is not a typical self-published book, which in my experience can look kinda cheap when you hold it in your hand. These are both releases of Sasquatch Books, a regional publisher distributed by Random House; they both look and feel gorgeous and solidly made. You can find the books, therefore, all over the internet (and maybe even your local bookseller); Endle also sells them at her Etsy store.
I've been almost a little scared as to how easily Ballew has made the transition to part-time (bordering on full-time) family musician. There's not a single dud in his Caspar Babypants CD canon, and now he's helped create two wonderful kids' books with Endle. (A third, Augie to Zebra, is due out in May 2012.) Given their success with books, perhaps they should think about TV... Definitely recommended.
Disclosure: I received copies of these two books for possible review.
Some artists are busy recording music for already-written books, while plenty of other artists write their own books to go along with their music. The Seattle duo Mr. and Mrs. Muffins are charting a third, less-traveled course in the family music world -- writing books that serve as the basis for new music.
Late last year they released a couple book/CD collections -- The Adventures of Ms. Rabbit and Mr. Carrot and The Striped Ladybird. "Book" is probably a bit strong of a word for those families still strongly in the physical object camp, as the only book available is a PDF document. But the books look pretty nice on an iPad while following along to the mp3s.
Musically, both albums are a throwback to a good fifty years or so in the past, with Ladybird offering up some bossa nova and other laid-back Brazilian sounds and chamber pop (even a little Beach Boys), while Ms. Rabbit provides more of a Parisian vibe (dig the accordion). Each album features musical interudes interspersed with narration of the story. The stories themselves are gently moralistic fables, teaching lessons (Ms. Rabbit: making friends is a good thing; Ladybird: it's OK to be different). The concept of the interaction between the book and the music doesn't work perfectly as there isn't enough visually in the book between the narrative to hold the attention of the reader for most of the musical interludes. But the art direction is pretty, especially for Ms. Rabbit.
The stories are most appropriate for kids ages 3 through 7. You can stream both albums below, or, go here to stream just the music from both disks (a
"best of" which, thanks to a successful Kickstarter campaign, will be pressed on vinyl). If you're choosing, I'd go with The Adventures of Ms. Rabbit and Mr. Carrot for the art direction and The Striped Ladybird for the music. Recommended for fans of dreamy stories and sounds for a rainy day -- I hope this is just the beginning...
Disclosure: None! I bought these e-books myself.
I'd heard about the music that guitarist Tom Gray of the British band Gomez had done for a couple of kids' puppet shows for at least a couple years now. So was it merely an amazing coincidence or was it fate that I had an e-mail ready to go to Katherine Morton and Polly Dunbar, proprietors of Long Nose Puppets and creators of said puppet shows, when I received the press release saying that that very music would finally be made available on iTunes?
The answer is probably irrelevant, but does provide some background as to why I was particularly eager to give the music a spin. Gray's first score was for the 2006 puppet show Shoe Baby, the first Long Nose Puppets production and an adaptation of a children's book written and illustrated by Dunbar's mother Joyce Dunbar. (It's about a baby who disappears in a shoe and has lots of interesting travels.) Compared to the two later productions, the gentle pop-folk music for Shoe Baby is pretty simple in terms of orchestrations, but it might almost be the album that least needs the visual of the puppet shows (or the books) to understand the music.
The second show, Flyaway Katie, was based on Polly Dunbar's book, which (the book -- and presumably the puppet show) is about a girl who dresses up very colorfully and becomes a bird (briefly). As you might expect, there are lots of songs about colors -- a moody one about gray, a mellow one about green, and bright one about the yellow sun. It's more orchestrated than the first show -- literally, in some cases, as strings make an appearance on several songs, and Gray even duets with another singer on one of the tracks. (My favorite track: "The Red Bus".")There's also a Mark Mothersbaugh-like instrumental "The Mice Theme" that is very pretty though makes less sense without the context of the puppet show itself.
The newest show is Penguin, which debuted just last year. It's also based on one of Polly Dunbar's books about a silent penguin. Without visuals for the puppet show, it is easest perhaps to follow along to the narrative arc in this album. (There's another fun instrumental in "A Lunar Tune," all spacy and with bleeps and bloops.) That may make things confusing if you're listening without benefit of the book (who exactly the singer singing to in the funky second-line-like "Say Anything" is not clear unless you know it's boy singing to his silent penguin). But I think the songs here are the most engaging and most beautiful of the three albums -- "Penguin's Song" could easily rest outside the kids music world.
The songs here are most appropriate for kids ages 2 through 7. The songs are available on iTunes (link to all 3 albums here). You may find the albums a bit pricy -- about $27 for barely more than an hour of music -- so you'll probably want to try a few samples and start off with one of the albums (one of the latter two) before taking the plunge for all three.
While the albums don't quite match the (too high) expectations I had for them, Tom Gomez's scores for Shoe Baby, Flyaway Katie, and Penguin feature simple, gentle and occasionally beautiful songs your family would enjoy listening to even if they've never seen the shows that accompany this music. They make me want to rewrite that e-mail to Long Nose to say, "When's your US tour starting?," and that's praise for the music in and of itself. Recommended, especially Flyaway Katie and Penguin.
Disclosure: I received electronic copies of the albums for possible review.
No, dear readers, I haven't forgotten about the Top Kids Music Albums of All Time poll. I've been tallying votes and hope to start running some lists in the not-too-distant future for that endeavor. But I wanted to point out that Elizabeth Bird at Fuse #8, whose Top 100 Picture Books poll was the inspiration for my poll, is back with a new poll -- the Top 100 Children's Novels. Yay!
I'm tempted not to show you the results, because then you'll think that my write-ups will be just as detailed as Elizabeth's, and I'm here to tell you that you'd be super-wrong. But then you won't get to enjoy them. So here's numbers 80 through 76, the latest entry as of this writing. Go forth and enjoy.
A while back the Official Wife of Zooglobble brought this book home from her preschool classroom. It's called What Instrument Is This?, and as you might deduce from the title, its structure is a series of questions encouraging the elementary-school-aged reader to guess the name of an instrument.
Now, given that the book is 20 years old, and some of the pictures inside appear to be at least twice that, one could be forgiven for dismissing the book. But it's a totally charming book, probably the best "introduction to instruments" book I've ever seen.
Author Rosemarie Hausherr organizes the instruments by instrument group (winds, strings, keyboard, and percussion), and features many different types of pictures and settings. There's just enough detail to make it interesting without overwhelming -- the recorder is a long, hollow piece of wood with eight holes, played by blowing into the whistle mouthpiece, with a "warm and cheerful sound."
While the text style and the design of the book remain remarkably consistent throughout (and the subtle logos representing each of the four instrument groups would look modern today), that's offset by the diversity of musical and photographic styles and subjects. Classical music, sure, but bagpipes? CBGB (yes, that CBGB) is thanked in the credits, so I can only assume the picture for the electric guitar (strings section) is from a gig there. The kids in the pictures reflect a fairly diverse crowd, spanning many races and featuring more than one child with disabilities playing (or experimenting with) instruments. It's nothing fancy, but it's great at keeping kids interested without trying too hard to do so.
The book appears to be long out of print, but Amazon has several copies for little more than the cost of shipping and I'm sure it's available elsewhere. (That's an Amazon affiliate link, by the way.)
What Instrument Is This? is a great book for preschool and elementary school classrooms, as well as families looking to introduce a visual element of music into their homes. Definitely recommended.
A lot of kindie musicians dream of creating their own TV shows.
Most of the rest of them want to become authors.
That works out to varying degrees, of course. Chris Ballew, AKA 
In fact, these books owe the majority of their charm not to the words but to Endle's cut-paper artwork, which is simply beautiful. It's a collage but with everything meticulously planned and put just in the right place. (Take a look at that cover -- you'd think that it was entirely hand-drawn until you look closely at those bushes.) Both books are nature-based -- Bunny Rabbit presents a series of animals in different light settngs while My Woodland Wish is an ever-so-slightly more narratively-driven book that follows a girl spying on (and interacting with) various woodland creatures. The books are cute, but not too much so -- they don't over-anthropomorphize the animals (or give them eyes waaaaay out of proportional to the rest of their bodies).
The words/lyrics to the books (created by Ballew alone in the case of Bunny Rabbit; the two of them together for My Woodland Wish) aren't bad, they're just not what keeps me returning to the books. Ballew created Caspar Babypants melodies for the words, and while they don't have the zippy energy that I personally enjoy most about CB songs (nor should they given the subject matter), they definitely create a sense of dream-like wonder like many of his other songs do.
Caspar Babypants - "Bunny Rabbit in the Sunlight" (book preview) [
Some artists are busy 
I'd heard about the music that guitarist Tom Gray of the British band 
The second show, Flyaway Katie, was based on Polly Dunbar's book, which (the book -- and presumably the puppet show) is about a girl who dresses up very colorfully and becomes a bird (briefly). As you might expect, there are lots of songs about colors -- a moody one about gray, a mellow one about green, and bright one about the yellow sun. It's more orchestrated than the first show -- literally, in some cases, as strings make an appearance on several songs, and Gray even duets with another singer on one of the tracks. (My favorite track: "The Red Bus".")There's also a Mark Mothersbaugh-like instrumental "The Mice Theme" that is very pretty though makes less sense without the context of the puppet show itself.
The newest show is Penguin, which debuted just last year. It's also based on one of Polly Dunbar's books about a silent penguin. Without visuals for the puppet show, it is easest perhaps to follow along to the narrative arc in this album. (There's another fun instrumental in "A Lunar Tune," all spacy and with bleeps and bloops.) That may make things confusing if you're listening without benefit of the book (who exactly the singer singing to in the funky second-line-like "Say Anything" is not clear unless you know it's boy singing to his silent penguin). But I think the songs here are the most engaging and most beautiful of the three albums -- "Penguin's Song" could easily rest outside the kids music world.
The songs here are most appropriate for kids ages 2 through 7. The songs are available on iTunes (link to all 3 albums 
