This is where my investigatory nature conflicts with my respect for intellectual property rights.
I have a number of the 51st Grammy Entry List ballot forms listing Grammy-eligible albums for the awards coming up in February 2009. But those ballot forms also have that tiny little copyright "C" at the bottom of the page, which makes me think that just printing the whole thing would probably not be a good idea. (Hey, I never said that this conflict would be a particularly exciting one that would make for a gripping and occasionally humorous movie starring George Clooney.)
So, after the jump I'm going to tell you about a few kids music albums that definitely won't be winning a Grammy next year.
Grammy Update: Hey, Musicians! (And Producers!)
I mentioned a while back that for those musicians who wanted to have a bigger say in the Grammy Awards now was the time to join the Academy.
Well, with the big election less than a month away, I just thought I'd update you on the status of the Awards. According to Karen Rappaport McHugh, the deadline for registering to select the Grammy finalists in each category has passed -- it was October 1. But the deadline for selecting the winner among the finalists/nominees is December 1. (Nominees are announced Dec. 4.)
Even if you don't have an album in the running (it's too late to submit yours this year), you musicians and producers and art directors should sign up now... The 51st Annual Grammy Awards are set for Feb. 9, 2009.
Can An Animated Character Win a Songwriting Contest?
Well, when you're Gustafer Yellowgold, why, yes, you can. Morgan Taylor credited the writing of "Mint Green Bee" to the yellow dude with the mellow 'tude (except, of course, as pertaining to cheese or cake), and now Gustafer's won Session I of the Children's Division of the 2008 John Lennon Songwriting Contest. Go there to download a copy of the song and congratulations to him for joining other previous Grand Prize Winners such as Joe McDermott, Kristen Andreassen, Thaddeus Rex, and Cathy Fink & Marcy Marxer.
Well, That Made My Evening
It's been years since I've run an Oscars pool -- that happened about the time that the number of movies I saw in a theatre dropped to a dozen or so (but, hey, I love you, kids!) -- though I did catch part of last night's ceremony, including the announcement of Best Original Song, which went to Glen Hansard and Marketa Irglova for their lovely and aching "Falling Slowly" from the movie Once.
It was a little surprising, the win. Alan Menken, whose brilliance as a movie-musical composer cannot be denied (think all the classic Disney animated movies from nearly 20 years ago) had the misfortune of being nominated three times with Stephen Schwartz for Enchanted in the category, which meant that voters too blinkered to recognize the best song of the three (note: "Happy Working Song," duh) split his vote.
Not that I'm complaining. It's a stunning song from a great little movie. The soundtrack is nice, but I've found that it never quite moved me the way the movie did. The soundtrack version of the Oscar-winner adds a string section which, while sweet, takes away from the central core of the movie, the way these two artists create a singular musical voice. Much better is the movie's version. Less than 20 minutes into the movie, you hear this duet, and it floors you. The clip below is from the movie.
Glen Hansard and Marketa Irglova - "Falling Slowly"
And in case you feel like you need a kid-friendly version (or at least one the kids might be a little more interested in -- initially), you can click here. I wouldn't recommend it, though -- it's absolutely awful. Update: And Bill notes that MST3K alum Mike Nelson feels similarly.
Once is out on DVD now, and if you haven't seen it, you should.
In and Out of the "Rabbit Hole": At the Grammys with Buck Howdy
Buck Howdy attended this last weekend's Grammy celebrations, a nominee for Best Musical Album for Children for his (and partner BB's) fun Chickens album.
I'll have more thoughts (and photos and comments) from the Grammys later, but Buck had written up some thoughts about his experiences this weekend and I thought they might be of interest to both consumers and fellow musicians. Thanks to Buck for letting me share them with you.
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Today I'm feeling a bit like Alice In Wonderland, having just emerged from the "rabbit hole" called The Grammy Awards.
Last December our CD BUCK HOWDY WITH BB - CHICKENS was nominated in the Grammy category Best Musical Album for Children. Now that the Grammys are over I can only say that the experience as a nominee is simply surreal - from the parties leading up to the big event, to the Red Carpet stroll we took (interviewed along the way by CNN, The Late Late Show with Craig Ferguson, MTV), to the marathon award sessions.
One highlight was the nominee reception. Its a gathering where nominee medallions are presented (while everyone still feels like a winner) and where even a turkey-farming-singing-cowboy can rub shoulders and visit with legends like Charlie Louvin; Whisperin' Bill Andersen; young jazz star Eldar; country sensations Montgomery Gentry and too many others to recount It's a wonder BB and I didn't get whiplash, "Look there's the Foo Fighters; wait, look over there, isn't that Taylor Swift? Wow, John Tesh got old and he needs a haircut!"
Another highlight was the Kids Artist breakfast on Saturday morning at the Biltmore Hotel - a wonderful gathering of nominees and other kids artists as well as media, distributors and promoters. It's an event that should be repeated often and attended by everyone who has anything to do with making music for kids or families. Lynn Orman of Orman Music & Media and Beth Blenz-Clucas of Sugar Mountain PR co-hosted the event, and about 40 artists and industry folks were there.Interview: Joel Rinsema (Phoenix Bach Choir)
I've talked to a few Grammy winners and nominees here at Zooglobble -- Dan Zanes, Ralph Covert, the incomparable Ella Jenkins -- but with the Grammy ceremon(ies) set for Sunday, I hope you'll indulge me another Grammy interview. No, it's not kids music, but it's also not every day that a friend gets nominated for 4.4 Grammy Awards (yes, 4.4 -- see below).
Joel Rinsema is the Executive Director and Assistant Conductor for the Phoenix Bach Choir. (Here he is rehearsing the Phoenix Bach Choir.) Their recording with the Kansas City Chorale of Grechaninov’s Passion Week, led by Artistic Director Charles Bruffy, was nominated for four 2007 Grammy Awards, including Classical Album of the Year.
Joel is also the music director at our church and is always up for talking about cooking good food. He was kind enough to talk about what it was like hearing about the nominations, their music, and where to get designer fashions on the cheap.
To some extent, there are some parallels here between Joel's comments on the impact a win for the Choir and Chorale would have on the classical music category and what wins for independent artists in the children's music categories mean. So go ahead and read -- you'll enjoy it...
Photo credits: Tim Trumble
Zooglobble: Where literally were you when you heard about the Grammy nominations? Was there lots of jumping and screaming involved? Or did you just go back to getting the kids ready for school?
Joel Rinsema: The kids were off to school, and I believe that the televised nominations began at 9 AM Arizona time (8 AM Pacific), so instead of making my way to the office, I booted up my laptop and worked while the nominations were going on. Charles Bruffy lives in Kansas City and we do a lot of our work via AOL Instant Messenger. He wasn’t on, but Donald Loncasty, the Executive Director of the Kansas City Chorale was, and we immediately began to IM back and forth while watching. Of course, they announced all of the “major” nominations to the press corps, but when they got to the end (without announcing any of the classical ones!) and announced that a full list of the nominees was available “at the back of the room” we were both ready to throw things at our TVs.
Instead, I began to frantically type in www.grammy.com. So did, it seemed, thousands of others were doing the same thing, as the website was frozen. I kept on hitting refresh…and there it was…the list of the 50th Grammy Award Nominees. I remember quickly scrolling down the list, and clicking on the word Classical. The first field that appeared was Category 98: “Best Classical Album of the Year.” Alphabetically, ours is listed second, right after the Cherubini Mass with Ricardo Muti conducting. Shaking wildly…so much so, that I knew that I couldn’t type, I picked up the phone to call Kansas City. Don answered the phone and I just remember screaming craziness into his ear. (Something like “Oh My God! Best $(*^&^^% Classical Album of the Year!)
I went back to the computer as Don was still trying to access the site. I just knew that if we were nominated for best Classical, that there were other nominations. Sure enough, we were given nods for four additional Grammys including Best Choral Performance , Best Engineered Album -Classical, and Best Surround Sound Album. Also, our producer Blanton Alspaugh from Soundmirror in Boston was nominated as Best Classical Producer. Two of the five discs he submitted for consideration (Passion Week and Eternal Rest) are ours. [Ed: Hence, the additional 0.4 nominations.]
Did you have any idea that you'd be nominated for four awards? Any rumors?
We heard that Passion Week had made a good impression on the voters. We had no idea though, that we would be up for Best Classical. That was SO far removed from our thinking.
What are the big "firsts" associated with the nominations? (Besides "first Grammy nominations for Joel Rinsema")
Joel Rinsema is the Executive Director and Assistant Conductor for the Phoenix Bach Choir. (Here he is rehearsing the Phoenix Bach Choir.) Their recording with the Kansas City Chorale of Grechaninov’s Passion Week, led by Artistic Director Charles Bruffy, was nominated for four 2007 Grammy Awards, including Classical Album of the Year.
Joel is also the music director at our church and is always up for talking about cooking good food. He was kind enough to talk about what it was like hearing about the nominations, their music, and where to get designer fashions on the cheap.
To some extent, there are some parallels here between Joel's comments on the impact a win for the Choir and Chorale would have on the classical music category and what wins for independent artists in the children's music categories mean. So go ahead and read -- you'll enjoy it...
Photo credits: Tim Trumble
Zooglobble: Where literally were you when you heard about the Grammy nominations? Was there lots of jumping and screaming involved? Or did you just go back to getting the kids ready for school?
Joel Rinsema: The kids were off to school, and I believe that the televised nominations began at 9 AM Arizona time (8 AM Pacific), so instead of making my way to the office, I booted up my laptop and worked while the nominations were going on. Charles Bruffy lives in Kansas City and we do a lot of our work via AOL Instant Messenger. He wasn’t on, but Donald Loncasty, the Executive Director of the Kansas City Chorale was, and we immediately began to IM back and forth while watching. Of course, they announced all of the “major” nominations to the press corps, but when they got to the end (without announcing any of the classical ones!) and announced that a full list of the nominees was available “at the back of the room” we were both ready to throw things at our TVs.
Instead, I began to frantically type in www.grammy.com. So did, it seemed, thousands of others were doing the same thing, as the website was frozen. I kept on hitting refresh…and there it was…the list of the 50th Grammy Award Nominees. I remember quickly scrolling down the list, and clicking on the word Classical. The first field that appeared was Category 98: “Best Classical Album of the Year.” Alphabetically, ours is listed second, right after the Cherubini Mass with Ricardo Muti conducting. Shaking wildly…so much so, that I knew that I couldn’t type, I picked up the phone to call Kansas City. Don answered the phone and I just remember screaming craziness into his ear. (Something like “Oh My God! Best $(*^&^^% Classical Album of the Year!)
I went back to the computer as Don was still trying to access the site. I just knew that if we were nominated for best Classical, that there were other nominations. Sure enough, we were given nods for four additional Grammys including Best Choral Performance , Best Engineered Album -Classical, and Best Surround Sound Album. Also, our producer Blanton Alspaugh from Soundmirror in Boston was nominated as Best Classical Producer. Two of the five discs he submitted for consideration (Passion Week and Eternal Rest) are ours. [Ed: Hence, the additional 0.4 nominations.]
Did you have any idea that you'd be nominated for four awards? Any rumors?
We heard that Passion Week had made a good impression on the voters. We had no idea though, that we would be up for Best Classical. That was SO far removed from our thinking.
What are the big "firsts" associated with the nominations? (Besides "first Grammy nominations for Joel Rinsema")
