Itty-Bitty Review: Practically Ridiculous - The Jimmies

Somebody just go ahead and give Ashley Albert her own TV show already. In fact, she has indeed been looking for a show, and why anyone as talented as Albert (and as willing to send photos of her wearing a fake mustache as her press shot) isn't yet somewhere on live-action TV is a little mystifying to me. But for now Albert -- kindie's Lucille Ball -- is content to rock out with The Jimmies. On the Jimmies' long-in-the-recording second album, the recently-released Practically Ridiculous, Albert continues the formula for success that made their debut CD Make Your Own Someday so winning: channeling one's inner eight-year-old attitude while marshaling top-notch pop-rock music production as backup for said thoughts. Stylistically, sartorially, and practically (she's the one constant Jimmie at this point and the songs are all hers), Albert is kindie rock's Gwen Stefani, and on Practically Ridiculous, she polishes most songs to a glitzy pop-rock shine. You can practically smell the hairspray through the iPod on some of the songs, like the blitzing "Birthday," whereas songs like "Minivan Hotrod" or "Career Day" sound like the beats and the AutoTune were stolen from another, much less funny track. And, really, it's bringing the funny that separates the Jimmies from a lot of other kids' acts. It's one thing to be excited about getting a pet ("Gonna Get a Hamster"), it's another thing entirely to really sell the enthusiasm when Albert as the song's narrator finds out that the hamster won't necessarily do everything she thought ("I'M... STILL... gonna get a hamster..."). This is where her years of experience doing voiceover work comes in handy. "The Hook" is a meta-song, the spiritual sequel to "What's That Sound?" from the first album, that explains pop song construction. (And while I'm emphasizing the humor here, the best track is probably the mostly serious "Bonfire," which mixes a little country-rock with a little self-empowerment.) The album's most appropriate for kids ages 5 through 9; you can hear clips of the album wherever it's (electronically) sold. Practically Ridiculous doesn't veer much from the formula from the Jimmies' debut, but why should it when that one worked out so well? This one does, too, TV's (temporary?) loss is kindie's (continued) gain. Definitely recommended. Disclosure: I received a copy of the album for possible review.

Review Four-fer: Hullabaloo, Alphabeticians, Mister G, Monty Harper

As you would probably expect, I get many more disks than I could possibly have time to review (unless somebody decides that they want to nominate me for a MacArthur Fellowship). Given my time constraints, there are many reasons why I don't review an album, including it stinks or I can't figure out what to say about it. But there are a number of decent albums with a particular point of view that don't get reviewed in a timely manner just because life goes on. Here, then, are four albums, each with a different approach to the genre -- your family is likely to dig at least one of them.

San Diego-area musician Steve Denyes is a prolific songwriter (see here for a side project of mine he originated), cranking out a Hullabaloo album at least once a year. His latest record Road Trip tackles the theme of, well, car travel (natch), with thirteen tracks covering the experience (truckers' horns, traffic jams, the unfortunate demise of bugs on the windshield). The opening title track is a fun country-rocker, while the rest of songs take a slightly mellower, folkier, Johnny Cash-ier approach. (You can stream the album here.) The album is most appropriate for kids ages 2 through 7. In one sitting, the songs begin to run together, but there are a lot of songs here that would work well in a mixtape for your next trip. Recommended for: your next trip to Grandma's house, your afternoon errand-run.

Moving up the coast to Portland we find The Alphabeticians, a duo consisting of Eric Levine and Jeff Inlay, AKA Mr. E. and Mr. Hoo, which gives you a little sense of the goofiness that this duo trades in on their formal debut Rock. A little bit of the Pixies and R.E.M. (literally, in the case of the song "Eric Saw Peter Buck's Girlfriend and Then He Saw Peter Buck"), with a healthy dose of They Might Be Giants, "Weird Al" Yankovic, and Schoolhouse Rock mixed in. It could use a little more polish production-wise in spots, but there are some great songs in there (I recommend giving "Metaphor" and "Monkey on my Shirt" a spin at the album's streaming page.) The album's most appropriate for kids ages 3 through 8. Recommended for: the sassy younger kids on TV sitcoms, families who have at least one TMBG album (kids' or adult's) around the house, kids who want lots of alphabet practice.

Review: Muppets: The Green Album - Various Artists

Caring whether your kids have "good" (read: "your") taste in music, books, and movies is a foolish thing to do, so it means something that the day that my daughter said she really didn't like The Muppet Movie was one of the very few times when I actually, well, cared. It's a great movie, a little cheesy at points maybe, but funny and tender, one of the great movie musicals of the past half-century. (Seriously -- there are very few post-1960s musical on the AFI list of the Greatest Movie Musicals, and even fewer created specifically for the screen.) Why do I relate the story? Well, more so than most albums reviewed here, it's my opinion, not that of kids, which matters here, because Muppets: The Green Album isn't really a kids music album. The album is a collection of 12 Muppet-related songs, drawn mostly heavily from The Muppet Movie or from songs heard on The Muppet Show. Much like Disney's collections of covers from their own stable of American tunes, Disneymania, Disney's approach here is to get popular (critically or otherwise) artists to tackle the Jim Henson-related songs. The fact that some of these artists weren't yet born when The Muppet Show went off network television doesn't seem to have hurt their recruiting efforts. (The fact that the rest of 'em were kids when the show was still on probably helped tremendously.) And as is the case with any such collection, Disney or otherwise, this album succeeds or fails based on how good the songs are and whether the artists bring anything new to them (or, if they ruin their charm). As to the former issue, I think I've made clear my admiration for the Paul Williams-Kenny Ascher-penned songs for The Muppet Movie, but in addition to those classics, you also have songs like the Joe Raposo-penned Sesame Street song "Bein' Green." What do the artists do with them? Well, some combinations work really, really well -- punk group the Alkaline Trio give "Movin' Right Along" a fun kick in the pants it didn't know it needed, and Sondre Lerche resurrect "Mr. Bassman," a song from a Muppet Show episode. I liked The Fray's take on "Mahna Mahna" more than I expected to, though it's probably the most faithful cover here. OK Go put their own spin on the theme song, and even though I could do without the tacked-on guitar solo, they do manage to keep the listeners' attention during what is, well, a theme song. And Andrew Bird's take on "Bein' Green" nails Kermit's wistfulness without making his cover a carbon copy. But following Kermit is a tough act, and while many attempt to cover "Rainbow Connection," very few succeed, and I can't say that Weezer and Hayley Williams from Paramore do, either. As for "Night Life" from The Great Muppet Caper, covered here by Brandon Saller of Atreyu and Billy Martin, I'll just quote my wife after hearing it for the first time: "I never need to hear that ever again." So, is this a kids' album? Not really. I'll put the age range for the album at ages 8 and up, not because any of it is inappropriate for younger kids, but because unless they've seen lots of Muppets on TV/DVD, they won't have the context for the music. (Older kids can enjoy the music on their own terms, or perhaps even recognize a few of the bands.) For a little while longer, you can stream the album here. In the end, Muppets: The Green Album has a number of very good recordings from an underrated American songbook. Is it a great kids' album? No. Is it a lot of fun for those of us of a certain age who are still able to tap the kid inside? For the most part, yeah. For those Muppet fans, it's recommended. Disclosure: I received a copy of this album for possible review.

Review: The Golden State - The Hipwaders

The kids music genre these days does a great job with music for the under-8 set, but for the most part abandons the tweens to the vagaries of older siblings and Radio Disney. Where are the albums for kids too old for Laurie Berkner but not ready for Lady Gaga? This year's best album for that age group is the latest record from the Bay Area band The Hipwaders. It's called The Golden State, and as you might guess from the title, it's a big, sunny power-pop embrace of their homestate, from the Beach Boys-like melodies on several tracks to paeans to life in California (see: "Come To California," "Slow Children at Play"). There are enough hooks here to outfit a pirate convention -- the driving "Hey, Josie!" might just be even more catchy than "Educated Kid" (and my fealty to that song is long-established), while "My Dog Steve" features an insanely catchy chorus that gets even catchier once the "na-na-nas" are thrown in. The trio sounds as good as they ever have. As for the part about the album being for tweens, that's more of a lyrical thing (though the power chords may also have something to do with it). On the angular "The Wrong Thing," the song's narrator is trying to make better choices: "They say you can’t grow without mistakes / Do they have to count every one I make? / I want to fly I want to soar / I don’t want to keep messing up anymore." "The Ramble," although it's about Central Park's Ramble, celebrates exploring the outdoors and could easily be about the California coast. The band also reworks one of their older tunes, "Stand Up to the Bully" with a ska beat. And while I've always thought the band focused more on boy protagonists (heck, there's a song called "So, You're a Boy") on here, "Go Go Girl" gives a "single-digit" aged girl just as much enthusiasm as any of guitarist/songwriter Tito Uquillas' other protagonists. The album is most appropriate for kids ages 6 through 11. You can listen to samples from the album here. A special shout-out to the album art from Brian Clarke -- simple packaging, but elegantly done. The back cover of The Golden State features a boy in profile, skateboard in hand, overlooking a verdant valley and lake. It's the portrait of a kid on the verge of exploring the outside world, just like some of the characters in and many of the listeners to the album. It's the same kid who might just be inspired to pick up a guitar after listening to the album. The Hipwaders' best album to date, Golden State isn't just a great album for the tweens in your life, it's a great album, period. Highly recommended. [Disclosure: I received a copy of the album for possible review.]

Itty-Bitty Review Two-Fer: Mr. Leebot and Lloyd Miller

There are pitfalls in trying to be objective in reviewing music, especially in the close-knit world of kindie music, where if everybody doesn't know everybody (yet), the degrees of separation are small enough that it makes Kevin Bacon look like a loner. And while I deal with that constantly here, adding a layer of "good works" on top of it all, well, consider this then your grain of salt for the two albums discussed here.

First off is Austin's Mr. Leebot, whose latest album Erratic Schematic is fundraiser for an orphanage in Ethiopia from which Mr. Leebot (AKA Lee Davila) and his wife recently adopted two babies. As I've previously mentioned, the idea of adoption is important to me, so I was predisposed to like this album from the get-go. While Mr. Leebot's sound -- think of him as DEVO's kids music side project -- may not be for everyone, he's started to ever-so-slightly fill out his sound (I like the New Wave sound of "Cleaning Theme"). As a whole, it's Leebot's best album yet. And the track at the heart of the album -- "Our Family" -- should be heard far and wide. (Listen to it here -- just scroll down the page.) The album is most appropriate for kids ages 3 through 7. You can listen to samples here. As for an album geared toward a slightly older crowd, how about Hamlet? That's for high schoolers, right? Well ,The Deedle Deedle Dees' Lloyd Miller would beg to differ, having helped his wife's second grade class to write a musical based on the play. Miller recruited Dog on Fleas' Dean Jones and a couple of the Dees to record the music along with kids in the class. The result, Hamlet: The Album, is alternately rockin' ("Something's Rotten!") and pensive ("Tush, Tush") -- a little bit like the play itself, no? In best Fleas/Dees fashion, the album is ragged around the edges, the Band or the Stones mixed with a Shakespeare and Sesame Street. I'd much rather listen to these kids sing than any number of auto-tuned KidzBoppers. The album will be most appreciated by kids ages 6 to 11. And if the story behind the album isn't appealing enough, perhaps you'll be heartened to hear that all profits from the album will go to Japan earthquake relief. Listen (or order the album) below. While neither Erratic Schematic nor Hamlet: The Musical have a broad enough appeal for me to endorse the albums unreservedly for all listeners, both are solid enough albums to merit a listen even without the totally worthy backstories. I think a lot of readers will find a lot to like here. Give 'em a spin, maybe even your ducats. Recommended. Disclosure: I received a copy of Erratic Schematic for possible review.

Itty-Bitty Review: Dandelion - Steve Weeks

Freed from his devotion to the alphabet (see: A-H, I-Q, and R-Z), Colorado's Steve Weeks is back with Dandelion, an album lacking an obvious organizational hook. But what hasn't changed with this new album is Weeks' affinity for tall tales rooted in decency. Songs like the rock-folk "Bartelby Finkleton Will Not Take a Bath," the gentle "My Dog Ate My House," and "The Blizzard of '78" are a blend of Shel Silverstein and Keller Williams. (There is a reason Weeks also a song titled "I Might Be Lying" on this album.) While these songs will sound familiar to fans of Weeks' earlier work, he branches out a bit -- "Birdsong" is a list of well over a hundred different birds over a driving beat, while "Why" features kids asking a bunch of legitimate questions over Weeks' nifty acoustic guitar playing. And the title track is Weeks' finest song yet, a subtly metaphorical look at the usefulness of a dandelion, reminiscent of and as good as Justin Roberts' best work. The album is most appropriate for kids ages 5 through 9. You can hear samples from the album here. Dandelion is a good album for a sunny day, and for a history-making snowy day, too. There are tall tales here, but some truths, too. Recommended.