There's this ice cream shop in San Francisco called Humphry Slocombe. I've never been there, but I'm definitely intrigued. “There’s a whole world beyond chocolate, strawberry, vanilla," the owner says. "Why can’t you make peanut butter–curry ice cream?” Indeed, take a look at the flavor list -- OK, they do have chocolate and vanilla, but foie gras? Pistachio-bacon? Strawberry.... candied jalapeno? But even if the flavors sound odd, they seem to be doing excellent business...
Duplex is not for people who, to coin a phrase, are looking for vanilla kids music. It's for the families who'd like to try salt and pepper ice cream. The band is the brainchild of Vancouver musician Veda Hille, who amidst her many other musical projects put together the delightfully askew album Ablum (review) in 2005 with a crew of kids and adults. Four years later, Hille and her gang are back with Worser, which is, well, quite possibly odder than its predecessor.
I don't want to suggest that Duplex makes deliberately obscure and unlistenable music. Because at its heart these are mostly pop songs that are, in fact, quite listenable. "That's How We Make a Sandwich" features horns, sha-la-las, and sings about, well, the various ways people make sandwiches. "Orange Popsicle" (listen here is a sweet cut of Beach Boys-esque pop about friendship.
But much of the album sounds like nothing else you will hear in the kids music genre this year. Worser features not one, but two, science-related songs (take that!, They Might Be Giants) -- the over-the-top rocker "Noble Gases" (about, yes, the seven noble gases) and the gorgeous "Alive," about evolution (listen here). Heck, throw in "September Is My Favourite" and the British-Invasion-aping "Hibernation," and that's four science-related songs. There's also an ode to laziness (or possibly subtle criticism) in the zippy "That Sounds Like Work To Me." And the opening track "Salvador" features one of my favorite lines in kids music for a long time -- "Some people come to the party early / Some people never show up at all / Some stay late and they help clean up the dishes / Salvador stayed all night long" -- I could spend days unpacking all the meaning in those lines.
Not all of it works, of course. Songs about divorce are rare in kids music and songs about divorce between couples who just happen to be the same sex are rarer still. While I appreciate the sentiment in the heartfelt "Daddy and I," the song doesn't have quite the verve of most of the rest of the tracks. And "Dog With A Sweater On" moves from funny to odd to annoying to very annoying to so bad it's good to something approaching head-shaking amazement.
The 30-minute album is most appropriate for kids ages 4 through 9. For the moment it's available here. You can listen to additional tracks at the band's Myspace page. (The physical copy is silk-screened by band member Annie Wilkinson and is lovely to boot.)
Since it doesn't sound like a lot of kids music, Worser probably isn't for everyone. But just like there are enough people who like pistachio-bacon ice cream, there are enough people who like their kids music a bit off-kilter. And even those folks like me who for whom the more chocolate associated with their ice cream, the better, want to try really good salt and pepper ice cream every once in a while. Definitely recommended.
Review (Updated): Easy - Secret Agent 23 Skidoo
I originally reviewed Easy, the debut from Secret Agent 23 Skidoo last spring. As much as I liked it then, I think I still underestimated its ongoing appeal. With its re-mastered rerelease on Happiness Records and the addition of 3 new tracks, I thought I'd update the review...
I know that the kids' music genre is flowering when less popular subgenres such as kids' hip-hop or kids' country are starting to bubble up. I especially know that that's the case when those genres start producing albums that aren't just "kids songs done in a [fill-in-genre-name] style," but fully realized albums on their own.
Case in point: Easy, the debut kids' CD from Asheville, North Carolina's Secret Agent 23 Skidoo. He spends a lot of time rapping and playing with the music collective GFE as Agent 23, but who adopts the cool-kids name Secret Agent 23 Skidoo. From start to finish, the album is totally geared at kids in its subject matter but is not dumbed down one bit in the creativity of its beats and melody. On its strongest tracks (and there are a number of them), Skidoo blends smooth rapping with occasionally eclectic instrumentation ("Luck" features nice banjo work) and an all-positive message.
Sometimes that message is a little more overt -- "Luck" raps about how we make our own luck by knowing what it is we want; "Gotta Be Me" is about how everyone should have their own style, and that's OK. If the message is a bit direct, it's delivered with precision and flowing words. (Even his 5-year-old daughter Saki (AKA MC Fireworks) gets in on the act, very smoothly trading lines with her dad on "Family Tree.")
Perhaps even better are his songs that take a more imaginary bent. "Hot Lava" so completely nails the 7-year-old feeling of pretending on the fly (don't touch the floor! -- it's hot lava! -- jump from couch to couch!) that I'm not sure there is a better kids' song about the power of imagination. Songs about dragons, mermaids, and robots feature in the mix, too. It's very much story-telling with a compelling musical background.
I'm going to peg the messages and stories here as geared primarily for kids ages 4 through 9. You can hear samples of a number of the songs at the album's CDBaby page or "Gotta Be Me" and "Luck" and "The Last Dragon" here.
As for the re-release, it's been remastered with some new beats and tweaked artwork, but the chief reason to get the new album (or at least hit up iTunes) if you already have the original release are the new tracks. "Robots Can't Cry" is about the experience of being human in words that 6-year-olds will understand. "I Like Fruit" is so catchy it renders everyone within earshot incapable of not shouting "I like fruit" along with the chorus. (MC Fireworks and DJ Bootysattva fill in for Egg's Jeff Fuller on this version.) "Boogie Man," about mastering fears, might be my least favorite of the three new tracks, but that just means it's merely good.
The list of really good kids' hip-hop albums is very short. Not only does Easy go to the top of that list, it deserves to find a lot of fans among people who don't consider themselves big hip-hop fans. It's a really good CD, period -- lots of fun and certainly worthy of repeated spins. A year later, the album still holds up, and the new songs just make it that much better. Highly recommended.
Review: The Time Machine - The Sippy Cups
The kids music resurgence has been relatively brief, and so we haven't necessarily had the time to watch too many bands mature and change their sounds over time. An exception is the Bay Area band The Sippy Cups. They started out doing nothing but covers, primarily of '60s and '70s psychedelic tunes. They then moved to mostly original '60s and '70s-sounding psychedelic tunes. It's only been on their last couple albums that they've developed a fuller sound (and added some skits to the mix).
All of which has been to the good. Their latest album The Time Machine is at times both their most conventional-sounding and also their most adventurous. Although it's not quite a concept album, there a number of songs about about growing up (hence the title). As a result, based on subject matter alone, this definitely their most typical "kids album." Of course, I happen to like some of those songs the best. The power-poppy "My Angry Voice" describes anger in easily accessible phrases ("Breathing fast / My heart is racing / I won't look you in the eyes / What's that sound? / It's someone shouting / That sounds like me / What a surprise") while "Don't Remove the Groove" ameliorates whatever preachiness a song about environmental warming might contain by being, well, groovy and turning it into a "freeze dance" song. "Seven Is The New 14" will likely go over heads of the 14-, er, 7-year-olds the song is targeted at, but its amusing spin on "age is nothing but a number" will draw chuckles from the parents.
For those of you originally drawn to the band for its original more psychedelic sounds won't be disappointed -- the title track and concluding track "Awake" (the latter clocking in at 6 minutes) are definitely could've been recorded 35 or 40 years ago, while "One Day Soon" is an excellent pastiche of Sgt. Pepper's-era Beatles. If there's a downside to the songwriting here it's that at times I felt like they were relying too heavily on the metaphorical imagery to the detriment of more sharply describing the experience of growing up. The worst tracks here are still better than 60% of the songs in the genre, but their excellent songs make the just adequate ones stand out. (As for the skits, I like 'em, and I typically haaaate skits, but I realize that your mileage may vary.)
The 44-minute album is most appropriate for kids ages 5 through 9. You can listen to some tracks here or samples at the album's CDBaby page.
The Sippy Cups have developed into one of the most adventurous kids bands on today's scene. With a strong catalog of songs and an energetic live show, they seem set to be around making music for years to come. The Time Machine is, appropriately enough, evidence of their continuing evolution, and shows that growing up is usually a pretty good thing. Definitely recommended.
Review: Field Trip - Recess Monkey
It's hard to write a review about Field Trip, the recently-released fifth album from Seattle's Recess Monkey. Not because it's bad, mind you, just the opposite -- it's just that the band's run of great albums and songs has been going on for so long now that it's getting more difficult to find new and interesting ways of saying "these guys are really good -- your family should listen to 'em."
From the two-minute simple Beatles-esque "Fort" to the fanciful power-pop of "Marshmallow Farm" to the sweet "Sack Lunch" the album starts off with great pop tunes and doesn't really ever stop. "Sack Lunch" manages the odd trick of not only writing a song from the perspective of a kid's sack lunch but also making it stand as some sort of metaphor for a really powerful love. (It also does so with the Northwest Boychoir singing the phrase "sack lunch" chorally, which makes me smile every time.) On the album goes, through '80s dance of "Haven't Got a Pet Yet" and the funk of "Hot Chocolate."
Recess Monkey has always been willing to approach the "novelty song" line much more than a lot of bands, and I can't say it always pays off -- the spaghetti western of "Ice Pack" is just OK and did the world need a song (no matter how catchy) about lice ("L.I.C.E.")? (The answer is no.) But that song is sandwiched between a tender love song ("Tiny Telephone") and the best kids song Elvis Costello never wrote -- "The Teens," which is ostensibly about difficulties in counting past ten but will get parents nodding about their kids' forthcoming teenaged years. The most exciting thing to the long-term listener of the band is that expansion of world view -- figuring out how to encompass more experiences of older listeners without sacrificing their core audience of young school-aged kids.
The album is still primarily targeted at kids aged 4 through 9. You can listen to samples from the 41-minutes album here.
So, yeah, Field Trip is another excellent string of songs from Recess Monkey. If you're a fan, you'll love it. If you're not a fan, though you'll probably be a bit mystified by the John Vanderslice bit at the very end, this is as good a place to start as any, as it's their best album yet. In the end, all I can say is that these guys are really good -- your family should listen to 'em. Highly recommended.
Itty-Bitty Review: Banjo To Beatbox - Cathy Fink & Marcy Marxer (with Christylez Bacon)
I hesitate to call the DC-area-based duo Cathy Fink & Marcy Marxer elder statesmen of the kids music genre because they're neither, you know, elderly nor male. But they've been doing the family music thing for about 25 years now. Which is why it's pretty great that their collaborator on their latest album Banjo to Beatbox is, well, not even 25 years old. Christylez Bacon is a DC-area hip hop artist; here, he adds his beatboxing and rhyming skills to Cathy & Marcy's banjo and folk stylings. On the album's best tracks, like the resetting of the traditional "Soup, Soup," the combination thrills, pointing the way to a 21st century folk music sound. That song, along with with "Hip Hop Humpty Dumpty," takes full advantage of the collaborators' strengths. The other songs here are enjoyable (I also quite like their take on "New River Train"), but those two are the standouts.
You can listen to clips of the album (best probably for kids ages 4 through 9) here. (They're calling it an EP, but at 30 minutes, who knows what "EP" means any more.)
I've always liked Fink and Marxer's wilingness to collaborate outside what somebody else might perceive to be their genre -- their collaboration with Texas polka group Brave Combo All Wound Up! is an excellent album. I don't think Banjo to Beatbox reaches those heights -- it seems a little more stylistically limited to me -- but I hope that Cathy Fink and Marcy Marxer continue to make music every now and then with Christylez Bacon because there are parts of this album that are pretty exhilerating. Recommended.
Review: Thank You For Joining the Happy Club - Billy Kelly
Here's a sign of how oddball a CD is: when you cover a Talking Heads song on your kids' album, and it might just be the least weird song on there.
Thank You For Joining the Happy Club is an oddball CD, and I mean that as a high form of praise. It's the debut kids' CD from central Pennsylvania's Billy Kelly, and it's totally winning in its goofiness. How goofy? Try this, a snippet of animation for "People Really Like Milk":
And it goes on like that ("People really like drinking / From a really big thing that goes moo"), getting sillier all the while. It is a novelty song, perhaps, but it is a perfectly-constructed and produced one, possibly my favorite song of the year. The rest of the CD follows that pop-rock template, if not quite reaching those giddy heights. The title track invites you to "tell your dog the join the happy club" (with a perfectly timed woof) while having the background singers provide the "doo-doo-doos" after Kelly sings that "there aren't any dues." While the hyper (and genre-jumping) "I Don't Know!" sounds like early They Might Be Giants, most have the tracks have a warmer, usually joyous Barenaked Ladies vibe, particularly on songs like "Springtime: It's My Favorite" and "(Let Me Tell You) What I Like About You." And, yes, there's a Talking Heads chestnut, "Don't Worry About the Government," which in its straightforward reading is OK for kids, if a bit mystifying for them. (Hey, at least it's not "Stay Up Late.") Kelly and his band, the Blah Blah Blahs, make an appealing sound together; I particularly enjoyed the guitar work, which reminded me a bit of Adrian Belew in spots.
Now, there's no good reason to have two self-referential songs about song construction -- one is plenty for a kids' album (one is probably plenty for any album). And Kelly has a tendency to resort to spelling in his lyrics. (I'll admit, though, that the song title "S-N-O-W-M-A-N (Snowman!)" is pretty funny.) You take the good with the overdone good, I suppose.
The album will be most appreciated by kids ages 6 through 10. You can hear several songs from the 32-minute album at Kelly's Myspace page. For now you can purchase the album here.
Thank You for Joining the Happy Club is an album for slightly older kids, those who enjoy snappy wordplay and goofy imagery. I could see younger kids being puzzled by the hullabaloo and it's a bit too cute by half at points, but I think there are going to be some families who absolutely love love love this disk. Join the Happy Club? Sure, I did -- I might even run for president. Definitely recommended.