Review: Aminal House - Recess Monkey

If you weren't convinced by the cover that Aminal House (yes, that's spelled correctly) had some Beatles influences, the liner notes, which thank, among others, Billy Shears, would seal the deal. So what about the album itself -- is it worthy of such blatant Beatles homages? Well, yes. Aminal House (late 2006) is the second album from Seattle-based band Recess Monkey and whereas The Sippy Cups sort of tap the psychedelic part of '60s and '70s rock for their sound, Recess Monkey sticks more closely to the Beatles for their sound and inspiration. Which isn't to say that they sound like the Beatles -- they often sound more like Beatles-inspired bands such as Crowded House. At they very least, they, like the Beatles, are willing to explore a wide range of rock sounds, from the funk of the opening, title track to the singalong chorus of "Aquarium" to the Elton John-like piano ballad "Grey Zebra." (They're fine with more direct homages, too, pulling out a very "Blackbird"-like acoustic guitar figure for "Butterfly," for example.) One of my favorite tracks is "Cookie," a '60s rocker with a hint of Motown about a very nervous pointer dog ("Cookie don't crumble now / Cookie don't fall apart"). Musically, the group is tight; singer Drew Holloway uses the occasional falsetto to good effect, too. Thematically, the songs are all animal-related, treating animals as characters with personality. The album also has a few sketches which are mostly amusing and very reminiscent in spirit (and somewhat in vocal characterizations) of SteveSongs' Marevlous Day! album. (And, hey, it's not every day you listen to a kids' album that makes a John Vanderslice reference, and a funny one at that.) At 54 minutes in length, it runs on a bit too long, but at least they're experimenting to the end. The album is most appropriate for kids ages 5 through 9, which isn't surprising since the album includes kids voices on some tracks and their ideas from a summer camp led by the band in summer 2006. You can hear the album's first five tracks here and purchase the album here. Aminal House is an album that must have been a blast to make, chock-full of creativity. The album is never less than interesting, and always a melodious spin. Definitely recommended. (More details on the process of recording the album can be found here.)

Review: Park Slope Parents The Album (Vol. 1) - Various Artists

Compilations are notoriously hard things to compile. Any fool can put together a CD of good or popular songs, but their appeal as a single entity often fades after time. (Really, who listens to those Now! CDs, like, six months later?) The key is finding some loosely unifying theme or spirit to guide the collection. Park Slope Parents The Album (Vol. 1) has just enough theme to carry the day. The 17-track collection plucks chooses songs old and new, released and not, from mainly New York City artists. There are a few tracks that deal with life in New York City -- David Weinstone (Music for Aardvarks) contributes his simple "Subway" ("Bing bong / the doors open on the train / bing bong / All the people pile in") while Michael Leyden has a more rocking take in "I Hear a Train." Any compilation should also be measured by how well it does in helping you to discover new artists, rediscover chestnuts from old artists, and getting new tracks from your favorite artists. In terms of discovering new artists, Courtney Kaiser and Benjamin Cartel's "The Season Song" is a perfect pop tune from an adult band (whose members both teach in schools) writing a kids' song (specifically for this album). Dan Zanes contributes the "The Monkey's Wedding" from his Parades and Panoramas disk while Daniel Schorr's "Good Boy with a Bad Reputation" (off his first album) is a great example of his countryfied Dwight Yoakam-esque rock. And the new tracks. These, my friends, are why you should get yourself on the CDBaby waiting list and order the disk. Smack dab in the middle of the disk are two great new cuts. The Deedle Deedle Dees contribute their ode to New York City roadways (had to balance out the public transportation songs, I suppose) with "Major Deegan," which was recorded for their upcoming album. The loping song sounds timeless, especially with those "whoo-whoo's". And The Quiet Two continue their surreal attack on kids' music with the loopy and giddy "When I Dream." AudraRox's reggae song of tolerance "Moms & Dads" and the sometimes-out-of-control (in a good way) "Drunken Sailor" contributed by Astrograss (with backing vocals from AudraRox's Audra and Jen) are just as good. I'd be remiss if I didn't mention the sweetest track, the album closer "Fools Will Try." Somehow these Brooklyn parents got Ralph Covert to contribute a track from his 1997 album Birthday, and it's nothing less than some of the best advice you can give to a child. This is one of those songs that should appear on a lot of new parents' mix CDs... The album is probably most appropriate for kids 3 through 8 (who probably don't care less about the appropriateness of a compilation and who just care whether a CD has good songs, which this one does in spades). The album is a fundraiser for Park Slope Parents, an informational website for parents in Park Slope, Brooklyn. For those of you who don't live in New York City, I'd recommend the CDBaby page, where you can hear samples. (The cover, by the way, is by children's author and illustrator Mo Willems, who contributes drawings that are more "Knuffle Bunny" than "Pigeon.") Though collected for kids living in New York City, Park Slope Parents The Album (Vol. 1) is appropriate for families visiting New York City, learning about New York City, oh, heck, lovers of good music. It's a great collection of music and it's definitely recommended.

Review: Sir Jerry's World - Sir Jerry

Get this man a TV show. Now. Wondering what in the world I'm talking about? Go check out the website or the music video (lower right-hand corner of the "house" -- the sky-blue horizon room -- yeah, I know it sounds ridiculous, but it's a good indication of the creativity at work with this artist. Take one listen to Sir Jerry's World, the 2006 release and second kids' album from Toronto-based Sir Jerry, and tell me that that 37-minute album wouldn't make for a great episode of television, regardless of whether you're 8 or 38. Sir Jerry, er, Jerry Levitan, interviewed John Lennon -- yes, that John Lennon -- when he (Jerry) was just 14 years old. As a result, a lot of his press coverage tends to make Beatles comparisons, but I don't hear it too much. Sure, perhaps in songs such as "The Chi L'in Purse," the Eastern sounds of the story song give it a very Beatles-go-to-India effect, but Sir Jerry explores a much broader musical palette. The horn-based rock of "Sir Jerry's Theme," the played-for-laughs rapping on "Do the Melman," the sheer They Might Be Giants-esque goofiness of "Swinging Through the Portals of Time," the winsome pop of "Superhero," -- all show a very Beatlesque willingness to try new things, but don't really sound like the Beatles. Another more apt comparison musically that's been suggested is David Bowie and Ziggy Stardust, which on tracks such as "King Santa" makes more sense. (And the band, led by Levitan's partner in musical crime Ruben Huizenga, sounds pretty good, too.) With so many different musical approaches and combination of jokey and less-jokey stuff, the album doesn't quite hang together, but it's definitely never boring. The album is targeted mostly at kids ages 4 through 9. You can hear some selected tracks at Sir Jerry's website (go to the room in the upper-left-hand corner and click on the piano to hear 2 songs from each of his albums). With an elaborate stage show (up to 10 people at a time) and time spent acting on Toronto stages, Sir Jerry would seem to be a natural person to tackle a goofy Pee Wee's Playhouse-type TV show. I like Sir Jerry's World the album. But I'd love Sir Jerry's World: The TV Show.

Review: Not Naptime - Justin Roberts

Not Naptime, the title of the 2003 album from Chicago-based Justin Roberts is somewhat misleading. This album, Roberts' third for kids, is probably his most down-tempo, the one most I'd most likely play, well, not at naptime, but at least at quiet time. To be honest, I've always thought Roberts' rave-ups and alt-pop were his best tunes -- think "Yellow Bus," "Our Imaginary Rhino," or "Day Camp." And so I think the best tracks here are similar -- the furiously played "D-O-G," or "Billy the Bully," an alt-poppy story-song about taking on bullies with a tension-filled bridge, released with a chorus of "one-by-one-by-one-by-one." The gentler songs, sometimes they work (the now slightly anachronistic "Nine Planets") and some are just OK ("Nightlight"). I should note, however, that Roberts is one of the best at writing the album-closing slow song that just about every kids' album seems to have. Here, he's so good that he's written two fine closers, "Dad Caught Stars" and "Last Night the Moon was Full." With a couple of songs about school on the disk, the target audience here is probably ages 4 through 8. You can hear some samples here (or a full version of "Billy the Bully") at Roberts' website's radio player. Roberts' oeuvre is broad enough that each of his five CDs is probably the favorite of several families. Not Naptime is certainly a good album, and recommended. Whether this most mellow of Roberts' CDs is your family's favorite depends on how you and your family like your Justin Roberts -- faster or slower.

Book/CD Review: Bed Bed Bed - They Might Be Giants / Marcel Dzama

In 2003, They Might Be Giants teamed up with illustrator Marcel Dzama to produce Bed Bed Bed, an illustrated book with an accompanying CD of four original TMBG songs. Why it took me, an avowed TMBG fan, until 2006 to get the collection, still puzzles me. But since we're in the season of gift-giving, it seemed like an appropriate time to review it. The songs in the CD and book are supposedly ordered in a way to transition the reader to sleep. While I understand the theory (the first two songs are uptempo, the second two are not), it would work better if the first two songs weren't, well, quite so good. "Impossible," about a child who's been "impossible," deftly explores the double meaning of the word and mixes in new words such as "octo-fish." The best track, "Happy Doesn't Have to Have an Ending," is a good song to have in mind generally, but especially as you start thinking about bed. But the 12-minute CD doesn't finish up as well. The lullaby "Idlewild" is OK, but the reworked "Bed Bed Bed" from their No! disk is a misfire, as it replaces the awesome "A Day In The Life"-esque theatrics of the album version with a plodding tuba-accented version. I like tubas, even and especially in my They Might Be Giants, but this doesn't work so well. Marcel Dzama's are artful and, as befitting a TMBG project, delightfully skewed (I particularly liked the pet octopus), but having the song lyrics draped across the page doesn't work so well for reading. (And I should note that the pages are regular paper pages, so those families accustomed to reading board books to their 2-year-old TMBG fans may have some difficulties here.) Like most TMBG works, this is pretty much an all-ages affair, but I think it's most appropriate for kids ages 3 through 8. You can watch the "Idlewild" video at the GiantKid website. It's hard to recommend the book just for the brief EP or just the drawings, but Bed Bed Bed would make one fine gift for a family with a They Might Be Giants fan in the household (no matter what age).

Review: Hootenanny - Johnny Bregar

After hearing his debut kids' CD Stomp Yer Feet!, I saddled the Seattle-based musician Johnny Bregar with perhaps an unfortunate tag -- the next Raffi. I considered it a compliment, thinking of Bregar's gifted voice and occasionally soulful reinterpretation of preschooler classics, but there are enough people out there who have such a knee-jerk reaction to the mere mention of Raffi's name that I didn't expect it to be a marketing gold mine. On his second album for kids, the just-released Hootenanny, Bregar neatly escapes the "next Raffi" tag by pitching his songs at a slightly older crowd. Gone are toddler classics such as "If You're Happy and You Know It" or "I've Been Working on the Railroad," in are folk classics for a slightly older crowd -- the revved-up album opener "Old Dan Tucker" or the straight-up folk last track "Eastbound Freight Train." The younger kids aren't completely ignored -- somewhere Dr. John is crossing "Miss Mary Mack" off his songs-to-record list because Bregar's soulful version will work just as well -- but this time they're the exception and not the rule. I also like his gently bouncing version of "Don't Fence Me In," with an occasional kids' chorus that suggests the lyrics don't just apply to adult cowboys. Bregar puts a few more original songs on the new album, and for the most part, they're very good. Songs like "Best Friend" and "Airplane" speak to aspirations of five-year-olds. If there's a drawback to the songs, which sound great, is that they're all very Adult Album Alternative-sounding. As opposed to the goofiness of, say, "Pancakes" or "Blah de la" off Stomp Yer Feet!, the songs here are all very polished and may or may not capture kids' fancies. The album's musicianship is always first-rate, and Bregar has a great voice, one of those things you don't appreciate unless you've heard a lot of kids' music and realize that there aren't that many kids' musicians with great voices. He sounds ever so slightly like Bruce Springsteen and a lot like Justin Currie, the lead singer for the '90s pop band Del Amitri -- in fact, there's even a hint of Del Amitri's sound in the album. (Should I start the rumor that Bregar is actually Currie's alter ego?) The album's most appropriate for kids ages 3 through 8. You can hear clips from both of Bregar's albums here. Hootenanny is another strong album from Johnny Bregar, with many songs kids and their adults can enjoy. If it doesn't quite reach the heights of Stomp Yer Feet!, that's only because that album set the bar so high, and if you were scared by the "next Raffi" tag, it's OK to come back -- Bregar's now setting his own path worth following. Definitely recommended.