Itty-Bitty Review: We All Shine - Play Date

For whatever reason, kindie pop-punk has tended not to be nearly as boundary-pushing as its adult counterpart. I'm not expecting every song to be about challenging or countercultural notions, but more of this subgenre covers familiar topics than I'd expect.

Play Date, the duo of Greg Attonito and Shanti Wintergate, is no different. On their new album We All Shine, they tackle a song about colors (er, "Colors") and four variations of public service announcements for "Fruits & Vegetables." The musical packaging is novel (it's a PSA as delivered by circus barker), but the notions are common fare. More intriguing to me, then, are the songs that break those familiar molds to varying degrees. "Ninja Pajamas" is about, well, stealthy pajamas, but brings in Minneapolis hip-hop artist P.O.S to rap some of the lyrics. "Cardboard Box" rocks hardest, and follow the "show, don't tell" dictum -- by listing all the different things the box can be, it more effectively demonstrates the power of imagination. And sometimes all you need is a simple story song, like the grunge-pop of "Stevie the Fox," which kicks off the album.

The 41-minute album will have most appeal to kids ages 3 through 7. We All Shine fits the kindie pop-punk mold quite nicely, with an ear for crunchy melody. Come for the songs about fruits and vegetables, stay for the songs about ninja pajamas.

Note: I received a copy of the album for possible review.

Review: Rocksteady - Josh and the Jamtones

Josh and the Jamtones Rocksteady album cover

Kids music is generally not a field for the low-energy musician. Maybe it's the coffee right before the 10 AM gig, maybe it's the bright morning sunlight, maybe it's the incredible bundles of energy that are your favorite 4- or 7-year-old, but whatever the reason, artists with calm approaches like Elizabeth Mitchell or Raffi stand out for their comparative rarity.

Still, in a field of high energy performers, Boston's Josh and the Jamtones stand out. Live, they bring it on like few kids' musicians do, mixed with a lot of stage banter and interplay between leader Josh Shriber, drummer Patrick Hanlin, and the rest of the band. On record, their music had captured some of the energy and some of the humor, but hadn't fully translated their live concert experience to the home listener.

Until now.

The band's new album Rocksteady takes that energy and humor, wraps it in a ska-pop package, and sends it out into the world, ready to sweep up everyone in its path and deposit them gently on the living room rug, worn out from forty minutes of dancing (with occasional comedic skit breaks). This is an album, after all, whose first full song, "Race U," almost literally ends with the singers pantomiming that they're out of breath. There are a dozen or so songs here, mostly revved up ska tracks, with very little purpose other than to move the feet and bodies of whoever can hear the music. Sure, there's some call-and-response on the title track and some shouts-out to classic tracks like "Sloop John B" and Toots and the Maytals' "Monkeyman" (both of them featuring Jesse Wagner from the Aggrolites). But really this is just a straight-ahead piece of entertainment, no learning necessary. (Other songs of note: Secret Agent 23 Skidoo joining in on the AutoTune-d "I Love You" and the totally rocking "Tailfeather.")

The album will be most appropriate for kids ages 4 through 8. You watch videos for a number of their songs at the band's YouTube channel.

Have I made it clear enough that Rocksteady is a party, through and through? Because it is, enough so that your kids probably won't even need that lullaby album to fall asleep to after dancing like crazy. Definitely recommended.

Note: I received a copy of this album for possible review.

Itty-Bitty Review: On the Bright Side - The Bazillions

The Bazillions - On the Bright Side album cover

Minneapolis band The Bazillions have an ear for power-pop hooks. Or, like, 23 ears, because each album of theirs has more hooks than one ear could possibly handle -- even one of those punks' ears with safety pins all over.

Their third album, the recently-released On the Bright Side, does not stint on the hooks. "Superhero Rock Band," which kicks off the album, is like one of those movie pitches ("They're superheroes from DC and Marvel... but they play in a band!") that is so high-concept that song quality would scarcely seem to matter, but luckily for the power-pop enthusiast in the family, it's got crunchy guitars and a catchy singalong chorus, too. That's followed by "Family Tree," a roots-pop song celebrating, well, family -- along with the album closer "Sons and Daughters," it's the first I've really heard the band try for something more emotional.

Of course, at this point, it wouldn't be a Bazillions album without several educational songs, including the jangly "Use a Contraction," the shimmering "Ed (Been There, Done That)," and their first science-related tune, "Water Cycle." Longtime readers will know my general antipathy towards songs that have such an explicit educational bias unless the melodies and lyrics are really tight, but listen to the chorus for "Favorite Book," which is really just a reading-positive song, and tell me it isn't precisely constructed for maximum earworm.

The 37-minute album is most appropriate for kids ages 5 through 10; you can hear three of the tracks from the album here. As with their previous albums, On the Bright Side includes a number of power-pop and jangle-pop melodies that stand up to repeated spins, regardless of whether you need to learn some 2nd grade concept. Whatever educational value they have (and is enhanced by their catchiness) is just a nice bonus. Definitely recommended.

Note: I received a copy of the album for possible review.

Review Two-Fer: Mister G's "Los Animales" and Lucky Diaz and the Family Jam Band's "Adelante"

The first wave of Spanish-language kids music was essentially created by Jose-Luis Orozco and Suni Paz, who've been recording music in Spanish for young children for decades. (They continue to do, and you'll be hearing more from them in the months to come, but not today.)

The second wave of Spanish-language kids music was in the late 2000s and early aughts when there were a number of Spanish-language albums whose primary purpose was to, well, teach Spanish. Songs about counting, about animals, about... well, the things a 4-year-old might be learning about. While some of these results were reasonably sophisticated in their production and songwriting, they often put the learning in the foreground, limiting their appeal if your family wasn't specifically trying to learn Spanish.

The third wave might have started almost concurrently with the second wave, but as opposed to the second wave, which has petered out, has gained strength. Rather than using music primarily as a tool for learning a language, this third wave uses Spanish-language music and musical styles because... it's fun to sing and write in those genres. Unsurprisingly, the results, musically, at least, have been better, as illustrated most recently by two releases from this summer.

The first of the two summer releases is from Massachusetts-based Mister G. For Mister G (aka Ben Gundersheimer), his music has gradually taken on a more bilingual bent, and his latest album, Los Animales, is his third such album (to go along with three other albums which are primarily in English).

As you might guess from the title and cover artwork, this new album takes animals as its focus -- elephants ("Siete Elefantes"), frogs ("La Rana") and dancing ants (the excellent "Baila como las hormigas") all make an appearance along with other members of the animal kingdom. Almost entirely in Spanish, some of the songs are simple enough lyrically that no translation is needed ("Siete Elefantes" is a counting song), but others need translation if you're not a Spanish speaker, so I hope that the lyrics and translations get posted to the website soon. (Hint, hint.)

Musically, some of the songs, like the folk-funk of the leadoff title track, or the Americana bent of "Vamanos," have familiar musical textures, but Gundersheiemer and his co-producers Noe Benitez and Emilio D. Miler take full advantage of the trio's many friends in the recording community who make music in the Latin and Hispanic worlds. Some of highlights are the soulful "La Rana" and "Una Jirafa en Mi Casa" and the salsa-drived "Baila como las hormigas" (roughly, "Dance with the Ants"). (You can stream the 22-minute album, most appropriate for kids ages 3 through 7, here.) Recommended.

As for the Los Angeles-based Lucky Diaz and the Family Jam Band, they, too, have gradually discovered the joy of recording in Spanish. Adelante is their seventh album, and third primarily in Spanish. Their first Spanish-language album, ¡Fantastico!, featured re-translated versions of some of their shiny English-language pop hits (and was co-produced by Noe Benitez), while the follow-up Aquí, Allá featured original songs and a somewhat more traditional sound. (I called the music on Aquí, Allá "indie-jano," or indie + Tejano.)

While I liked those two albums, Adelante, advances what Diaz is doing -- this album merges his unerring pop-hook sensibility with what happens to be Spanish-language lyrics. "Piñata Attack" is already a big hit, and features a sneaky surf-rock guitar line from Diaz himself, but that's hardly the only earworm on here. "Cuantos Tacos (The Taco Song)" deftly weaves Diaz's Spanish-language verses (featuring a lot of counting) with Alisha Gaddis' English-language counterpoints -- even if you know very little Spanish, her "That's a lot of tacos for a guy who wanted nachos" hook in the chorus gets the basic point of the song across. There's some updated '70s electronic funk ("Aquel Caracol"), hip-hop ("Guacamole Boy"), and new wave ("Cantaba La Rana" -- again with the frogs!).

While it's not entirely in Spanish -- there's more mixing of Spanish and English, some songs do need translation if you're not a Spanish speaker, so I hope that the lyrics and translations get posted to the website soon. (Hint, hint.) The 34-minute album is most appropriate for kids ages 4 through 9. Definitely recommended.

The third wave of Spanish-language kids music is really the wave in which an English-language family puts on an album not because they want to learn Spanish, but because it's fun or helps the child grow in a global sense. Both Los Animales and Adelante succeed on that score. Los Animales is more for the younger listener, Adelante is more for the pure dance party. I happen to like Adelante more, but that's mostly just personal musical preference. I'd be happy to have either of these albums pop up in a record rotation.

Note: I received copies of both albums for possible review.

Itty-Bitty Review: Plymouth Rockers - Rocknoceros

Plymouth Rockers by Rocknoceros album cover

Sufjan Stevens was merely trying to attract some media attention when he released Michigan and said he was going to record a song for every state, but it's still a great idea -- a series of albums featuring songs about every United State.

Washington, DC-area band Rocknoceros, celebrating 10 years of making music together, head into their second decade intending to succeed where Stevens merely joked. Inspired in part by Stevens' idea, their latest album Plymouth Rockers covers thirteen states, one river, and one general celebratory notion (a country-rock version of Irving Berlin's "God Bless America.")

Fifty states! What opportunity for musical exploration! And the trio do take advantage of it, featuring some island music ("Aloha," Hawaii, natch), bluegrass ("The Sunshine State," Florida), and some blues ("Louisiana") amidst the southern/country rock that's always been a genre staple. (Of special note, Williebob's nifty guitar work on their remastered version of "Texas.")

But of course if you're going to tackle one subject on an album, the key is whether it's interesting lyrically. At its best, the band gets at the states at a sideways angle -- the weather in "Would You Like To Visit Kansas?," the pirate sea shanty in "Mississippi River," and, in the album's best track, friendship in "I've Got Friends in New Jersey." (Not quite as sideways, though, as John Linnell's gloriously askew State Songs album.) The songs that are more travelogue in nature are duller in comparison. (If you go back to that interview, linked above, I think the band recognizes that they don't need every song to be that checklist of famous things in every state and that, it's probably better if it isn't.)

The songs will on the 37-minute album be of most interest to kids ages 5 through 9. Plymouth Rockers isn't a perfect album, and your kids probably won't ace their next geography quiz because of it. But as the leadoff to another 2 or 3 albums of state songs, it's a darn good introduction and collection of Rocknoceros-y pop tunes. Definitely recommended.

Note: I received a copy of the album for possible review.

Review: Bon Voyage - Jazzy Ash

New Orleans’ musical tradition has produced many memorable artists. But while Jazzy Ash isn’t the first kids musician to use the city of New Orleans as musical inspiration, for a region with such a vital musical heritage, when it comes to kids music it’s still been underrepresented. With her latest album Bon Voyage, Jazzy Ash continues to further fold New Orleans’ rich musical tradition into songs for the kindergarten set.

Jazzy Ash is the nom de plume of musician Ashli Christoval. Although her mom was from New Orleans, her dad from Trinidad, and she spent summers in New Orleans with her mom’s aunts and grandparents, it wasn’t until a couple years ago on that she really started to incorporated the music of the Crescent City into her own recordings.

On Bon Voyage Christoval covers one of New Orleans’ best-known native sons, Louis Armstrong, on “Heebie Jeebies,” a song he made famous. But beyond the Dixieland jazz sound strongly identified with the city, Jazzy Ash uses her bright, playful voice in other genres more commonly associated with the rural areas around the city, like the zydeco sound on “Leap Frog.” And while a couple songs draw attention to their New Orleans origin, for the most part Christoval uses the bayou mixture of jazz, blues, and creole as the starting point for songs that could be appropriate for Louisiana, but might be at home as well in her current home state of California (see the gypsy jazz track “Firefly").

The album is most appropriate for listeners ages 3 through 7, and while you can't stream the whole thing online, you can listen to "Heebie Jeebies" here (and pick up a beignet recipe here.)

With Bon Voyage, Jazzy Ash fully connects with her own family’s musical heritage, yet incorporates those 100-year-old traditions into 21st century kids music. It's a buoyant and warm-hearted album for the younger set. Definitely recommended.

Note: I received a copy of the album for possible review.