Itty-Bitty Review: Dandelion - Steve Weeks

Dandelion.jpgFreed from his devotion to the alphabet (see: A-H, I-Q, and R-Z), Colorado's Steve Weeks is back with Dandelion, an album lacking an obvious organizational hook. But what hasn't changed with this new album is Weeks' affinity for tall tales rooted in decency. Songs like the rock-folk "Bartelby Finkleton Will Not Take a Bath," the gentle "My Dog Ate My House," and "The Blizzard of '78" are a blend of Shel Silverstein and Keller Williams. (There is a reason Weeks also a song titled "I Might Be Lying" on this album.) While these songs will sound familiar to fans of Weeks' earlier work, he branches out a bit -- "Birdsong" is a list of well over a hundred different birds over a driving beat, while "Why" features kids asking a bunch of legitimate questions over Weeks' nifty acoustic guitar playing. And the title track is Weeks' finest song yet, a subtly metaphorical look at the usefulness of a dandelion, reminiscent of and as good as Justin Roberts' best work. The album is most appropriate for kids ages 5 through 9. You can hear samples from the album here. Dandelion is a good album for a sunny day, and for a history-making snowy day, too. There are tall tales here, but some truths, too. Recommended.

Itty-Bitty Review: Agreeably Loud!! - Baron von Rumblebuss

AgreeablyLoud.jpgIt's taken a little while, but the second kids album from North Carolina's Tray Batson, AKA Baron von Rumblebuss, Agreeably Loud, was released this spring and... wait? IS THAT A LOLCAT ON THE ALBUM COVER? OK, I suppose I could probably simply write that, yes, this is the album that has the wildly popular "Did You See (Where the Cat Threw Up, Cuz the Cat Threw Up Again)?," the best song about cat vomit ever recorded. (Yes, wildly popular -- not many kids' songs get fan videos.) It's three minutes of jangle-pop perfection with a hint (OK, a lot) of juvenile attitude. But you probably want a little more in a review, so I'll comply... While it's the best song on the album, if you like that formula, there are some other tracks that might be up your 6-year-old's alley, particularly the power-poppy "(It Wuzza) Boo Boo." I can do without the skits, but that's just me, your kids may appreciate the dorky humor. As for the album as a whole, there probably isn't a more power-poppy kids album out right now -- fans of Matthew Sweet or Big Star who want to share those types of sounds with their kids will find songs like "Skywriter" or "Ooh La La (Play Me That Song)" very much up their alley. The album's going to resonate most with kids ages 4 through 8. You can hear a number of songs from the new album at BVR's Reverbnation page. On Agreeably Loud!!, Baron von Rumblebuss is not just agreeable and loud (if you want him to be), but also catchy and funny. That's plenty for a single album. Recommended.

Itty-Bitty Review: The Little House Songs - Caroline Herring

TheLittleHouseSongs.jpgIt's not often ignorance can make for a better review, but it just might in this case. Selected ignorance, in any case. I was actually familiar with Caroline Herring's recording of The Little House Songs, an album (or musical, really) based on the 1942 book The Little House by Virginia Lee Burton. I also followed the Atlanta-based Herring as she financed the album via a successful Kickstarter campaign. But the book itself? Sorry, it's one of those Caldecott Medal winners I missed. (I had to check Wikipedia for the publication date.) So while I can't say whether the album adequately reimagines an obviously well-loved book, I can say whether it evokes a well-loved book, and on that score, it succeeds. In brief -- and I say this solely based on listening to the album (though I've now since seen the summary) -- a house is built in the country, an expanding city encroaches upon it, it falls into disrepair, a new owner falls in love with it and moves it into the country once again. Obviously there are themes of wistfulness and the passage of time, and Herring does a great job of conveying those themes musically, such as on the wistful "The City Grew Up Around Her" and "Shabby." But it's not entirely downbeat -- "Building of the Road" is an uptempo folk-rocker propulsively carried along by rhythm guitar and Herring's voice until it just slows down, while I loved the violin's mimicking of wheels on happy "House on Wheels." It's mostly folk, with some songs tending a little more country, all tastefully arranged. Kids ages 3 through 7 will most appreciate the 25-minute album. You can listen to all of "House on Wheels" here and other clips here and here. The Little House Songs is a simple little album, made with care, much as the book that inspired it was. (It's also made me want to read the book, which is always a good sign of the quality of an interpretation in a different medium.) Herring reportedly is interested in doing more of these albums based on children's books. Based on this first attempt, I am hoping she is true to her word. Recommended. Disclosure: I received a copy of the album in my registration bag at Kindiefest.

Review: Outside My Door - Lori Henriques

OutsideMyDoor.jpgThis review sort of felt like a Krzysztof Kieślowski movie in miniature, with randomness and chance affecting my life (albeit in a small way). I recently received a CD from Portland-based artist Lori Henriques which, while the packaging looked lovely on the outside, had a 2008 copyright date on it. Given my stack of CDs, a 3-year-old CD would not normally be placed at the front of the line. But in a random e-mail, I happened to mention that fact to Henriques, who pointed out that the copyright just applied to the songs themselves, not to the recording, which was, in fact, new. So: yay for chance! Because it meant I listened to this a lot sooner than I would have otherwise, which means I can tell you about it much sooner than I would have otherwise. Outside My Door: Songs for Children of All Ages is unlike any kids' CD I've heard in a long time. It's a throwback to 1970s piano jazz, nothing but Henriques' voice and nimble piano work. It's inspired by Sesame Street, though the lyrics especially are a bit advanced for the preschoolers who are that show's target audience. (Henriques also cites Dave Frishberg as an influence -- he wrote some songs for Schoolhouse Rock!.) It's a Broadway (or perhaps off-Broadway) musical waiting to be made, or perhaps the subject of the first kids' music-themed episode of Marian McPartland's Piano Jazz, or a Randy Newman album consisting of pleasant narrators. On a slightly more kid-music-related tip, the songs are a little reminiscent of David Tobocman and lyrically it reminds me a bit of Molly Ledford's lyrics for Lunch Money, with words like "ennui" (in "Something You Learn"), "plapable" ("It's Hard To Wait for Your Birthday"), and "Odysseus" ("Mean People"). Heck, it features the phrase "T.O.," which Henriques helpfully provides a Wikipedia reference for. All this eruditeness -- the fact that I'm using "eruditeness" in a review of the disk -- might make it seem very hoity-toity, but it's not. (And not just because she rhymes "goat turd" with "awkward.") The 29 minute album isn't going to cause a lot of dancing; in fact, it's got more melancholy in it than at least 95% of all kids' albums. But kids, if they sit down and really listen, will hear words that do indeed speak to them -- the difficulty of waiting for your birthday ("It's Hard To Wait for Your Birthday") or a secret desire to be a twin ("If I Had a Twin"). The 29-minute album is appropriate for kids ages 4 through 10. You can hear the whole thing here. Also of note: gorgeous packaging courtesy of Henriques' brother Joel Henriques, proprietor of my new favorite website Made By Joel. Another chance discovery. So there you have it -- an album that I said was unlike any kids' CD I'd heard for a long time is compared to maybe a half-dozen other artists. But Outside My Door is something quite remarkable -- an album of "piano jazz for kids" that isn't limited by any of the words in that phrase. A refreshing sound, and an absolute pleasure to listen to. Highly recommended.

Itty-Bitty Review: Gustafer Yellowgold's Infinity Sock

GY_InfinitySock.jpgI could take a lot of time talking specifically about Gustafer Yellowgold's Infinity Sock, the fourth Gustafer Yellowgold DVD/CD set from musician/illustrator Morgan Taylor -- how it's another collection of mellow pop-rock tunes, alternately humorous and wistful, accompanying the slightly surreal adventures of our yellow friend from the sun, Gustafer Yellowgold. Or maybe how it features an honest-to-goodness narrative from start to finish. But what I'd rather do is spend a few words about what Taylor has done with Gustafer, and that's nothing less than create a totally immersive world of characters that Taylor could easily spend another ten, twenty, or thirty years exploring. Just as Dan Zanes has crafted his own niche of family music that never really delves into the specific lives of kids, with Gustafer Yellowgold Taylor has written "kids music" that has (seemingly) nothing to do with the specific lives of kids. After all, on this adventure (featuring Gustafer trying to find the toe-end of the titular sock), Gustafer visits a beehive to see an amazing bee-band ("Beehive") or visits an all-cheese clothing store (the very funny "Wisconsin Poncho"). These are not concerns of your typical 5-year-old. What this story and all the Gustafer Yellowgold stories are is Children's Literature, Fanciful and Fantastic Division. Gustafer is just as much the descendent of Maurice Sendak's Where the Wild Things Are as it is the descendent of Harry Nilsson's The Point. Which isn't to say that kids might not learn lessons here (the interconnectivity of life, inherent value of all beings, the need to explore), but they're born out of Taylor's basic philosophy, not forced upon the watcher or listener, and they assume that kids are smarter than we often give them credit for. (Which is a pretty good assumption.) This DVD/CD set is appropriate for kids ages 4 through 10. You can watch video clips from the half-hour story here. Visually the DVD, as always, looks great -- minimally animated but distinctive. (The bonus features, including a mockumentary and guitar and drawing lessons, aren't essential but nice to watch at least once.) Current Gustafer Yellowgold fans will enjoy Gustafer Yellowgold's Infinity Sock no less than the previous DVDs, and for the rest of you, this is as good a place as any to start. Like the best kids' lit, your kids could still be buying new Gustafer Yellowgold DVDs when they become parents themselves. Definitely recommended. Disclosure: I received a copy of the DVD/CD set for possible review.

Review: Oh Lucky Day - Lucky Diaz and the Family Jam Band

OhLuckyDay.jpgLucky Diaz' first album, an EP titled Luckiest Adventure, was a 15-minute blast of folk-pop goodness that immediately caught the ear of all who heard it. As a result, expectations and anticipation for his first full-length disk was high. Today Diaz and his Family Jam Band release Oh Lucky Day and so you're probably wondering, does it fulfill the promise of those first five songs? The answer: for the most part, yes. The new album doesn't tremendously expand Diaz' sound or introduce new styles, but that's OK because his well-produced folk-tinged pop and pop-rock didn't need much expanding to begin with. Diaz clearly thinks the world of his daughter, and many of the songs seem written with her in mind. I love the opening track, the goofy "Say What?," which features some funky scat-and-response between Diaz and his daughter. I am less enamored of "Pretty Princess," a song about, well, being a princess. I guess I just don't need more songs about princesses. A large part of the album borders on the edge of sticky-sweet, and if you are looking for an album with a little more "grit," you may stop listening before you get to the latter part of the album, which is my favorite part. "Race Car" is a, er, revved-up song perfect for car-obsessed preschoolers, while "Gato Astronauto" takes a cat on a New Wave-inspired trip. Following that, "Let's Dance" is for all of you that thought "Video Killed the Radio Star" needed to be turned into a preschool rave-up. (Raises hand.) After all that silliness, the sweet ending track, "Dreamland," a duet with Holly Conlan, puts a pretty little bow on the package. The album is most appropriate for kids ages 3 through 7. You can hear one song here and samples here. With Oh Lucky Day, Lucky Diaz has crafted an album of well-written songs and fine arrangements that will satisfy a large percentage of all but the most rambunctious of kid-listeners. It is Diaz' first full-length, but clearly won't be his last. Recommended. I received a copy of the album for possible review. I also ran a contest to win the album.