Itty-Bitty Review: Love Me For Who I Am - Brady Rymer

Deciding to record an album inspired by spending time with students at a school for children with alternative learning styles, as Brady Rymer has done with his just-released album Love Me For Who I Am could have resulted in an album stickily sweet and boring to most listeners. But on this often rollicking album, Rymer successfully avoids both traps. Rymer's strength here is his ability to craft in song the feelings of children who have autism or Asperger's. He moves way beyond sympathy and into empathy, the ability to understand the feelings of others. That's because many of the emotional characteristics particularly felt by those children are shared in varying degrees by the rest of the population. There isn't that much of a gap between the child resisting getting dressed (in "Who Wants To Wear Shoes?") and the naked child running around in Rymer's "Dilly Dally Daisy" from a few years back. "Picky Eater," "I Don't Like Change," "Tune Out" -- from the album titles alone, you probably know a kid who would identify, even if they don't register anywhere on the autism spectrum. I think a child who isn't autistic might not want to listen repeatedly because it's not written from their perspective, but I think few kids wouldn't identify with at least a couple tracks. In any case, it's the most empathetic kids album I can think of in quite some time. Rymer marries those sentiments to his typical roots-rock sound. Once again he gets great support from his backing band, the Little Band That Could, producing a full-bodied sound with echoes of Mellencamp and Springsteen. I particularly liked "Squish Me Squeeze Me," which uses backing horns to great effect (and rhymes the word "anaconda" with "back of a Honda" in a completely non-gratuitous way). Rymer's duet with Laurie Berkner on the tender "Soft Things" is also worth repeated listenings. The album is most appropriate for all kids ages 3 through 7, though that may be different for kids who actually have autism or Asperger's Syndrome. You can here the whole album at Rymer's website. That Love Me For Who I Am is highly recommended for families (or classrooms) affected by autism or Asperger's is terribly surprising. What is more surprising, perhaps, is that other kids and families would probably enjoy listening to the album (or at least a fair number of the songs) on a regular basis. Recommended.

Review: The Family Garden - Billy Kelly

Just in time for Earth Day, Billy Kelly releases The Family Garden, an album of gardening-related songs designed to help kids better understand the impact they have on their planet... Just kidding. I mean, about part of it. It's the other part that, uh, isn't quite so true. But Kelly, whose line in song between truth and un-truth has never been very clear, probably wouldn't want me to tell you which is which. On this, his third album, Kelly eschews some of the production wizardry and elaborate wordplay of his first two disks for a rootsier sound. It's a deliberate choice sonically -- Kelly specifically mentions recording the songs live with his band, the Blahblahblahs. On songs like the title track, or "That Old American Flag," or his cover of "Coney Island Washboard," the roots/country sound matches up well with the songs' earnest nature. Those songs (as well as "We Could Be Pen Pals," his duet with Lunch Money's Molly Ledford) are songs you might find in a gigantic American songbook. Kelly's always had an earnest streak in his songwriting, but he hasn't forgotten the more surreal components, either. "It's Close Enough" continues Kelly's streak of writing songs about the songs he's writing about. "I'm Thinking of an Animal" is as close as he'll get to writing a standard "name the animal" song (which is to say, only about 80% of the way there). "The Invention of the Straw" doesn't reach the heights of "The Legend of Johnny Box" from Is This Some Kind of Joke?, but "Why Is the Moon Following Me?" is way better than Harold and the Purple Crayon. The album is most appropriate for kids ages 3 through 8. You can listen to clips from the 37-minute album here. If I had to recommend just one Billy Kelly album for someone's collection, I'd probably start with Is This Some Kind of Joke? -- I think his intricate wordplay and savviness fills an underserved niche for older-kids' kids music. But The Family Garden is a neat expansion of his sound. To some extent, this is a kindler, gentler Kelly. Whether or not we wanted a kindler, gentler Kelly you'll have to decide, but he's not bad to have around. That's all true, I promise. Definitely recommended.

Itty-Bitty Review: Planting Seeds - Maria Sangiolo

It is hard to make an "Earth Day"-themed album. Well, it's hard to make a good one, anyway, one whose musical enjoyment outweighs any "life lessons" the album hopes to teach (the teaching of which usually fails because the music fails.) I'm happy to report, then, that Maria Sangiolo's new album Planting Seeds is one of the few earth-themed albums families will want to listen to in April or even the rest of the year. This is partially the result of choosing good songs that happen to be about the planet we live on, and the plants and animals (including us) who reside upon it. It's only in that broader sense that putting Mark Erelli's version of the traditional folk song "The Fox" on an album "celebrat[ing] agriculture and sustainability" (to quote the back cover) fits. (Or the frustration with the bug world on Sangiolo's bluesy "Flashlights and Flyswatters" and Anand Nayak and Sienna Jessurun's "Noisy Cricket.") But it thankfully keeps the album from sounding like a lecture. The other thing that keeps it from sounding like a lecture is that the music is quite good. Sangiolo pulled in Nayak, who's part of Rani Arbo & daisy mayhem, as producer, and like daisy mayhem's music, this album has a loose and relaxed feel, like a well-worn pair of jeans. Maybe the duet between Sangiolo and Nayak compatrior Steve Roslonek (aka SteveSongs) on Les Julian's participation song "Plant a Seed" took several tracks to record, but the genuinely humorous interplay between the two makes it sound like it was recorded live-to-tape in just one take. Sangiolo also is generous in sharing the album with many other artists beyond those already mentioned, include Rani Arbo and daisy mayhem on a couple tracks, Sally Rogers and Howie Bursen doing their best Pete Seeger on "Maple Sweet," and Alastair Moock and Lori McKenna on my favorite track on the album, "Didn't Know What I Was Missing." (Moock also co-wrote a number of the songs here.) The album is credited to "Maria and Friends," and the billing is apt. The album is most appropriate for kids ages 4 through 9. You can listen to samples here. Planting Seeds is a celebration of the earth on which we live, but it's also a celebration of community. Sangiolo's community of friends have put together a collection of songs worth listening to (and maybe, eventually, learning from). Recommended.

Review: A Life of Song - Ella Jenkins

It's not easy to review Ella Jenkins albums for a couple reasons. First, she is a legend. I know that people throw around the word "legend" too easily, but if you don't use that word for Jenkins, then you may as well not use the word at all, at least in the kids music genre. And it's hard to review a legend because their outsized reputation, no matter how well deserved (and it totally is in Jenkins' case), provides an odd context. The second - and trickier - reason is that her albums are not designed for listening idly to while zipping off to T-ball practice. Her albums generally feature Jenkins along with a group of kids -- Jenkins singing to the kids, the kids singing to Jenkins. It's like dropping in on a kindergarten music class with the recorder running. These sorts of albums are not the kinds of albums that a lot of casual listeners necessarily respond to. Jenkins' just-released album A Life of Song is her first album of new material in eight years. Over the course of almost 45 years and nearly 30 albums, Jenkins has been a mainstay of Folkways/Smithsonian Folkways recordings, and the new album is, in some ways, a retrospective of her career. Not in the sense of a greatest hits collection, because all the tracks here are new, recorded with elementary students enrolled in an after-school program. The album starts off with "Pick a Bale of Cotton," first popularized by another Folkways artist, Leadbelly. Ella tells a story in her gentle voice, and the kids trade off verses. You can hear Jenkins say, near the end, conducting the group, "A little softer," getting the kids' chorus to sing quieter as the song ends. Jenkins is a master of leading the kids, showing how sometimes it's better to talk quietly than loudly if you want to get kids' attention. And the kids enthusiastically respond in their call-and-response (they're kinda adorable singing out the names of various people in "He's Got the Whole World in His Hands"). Your family will enjoy the album more if you sing along, or even more so if you take the songs here and lead your own song circle. Jenkins moves on from playground songs to spirituals to songs made popular in the civil rights era, even onward through the blues and Gershwin. It's a nifty, albeit brief, survey of songs important to African American (and frankly, American, no qualifier needed) culture. This is to be expected since the album is part of the African American Legacy Recordings series, co-produced with the Smithsonian National Museum of African American History and Culture. (This focus means that another important part of Jenkins' oeuvre -- bringing songs of diverse global cultures back to the States -- plays no part in this recording.) As the album progresses, the children's chorus makes fewer appearances, which gives Jenkins more of a chance to shine. Jenkins' voice is soft but effectively displayed on tracks like "I Want to Be Ready" and "Somebody's Talking about Freedom." And tracks like "Summertime" and "The Cuckoo," where she lends a little more expressiveness to her voice, are simply wonderful. Praise must also go to her fellow musician Rita Ruby, who accompanies Jenkins on guitar on many tracks and has a lovely voice of her own (she even gets an a capella turn on "Amazing Grace"). The 36-minute album will be most appreciated by kids aged 3 through 8. You can listen to samples from all the tracks this video if you want to understand how much other musicians and educators revere her.) On A Life of Song, Ella Jenkins shows that, even at 86, she can capture audiences spanning generations. This is an album hat encourages you to turn off the CD player and sing with others. Luckily, it's good enough to listen to that doing so might prove difficult. Essentially mandated for early childhood music specialists and definitely recommended for everyone else.

Itty-Bitty Review: Look Both Ways - ScribbleMonster & His Pals

I'm not sure whether covering obscure Sesame Street songs is either foolish or genius. But that's exactly what Chicago-area band ScribbleMonster have done on their just-released new album Look Both Ways. Aside from the opening track (their cover of the show's theme song), the casual fan (adult or youth) is likely to recognize few (if any) of the songs here. What the band might lose from "Rubber Duckie" completists skipping the collection they gain from the freedom of putting their own stamp on some of the best songwriting for kids anywhere. One some tracks, you can't picture another band covering these songs any better than they are. On both "Loud and Soft" and "Stop!" the power-pop band hit just the right enthusiastic/giddy/slightly silly tone that will motivate kids to sing along and participate. This silliness also shines in the duet with ScribbleMonster (the, er, monster) and kids musician Steve Weeks on "Clink, Clank." (The phrase, "Right, I take this xylophone mallet," makes me smile every time.) They also provide distinctive covers of the slightly-disturbing (at least to my memory) "I Want To Hold Your Ear" and the sunny "Someday, Little Children," featuring Racer Steve from Princess Katie & Racer Steve on guitar. The songs are most appropriate for kids ages 3 through 7. You can hear samples from the brief (26-minute) album at the album's CD Baby page or five full tracks at the band's radio page. I'm still not sure whether covering semi-obscure Sesame Street songs is foolish or genius, but it's hard to go wrong with folks like Joe Raposo and Jeff Moss writing songs and ScribbleMonster performing 'em. Recommended. Disclosure: I was provided with a copy of the album for possible review.

Review: "Cat and a Bird" - Cat and a Bird

As someone who listens to a lot of music and reviews it on occasion, there's nothing quite like discovering a new artist with their first CD.Don't get me wrong, it's lots of fun to hear an artist you like a lot clicking on all cylinders, but the pleasure in listening to someone like, say, Justin Roberts, is that of hearing a sound you and your family have sort of come to expect performed wonderfully.Putting a CD into the CD drive and hearing a new, unfamiliar sound and voice -- that can be thrilling when that sound and voice click. Cat and a Bird is fairly new to the scene -- the band's website isn't even set up as of this writing.But their self-titled debut bristles with an energy and self-assurance that pays dividends.Their sound -- mixing elements of folk, rock, electronic beats, and gypsy violin -- sometimes sounds both 100 years old and from 100 years in the future.It is impossible not to smile and bop your head while listening to these songs about the animal kingdom.From the album opener "Bee Jive," featuring some nice steel guitar work, to "Surfer Turtle," all sunny and filled with "la"s, to "Kangaroo," which (appropriately) bounces along carried by Emily Chimiak's vocals -- there's something to discover in each track.Chimiak's musical partner in the band Vasily Taranov ably handles most of the instruments (the violin is Chimiak's), throwing in ukulele and upright bass and more.I actually think many of the best tracks are at the end of the album -- I'm thinking of the dance tracks "Lion and the Challengers" and "Night Owl." I would be remiss if I didn't discuss the lyrics as well.I hear a lot of "educational" music that is easily forgotten, but on songs like "Platypus," with its Tin Pan Alley, it memorably sings about the title character by mentioning what it's not ("He's got a beak, neither a cat nor bird / he's got mystique, although he looks absurd.").Nobody will pass their preschool zoology class as a result to listening to these songs, but the songs give some character and personality to the animals they sing about, and matched with the melodies and rhythms, they'll get enough spins to perhaps remember what they're dancing to. I think kids ages 4 through 9 will most appreciate the animal/lyrical themes here.You can hear samples of the 37-minute album at CD Baby, emusic, and iTunes. I can't take credit for discovering Cat and a Bird (that distinction, I believe, goes to Kathy O'Connell and subsequently Bill Childs).But I get just as big a kick out of hearing a new sound as anyone, especially a sound with as much style as this band's.It's a new sound, and one that clearly will gain a much wider audience than it has right now.Without a doubt, this is one of the year's best debuts, but more than that, it's one of the year's best albums, period.Highly recommended.