Itty-Bitty Review: Gustafer Yellowgold's Infinity Sock

I could take a lot of time talking specifically about Gustafer Yellowgold's Infinity Sock, the fourth Gustafer Yellowgold DVD/CD set from musician/illustrator Morgan Taylor -- how it's another collection of mellow pop-rock tunes, alternately humorous and wistful, accompanying the slightly surreal adventures of our yellow friend from the sun, Gustafer Yellowgold. Or maybe how it features an honest-to-goodness narrative from start to finish. But what I'd rather do is spend a few words about what Taylor has done with Gustafer, and that's nothing less than create a totally immersive world of characters that Taylor could easily spend another ten, twenty, or thirty years exploring. Just as Dan Zanes has crafted his own niche of family music that never really delves into the specific lives of kids, with Gustafer Yellowgold Taylor has written "kids music" that has (seemingly) nothing to do with the specific lives of kids. After all, on this adventure (featuring Gustafer trying to find the toe-end of the titular sock), Gustafer visits a beehive to see an amazing bee-band ("Beehive") or visits an all-cheese clothing store (the very funny "Wisconsin Poncho"). These are not concerns of your typical 5-year-old. What this story and all the Gustafer Yellowgold stories are is Children's Literature, Fanciful and Fantastic Division. Gustafer is just as much the descendent of Maurice Sendak's Where the Wild Things Are as it is the descendent of Harry Nilsson's The Point. Which isn't to say that kids might not learn lessons here (the interconnectivity of life, inherent value of all beings, the need to explore), but they're born out of Taylor's basic philosophy, not forced upon the watcher or listener, and they assume that kids are smarter than we often give them credit for. (Which is a pretty good assumption.) This DVD/CD set is appropriate for kids ages 4 through 10. You can watch video clips from the half-hour story here. Visually the DVD, as always, looks great -- minimally animated but distinctive. (The bonus features, including a mockumentary and guitar and drawing lessons, aren't essential but nice to watch at least once.) Current Gustafer Yellowgold fans will enjoy Gustafer Yellowgold's Infinity Sock no less than the previous DVDs, and for the rest of you, this is as good a place as any to start. Like the best kids' lit, your kids could still be buying new Gustafer Yellowgold DVDs when they become parents themselves. Definitely recommended. Disclosure: I received a copy of the DVD/CD set for possible review.

Review: Oh Lucky Day - Lucky Diaz and the Family Jam Band

Lucky Diaz' first album, an EP titled Luckiest Adventure, was a 15-minute blast of folk-pop goodness that immediately caught the ear of all who heard it. As a result, expectations and anticipation for his first full-length disk was high. Today Diaz and his Family Jam Band release Oh Lucky Day and so you're probably wondering, does it fulfill the promise of those first five songs? The answer: for the most part, yes. The new album doesn't tremendously expand Diaz' sound or introduce new styles, but that's OK because his well-produced folk-tinged pop and pop-rock didn't need much expanding to begin with. Diaz clearly thinks the world of his daughter, and many of the songs seem written with her in mind. I love the opening track, the goofy "Say What?," which features some funky scat-and-response between Diaz and his daughter. I am less enamored of "Pretty Princess," a song about, well, being a princess. I guess I just don't need more songs about princesses. A large part of the album borders on the edge of sticky-sweet, and if you are looking for an album with a little more "grit," you may stop listening before you get to the latter part of the album, which is my favorite part. "Race Car" is a, er, revved-up song perfect for car-obsessed preschoolers, while "Gato Astronauto" takes a cat on a New Wave-inspired trip. Following that, "Let's Dance" is for all of you that thought "Video Killed the Radio Star" needed to be turned into a preschool rave-up. (Raises hand.) After all that silliness, the sweet ending track, "Dreamland," a duet with Holly Conlan, puts a pretty little bow on the package. The album is most appropriate for kids ages 3 through 7. You can hear one song here and samples here. With Oh Lucky Day, Lucky Diaz has crafted an album of well-written songs and fine arrangements that will satisfy a large percentage of all but the most rambunctious of kid-listeners. It is Diaz' first full-length, but clearly won't be his last. Recommended. I received a copy of the album for possible review. I also ran a contest to win the album.

Itty-Bitty Review: Love Me For Who I Am - Brady Rymer

Deciding to record an album inspired by spending time with students at a school for children with alternative learning styles, as Brady Rymer has done with his just-released album Love Me For Who I Am could have resulted in an album stickily sweet and boring to most listeners. But on this often rollicking album, Rymer successfully avoids both traps. Rymer's strength here is his ability to craft in song the feelings of children who have autism or Asperger's. He moves way beyond sympathy and into empathy, the ability to understand the feelings of others. That's because many of the emotional characteristics particularly felt by those children are shared in varying degrees by the rest of the population. There isn't that much of a gap between the child resisting getting dressed (in "Who Wants To Wear Shoes?") and the naked child running around in Rymer's "Dilly Dally Daisy" from a few years back. "Picky Eater," "I Don't Like Change," "Tune Out" -- from the album titles alone, you probably know a kid who would identify, even if they don't register anywhere on the autism spectrum. I think a child who isn't autistic might not want to listen repeatedly because it's not written from their perspective, but I think few kids wouldn't identify with at least a couple tracks. In any case, it's the most empathetic kids album I can think of in quite some time. Rymer marries those sentiments to his typical roots-rock sound. Once again he gets great support from his backing band, the Little Band That Could, producing a full-bodied sound with echoes of Mellencamp and Springsteen. I particularly liked "Squish Me Squeeze Me," which uses backing horns to great effect (and rhymes the word "anaconda" with "back of a Honda" in a completely non-gratuitous way). Rymer's duet with Laurie Berkner on the tender "Soft Things" is also worth repeated listenings. The album is most appropriate for all kids ages 3 through 7, though that may be different for kids who actually have autism or Asperger's Syndrome. You can here the whole album at Rymer's website. That Love Me For Who I Am is highly recommended for families (or classrooms) affected by autism or Asperger's is terribly surprising. What is more surprising, perhaps, is that other kids and families would probably enjoy listening to the album (or at least a fair number of the songs) on a regular basis. Recommended.

Review: The Family Garden - Billy Kelly

Just in time for Earth Day, Billy Kelly releases The Family Garden, an album of gardening-related songs designed to help kids better understand the impact they have on their planet... Just kidding. I mean, about part of it. It's the other part that, uh, isn't quite so true. But Kelly, whose line in song between truth and un-truth has never been very clear, probably wouldn't want me to tell you which is which. On this, his third album, Kelly eschews some of the production wizardry and elaborate wordplay of his first two disks for a rootsier sound. It's a deliberate choice sonically -- Kelly specifically mentions recording the songs live with his band, the Blahblahblahs. On songs like the title track, or "That Old American Flag," or his cover of "Coney Island Washboard," the roots/country sound matches up well with the songs' earnest nature. Those songs (as well as "We Could Be Pen Pals," his duet with Lunch Money's Molly Ledford) are songs you might find in a gigantic American songbook. Kelly's always had an earnest streak in his songwriting, but he hasn't forgotten the more surreal components, either. "It's Close Enough" continues Kelly's streak of writing songs about the songs he's writing about. "I'm Thinking of an Animal" is as close as he'll get to writing a standard "name the animal" song (which is to say, only about 80% of the way there). "The Invention of the Straw" doesn't reach the heights of "The Legend of Johnny Box" from Is This Some Kind of Joke?, but "Why Is the Moon Following Me?" is way better than Harold and the Purple Crayon. The album is most appropriate for kids ages 3 through 8. You can listen to clips from the 37-minute album here. If I had to recommend just one Billy Kelly album for someone's collection, I'd probably start with Is This Some Kind of Joke? -- I think his intricate wordplay and savviness fills an underserved niche for older-kids' kids music. But The Family Garden is a neat expansion of his sound. To some extent, this is a kindler, gentler Kelly. Whether or not we wanted a kindler, gentler Kelly you'll have to decide, but he's not bad to have around. That's all true, I promise. Definitely recommended.

Itty-Bitty Review: Planting Seeds - Maria Sangiolo

It is hard to make an "Earth Day"-themed album. Well, it's hard to make a good one, anyway, one whose musical enjoyment outweighs any "life lessons" the album hopes to teach (the teaching of which usually fails because the music fails.) I'm happy to report, then, that Maria Sangiolo's new album Planting Seeds is one of the few earth-themed albums families will want to listen to in April or even the rest of the year. This is partially the result of choosing good songs that happen to be about the planet we live on, and the plants and animals (including us) who reside upon it. It's only in that broader sense that putting Mark Erelli's version of the traditional folk song "The Fox" on an album "celebrat[ing] agriculture and sustainability" (to quote the back cover) fits. (Or the frustration with the bug world on Sangiolo's bluesy "Flashlights and Flyswatters" and Anand Nayak and Sienna Jessurun's "Noisy Cricket.") But it thankfully keeps the album from sounding like a lecture. The other thing that keeps it from sounding like a lecture is that the music is quite good. Sangiolo pulled in Nayak, who's part of Rani Arbo & daisy mayhem, as producer, and like daisy mayhem's music, this album has a loose and relaxed feel, like a well-worn pair of jeans. Maybe the duet between Sangiolo and Nayak compatrior Steve Roslonek (aka SteveSongs) on Les Julian's participation song "Plant a Seed" took several tracks to record, but the genuinely humorous interplay between the two makes it sound like it was recorded live-to-tape in just one take. Sangiolo also is generous in sharing the album with many other artists beyond those already mentioned, include Rani Arbo and daisy mayhem on a couple tracks, Sally Rogers and Howie Bursen doing their best Pete Seeger on "Maple Sweet," and Alastair Moock and Lori McKenna on my favorite track on the album, "Didn't Know What I Was Missing." (Moock also co-wrote a number of the songs here.) The album is credited to "Maria and Friends," and the billing is apt. The album is most appropriate for kids ages 4 through 9. You can listen to samples here. Planting Seeds is a celebration of the earth on which we live, but it's also a celebration of community. Sangiolo's community of friends have put together a collection of songs worth listening to (and maybe, eventually, learning from). Recommended.

Itty-Bitty Review: Acoustic Dreamland (Putumayo) - Various Artists

The sight of Nicola Heindl's illustration immediately brands it as a Putumayo disk. But take off the animated cover of Acoustic Dreamland, the latest collection from Putumayo Kids, replace it with some tastefully sepia-tinged photograph of, I don't know, a moon rising over a barn, and you could totally sell this collection at Pottery Barn, perhaps. Which is to say that this isn't so much a kids music album as it is just a kid-friendly album. But oh what a nicely curated album it is. I never would have pegged Wilco as a source for lullabies, but Mark Erelli's version of "My Darling" outshines the original, methinks. Ditto for Elizabeth Mitchell's cover of the Allman Brothers' "Blue Sky." Kids musicians aren't totally shut out here -- Frances England records a new song, "Here With Me," for the collection, and Kesang Marstrand lends a song from her excellent lullaby collection as well. As with many Putumayo disks, however, the value in the collection isn't so much the individual songs as much as it is the fact that someone has spent the time finding the tracks and saving the listener the effort. The album is appropriate for all ages, though the lullaby nature of means that you're more likely to spin it with kids ages 5 and less. You can sample some of the tracks here. I can totally see Acoustic Dreamland being used at nap time or quiet time or during a nighttime feeding. And, buried on a hard drive and stripped of its album art, long past your kids nap, eat at night, or are ever quiet, listened by you and you alone. Recommended.