Listen To This: "'Cuz We're Cousins" - Sarah Lee Guthrie and Johnny Irion

I mentioned earlier this week how I've got some liner notes in Go Waggaloo!, the kids album Sarah Lee Guthrie and Johnny Irion recorded for Smithsonian Folkways. I knew that there'd be some fun stuff posted in run-up to the album's Oct. 27th release, and the first stuff o' fun is now available -- a streaming preview of "'Cuz We're Cousins." Musically, it's right in the Smithsonian Folkways folk wheelhouse, but lyrically, I'm pretty sure it's the first time the Xbox gets a line in a Folkways song. Listen here. So, yeah, it's clearly not one of the 3 songs Woody Guthrie wrote lyrics for on the album, but he totally would've made an Xbox reference if he were still alive... Oh, and folks in New York and San Francisco can see Sarah Lee and Johnny play a couple kids' related shows -- a fundraiser for Clearwater September 11 in Tarrytown, NY and a -- here, I'm looking at you, Deb -- a benefit concert with Pete Seeger and The Waybacks for The Center for Steinbeck Studies September 18 in San Francisco. And more family shows are on their way...

House of Kids: Blah Name, Decent Series

In the second piece of news from today regarding corporate behemoths trying to cash in (more) on kids music, word this morning that LiveNation is starting the "House of Kids" music series at he Fillmore New York at Irving Plaza this fall and winter. Forget the press release text that says "House Of Kids is aimed at bringing parents and kids together through a shared appreciation of live music, as well as fun and educationally enriching activities." House of Kids is about figuring out what to do with a large venue that sits empty for a good 16 hours or more each and every day. The first 4 artists -- Justin Roberts & The Not Ready For Naptime Trio (October 17), Father Goose (November 14), The Sippy Cups (December 5) and Gustafer Yellowgold (January 9) -- are definitely promising, though $20 per ticket ($70 for the series) is a price range that could only work in New York City. (And, to be fair, each show will also feature performers from the Big Apple Circus, guest storytellers, child performers, fire safety education from FDNY, and more.) Now if only we could get Justin Roberts to record a live album so that the Irving Plaza location could join all the other Fillmores that have been graced with a Live at the Fillmore designation.

The Fresh Beat Band Is Fresh, I'll Give 'Em That Much

What's that, parents? Your kids want to watch yesterday's episode of Nick Jr's new show The Fresh Beat Band and you don't have a DVR? Well, it's iTunes to the rescue -- they already have the 3 episodes shown yesterday and today (Stomp the House, Stick Together, Doggone It!) available for sale, just $1.99 each. I'm guessing that a lot of regular readers won't care much about this, but I do think it shows just how quickly the TV landscape has changed in a few years. Jack's Big Music Show? Just 4 episodes on iTunes, the ones on the Let's Rock DVD. But now even these shows for kids are being treated like The Office. Obviously, I think this is a great idea. Why should I have to wait for the next Biscuit Brothers DVD when I could download the episodes immediately from iTunes? But I've heard from assorted musicians that iTunes isn't necessarily the fastest in responding if your name isn't "Hannah" or "Montana." Makes me the think that finding the best independent music/shows for kids is a niche that Kidos could nicely carve out for itself. (But I still want my Biscuit Brothers on iTunes.)

Interview: Peter Himmelman

PeterHimmelman.JPGPeter Himmelman has been around the kids' music scene for a while -- not as long as he's been making music for a living -- but his first album for families, My Best Friend is a Salamander, came out in 1997. He's adapted nicely to the brave new world of the music industry, scoring the Judging Amy TV series and creating not one, but two video series for the internet (more on that below). His fifth album for kids, My Trampoline, is being released today on the new Minivan Productions kids music label. I talked to him by phone last week, calling him at 8 AM -- not just my time, but also his time. Despite getting in from a songwriting workshop at 1 AM that same morning, Himmelman was thoughtful, expansive regarding his views on kids and music for kids, and, as befits a man who tells lots of ornate stories, far more verbally agile than I typically am at that hour... Zooglobble: Thanks for taking such an early call... Peter Himmelman: Oh, no problem -- please don't tell anyone that I don't live a bohemian lifestyle... So I'll start off with a question I typically ask in every interview, and that's what musical memories you had growing up? That's a good question worth asking. When I was 5 or 6, I'd listen with my older sister, who was 12; this was maybe 1966 or so. I would hear the Beatles' "I Wanna Hold Your Hand" or maybe "Stop in the Name of Love". The ever-enchanting "House of the Rising Sun." I remember the electric organ -- snippets of songs can be very moving. Then when I was 7 or 8, I'd play with my friend Doug Kauffman -- he had some free LPs. We'd listen and pretend the stuffed animals were the band. The rabbit would be the singer, flopping around. I enjoyed it more than he did, which is maybe why I went into music and he went into finance. You tell a lot of stories in your songs, so do you also have any book memories from growing up? Oh, Roald Dahl, James and the Giant Peach. My mom would read to me from a collection called Kiss, Kiss, which was kind of dark. Shel Silverstein. Maurice Sendak, of course - Where the Wild Things Are. Jules Verne... My first book I can remember really getting into was Scott O' Dell's Island of Blue Dolphins. Oh, we had these stories on vinyl -- I remember 101 Dalmatians. I also liked audio stories -- I still do. I like the aural imagery. Do you segregate your writing for kids?

Video: "For The Planet Pluto" - The Music Tapes (Julian Koster)

There have been a number of kids music songs about Pluto -- I'm most partial to Rocknoceros' "Pluto", but the Nields' "Percy on Pluto" and They Might Be Giants' "How Many Planets?" (off their forthcoming Here Comes Science) are pretty good, too. The Music Tapes, which is the brainchild of Julian Koster, who also played in Neutral Milk Hotel, doesn't have a kids music album to its credit. But this song, "For The Planet Pluto," features some kids, plus a singing song. As a standalone kids' song, it's only so-so, even with the singing saw. But as a video, nothing else I've seen (or heard) more eloquently demonstrates why people -- especially kids -- reacted so strongly to Pluto's dismissal from planetary status. (It's even better than TMBG's video, which is pretty darn good.) If you like this, there's more on its way... stay tuned... The Music Tapes - "For the Planet Pluto"

The Music Tapes - For the Planet Pluto from Merge Records on Vimeo.

Listen To This: "I Am a Paleontologist" - They Might Be Giants

As promised earlier today, here's that free mp3 courtesy of They Might Be Giants -- the completely rocking ode to diggin' up dinosaur bones, "I Am a Paleontologist," which features Danny Weinkauf on vocals. It's from Here Comes Science, the CD/DVD out next week on Amazon/iTunes (and everywhere on Sept. 22). And, no, I don't know most of those dinosaurs. Maybe I should learn... Download the track here or stream it below...