My wife, daughter, and I went to see Ratatouille this weekend and one of the previews was for a live-action version of the fondly-remembered cartoon Underdog. Based on the preview, the new movie looks -- what's the critical phrase here? -- really crappy. The one and only upside is that a movie about a dog did not use the song "Who Let the Dogs Out?" in the preview. (Really, how did that not happen? The Baha Men must be looking for a new agent right about now.)
Still, the movie's producers are missing a great opportunity here -- the lead single off Austin City Limits Festival band Spoon's awesome awesome awesome album Ga Ga Ga Ga Ga is entitled "The Underdog." And it rocks. The political subtext will go over the heads of the kids, but it's completely OK for 'em.
In case you haven't heard it, you can hear Spoon play with a horn section of about six dozen on Letterman's show here.
Or watch the original video (with apparently a Daniel Handler -- Lemony Snicket -- cameo at about 2:31) below:
Concert Review: The Hold Steady (Phoenix, June 2007)
The Hold Steady are not kids' musicians.
This will come as a shock to absolutely nobody, but I felt like stating that before explaining exactly why I thought a brief review of The Hold Steady's Saturday night show at the Brickhouse in Phoenix was appropriate for this site.
Goodness knows that the lyrical content of the band's songs are NSFK. If Craig Finn had lent his hand to popular kids' songs, Mary would have developed a nasty heroin habit after Little Boy Blue sold her lamb to pay off a gambling debt incurred somewhere in St. Anthony Falls. (It would've sounded awesome, though.) As Finn quipped when noting that they'd be playing Vegas the next night, a city they'd never played before, "I enjoy a lot of vices, but gambling's not one of them. But here's a song about it." And then they launched into "Chips Ahoy!"
I'm rapidly approaching that point in my life where rock concertgoing involves serious cost-benefit analysis, and of course I treat it in such a way that my younger self would've mocked. Avoid the alcohol because it'll mess up my sleep? Check. Wear comfortable shoes? Check. Use earplugs? Check. My younger self? Heck, the band would've mocked me. (Except for the earplugs part.)
But the show was worth it, in large part due to Finn's energetic showmanship, muttering to himself, leading the crowd in singalongs, encouraging them to clap along, dragged the crowd by force of will alone. It was oddly reminiscent of... wait for it... Dan Zanes.
Really.
Remember that concert down in Tucson? Yeah, well, for the first twenty minutes Zanes, like Finn, pleaded, cajoled, and begged the crowd to get into the show, and by the end of the show, they were completely part of the experience. (Finn isn't hurt by having four very talented musicians helping him to put his words into energetic songs.)
I doubt the Hold Steady and Dan Zanes, even though they both call Brooklyn home, would get together to just play music. Heck, keyboardist Franz Nicolay founded the "Anti-Social Music" collective, while Zanes almost called his Catch That Train! album "Social Music."
But they do share an infectious joy in performing, something that Finn noted from the stage. I'm sure it's something he says at the end of many shows, but seeing Finn grin for most of the concert made it easy to believe him when he said that "There's a lot of joy in performing up here." It's a sentiment that Zanes would agree with completely.
And one of these days when Finn settles down a bit and decides to write about people becoming (probably bad) parents, perhaps he can sing about getting home from the club at 1 AM and being woken up at 5:30 AM by the kids.
Harrowing, I tell you.
(Not-So-)KidVid: Laurie Berkner Meets Steven Spielberg...
New Music from Hoodwinked Co-Director Todd Edwards
I've been meaning to mention this for awhile now, but if you grooved to the music of Hoodwinked, there's some new music from Todd Edwards, the co-director of the movie, and the man responsible for much of the movie's awesome soundtrack.
Edwards' creation, Blick Van Glory has its own website and Myspace page. The Myspace page has 4 songs streaming, and while they're not really kids-related, they are some great power-pop and alt-pop tunes with a very '80s vibe. "The Sophomores" has the video, but my favorite is "Eskimo Love Song." Or maybe "Odyssey John." I don't know. They're all good. The album is due for a spring 2007 release.
By the way, co-directors Todd and Cory Edwards both explained in notes to me or comments here why you can't buy the Hoodwinked soundtrack except on eBay. As Cory stated in the comments on my review of the album, "is due to contract disputes between the movie's investor and the record company. As the director, I can tell you that it was completely out of the hands of the filmmakers... and it absolutely KILLS us that no one can easily buy this product now. It is a fantastic disc and booklet that Ryko did a great job on and we're very proud of it. I have faith that it will resurface someday."
Robert Christgau, Kids Music Blogger?
One of the weirder things things about the NPR interview this week was that not only did that story appear higher on NPR's top e-mailed story list than the venerable music critic Robert Christgau's piece on crunk, so did my list of the top 20 kids' music albums of the year. I still don't know if that was a good or a bad thing, but perhaps kids' music -- one of the few genres Christgau hasn't really touched on in his long career -- is a genre he might want to explore.
Well, anyway, news this week that Christgau has moved his "Consumer Guide" record reviews to MSN. It's well worth your time every other month to read his reviews. And, what do you know? One of Christgau's favorite records in his MSN debut? The Gothic Archies' The Tragic Treasury, the Lemony Snicket-inspired CD from Stephin Merritt. Hmmm... I've reviewed that here, too.
Perhaps there's hope for the guy yet...
7 Down. Band I Like A Lot With New Song Stream. Five Letters, Starts With 'S'. Anyone?
I can't decide -- is it Spoon or the Shins?
Spoon's "The Book I Write" is from the upcoming movie Stranger Than Fiction while the Shins' "Phantom Limb" is from their upcoming January Sub Pop release, Wincing the Night Away. Both songs are pleasant enough, though not an immediate favorite on initial listen. (Still doesn't mean I won't be getting Wincing on album release day, January 23.)
Who got 10 Across?
Name a family-friendly Spoon or Shins song. Go.
I vote for the Shins' "Turn A Square". I think Bill's played Spoon's "Lines in the Suit," which isn't so bad a choice, either. (It's an awesome song.)