Video: "My Family" - Laurie Berkner (with Elizabeth Mitchell, Suzi Shelton, Dirty Sock Funtime Band)

When Laurie Berkner pulls Elizabeth Mitchell, Suzi Shelton, and the Dirty Sock Funtime Band onto the stage during her set at the Haiti benefit they all performed at last weekend at Joe's Pub in New York City, well, that demands YouTubery. It's like The Last Waltz, but shorter and with lower video quality. Laurie Berkner Band (and a cast of a dozen) - "My Family" (Live) [YouTube]

Laurie Berkner Band's Greatest Hits Album On Its Way. Eventually.

"On its way" implies a level of progress that isn't really there (unless you think more theoretically than I) but Laurie Berkner has announced that the band is rehearsing some of the songs that will appear on The Laurie Berkner Band's Greatest Hits Album. (They actually append it with "!!!," but that didn't seem very journalistic of me.) So, yeah, there's gonna be a Laurie Berkner greatest hits album. No additional info except that a special version of "Open Your Heart" will be on it. How did that song go again?...

Share: "Open Your Heart" - Laurie Berkner

Laurie Berkner takes her time recording and releasing music, so new music from her is worth noting. New music from Laurie Berkner for free for a good cause is definitely worth noting. Starting today and through February 28, the Pajama Program will be offering visitors to their website a chance to download "Open Your Heart," a new song recorded by Berkner especially for the organization, which provides new, warm sleepwear and books to children in need. (Berkner played several "Pajama Party" concerts in 2009 where she asked fans to bring pajamas and books for the program.) It's jaunty, sweet, and should have a shelf life beyond the month of February. And there are hand motions, apparently. Berkner's going to sing the song on her Valentine's Day webcast, with daughter Lucy doing the hand motions. If you want your chance to be in a Laurie Berkner video (in a manner of speaking), you can also film your kids dancing to the song and send those videos to the Pajama Program by February 22 -- they'll be compiled into a single video that the program will use to promote itself. It's not quite fame and fortune, but perhaps it's a small part of a good deed, which is enough for a Monday, no? Anyway, go here to download the track.

Video: "(I'm Gonna Eat) On Thanksgiving Day" - Laurie Berkner

You can see a Laurie Berkner-approved video for "(I'm Gonna Eat) On Thanksgiving Day" right here (it's set to a class field trip). Or perhaps you'd like to see a bunch of kindergartners offer their rendition of Berkner's simple but elegant (if that term can be applied to a song about overeating) melody. Kids dressed as reindeer = winner. I like this fan video, however, which only captures about 30 seconds of the song. Which, when you think about it, is probably the approach you should take tomorrow -- leave the table just a little bit hungry. (You can buy a song download here.) I hope that all of you enjoy the Thanksgiving holiday -- probably my favorite of all the holidays -- and that you have many things to be thankful for. Laurie Berkner - "(I'm Gonna Eat) On Thanksgiving Day" [YouTube]

Interview: Laurie Berkner

LaurieBerknerYellowBG.jpgPhoto credit: Michelle Pedone Laurie Berkner needs no introduction. In spite of this fact, I'll provide one anyway. Over the course of five albums and more than a decade, Berkner has become quite possibly the biggest kids music superstar, at least among the preschool set. Although there have been a number of other folks who have been making great music as well over the past decade, I think it's Berkner's appearances on Noggin's Jack's Big Music Show that served as the tipping point, the catalyst for finally making the genre resurgent. Berkner talked to me while riding in a cab to her New York City offices. Read on for details of her first singing experiences, what it's like to give up (some) control in the studio, and how hard it is to not lose sight of those singing experience amidst all the other business aspects of life as a musician. Zooglobble: What were your strongest musical memories growing up? Laurie Berkner: Well, the first memory was being 2 1/2 or 3 1/2 years old, and my parents made me stay in my room until a certain hour in the morning. I had a Fisher-Price record player, and I had a "Do Re Mi" from The Sound of Music. Our bedrooms must have been on opposite ends of the apartment, because I would march around the room and sing loudly. The first time I sang in a group I was about 7, and it was my first chorus practice. We sang the schools' theme, "A whale of a school." It was the most incredible feeling to me... I listened to a lot of Broadway music, and then being in college, I listened to Joni Mitchell. When did you know you wanted to be a musician? I graduated from college as a psychology major, with an art history minor. Coming home, I wasn't sure what I'd do. My dad said, "I thought you'd be a musician." And I said, "Who would pay me?" So my parents said they would pay for an apartment for 1 year, and pretty quickly, I got a job as a preschool music specialist.

Women of Kindie, Unite! Or Network, Whatever.

I tend to write this site more with the consumers of kids music -- parents, benevolent aunts and uncles, grandparents desperately searching for something new -- in mind than the practitioners. Which isn't to say that kids musicians don't read it, just that it's not my main audience. But every now and then I'll play a little inside baseball, and so that's why I'm mentioning the latest event from an professional group called Women's In Children's Media. The Sept. 17th NYC event's called "Behind the (Children's) Music," and will feature a chat with Laurie Berkner, Liz Nealon (general manager of KidzBop), and Jeffrey Lesser (musical director, Little Airplane productions -- hi, Wonder Pets!), moderated by Sirius-XM's Kids Place Live's program director Mindy Thomas. I'm guessing that a lot of what the panelists will say won't be news for experienced kids musicians, but I do suspect that the opportunity to network with other folks who use children's music in their own work may be worth the $20 non-member entry fee...