You know, it's a shame that the ice cream truck industry seems to have withered away. (At least it has in our neighborhood.) Who can resist ice-cream-on-demand? Well, perhaps the industry's demise can be traced to the lack of variety in ice cream songs, with parents and kids rushing indoors at the slightest hint of another overly familiar ice cream truck song.
Friends, Michael Hearst is here to do what he can for the industry with his recently-released Songs for Ice Cream Trucks. Yes, it's 31 minutes (could that have been intentional?) of all-new ice cream music, which sounds just like those ice cream songs of old, only better. Hearst uses a variety of vintage instruments -- glockenspiel, thermin, and a Casiotone -- to create his musical soundscapes, and they sound just like the trucks you know and love.
I preferred the slightly peppier pieces, like the opener "Ice Cream!" or "Tones for Cones," though possibly my favorite flavor, er, song was the slow and oom-pah filled "What's Your Favorite Flavor?" The title scans so well to the opening melody of that song that I wonder if there aren't lyrics to all these songs here. (As it is only the closer, "Before I Drive Away," has vocal accompaniment.) The downside of the album is that the songs begin to melt together -- it's better at creating a mood of happiness and occasional wistfulness than at being a great musical album.
Virtually instrumental in nature, this is truly one of those "all-ages" albums. You can listen to tracks at the album's Myspace page or samples at the album's page. (Order the album here.)
I love ice cream, but even I have a limit, and I think that will be many people's reaction here -- Michael Hearst's songs have an undeniable allure, but taken in one sitting the album will probably be too much for many fans. Still, Songs for Ice Cream Trucks achieves its own little piece of perfection and in small amounts (ie. mix tapes or shuffle play) is quite refreshing.
Review: All Together Singing in the Kitchen - The Nields
There are many types of kids' music albums, but one genre that's been mostly avoided is the very personal kids' music album. Now, there are a number of musicians who feel compelled to record intensely personal lullabye albums upon the arrival of a child into their family, but those generally end in, if not disaster, at least a goopy mess. Is it possible to make an album that draws upon a particular artist's life but speaks to many families?
All Together Singing in the Kitchen, from the Massachusetts based Nields sisters Nerissa and Katryna, shows one way that can be done. In the Nields' case, they've drawn upon their lives growing up listening to and singing these songs, yes, all together in the kitchen. The album is a collection of primarily folk tunes that the Nields learned singing with their father John Nields along with their mother. John has a clear voice with a bit of a warm warble; it reminds me of Dan Zanes compatriot David Jones. His voice makes a nice contrast with the more distinct voice of the Nields sisters. When they sing together, such as on their soulful rendition of "Oh, Mary, Don't You Weep," it's a sweet, joyful noise. An even more joyful noise comes when the Nields sing with a local group of kids on three of the tracks -- the way the kids shout back "YES MA'AM!" in the call-and-response of "John, the Rabbit" makes me smile every time I hear it.
To some extent, I couldn't listen to the album without thinking of other versions of particular songs that I liked slightly better -- say, Dan Zanes' and Father Goose's version of "Hi Ho the Rattlin' Bog." And there are times when the personal nature of the album -- three generations singing "All Together Singing in the Kitchen" is more inspiring perhaps than truly compelling upon repeated listenings. But that's as much me bringing my own personal singing experiences to the table -- there's no reason why someone who wasn't as familiar with some of the tracks here wouldn't latch on to these versions. And the Nields do give back a modern folk classic of their own -- "Anna Kick a Hole in the Sky" is a great song about resilience and life.
In true Dan Zanes age-desegregated style, the album is appropriate for all ages, but let's say you've got to be at least 2 to get a lot out of it. The 43-minute album, which has been available regionally since last year, but is getting a national release next week, is available here or here. No samples available yet, but Bill and Ella had them on last week.
Like many hootenannies, All Together Singing in the Kitchen was probably most fun for the people making the record. It is a credit, however, to the Nields family that they've put together an album that is not only inspiring but also lots of fun to listen to. Definitely recommended.
*****
Note: I'm cooking up something related (in part) to this CD which I hope is ready for prime-time by next week. Stay tuned...
Review in Brief: My Precious One - Miss Amy
OK, to begin with, no, that's not the best album cover I've ever seen ("What exactly is she looking at?," you might be thinking). But parenting is about not judging things by their cover and expecting everything to be perfectly designed, because if you do, you'll be disappointed and miss out on some cool stuff.
So My Precious One, the third album from New Jersey-based Miss Amy does have some cool stuff. Unlike her first two CDs, which took a fairly uptempo approach, this CD, released last year, is a collection of quiet songs and lullabies. It's also my favorite of her three CDs. As lullaby albums go, it deftly sidesteps the traditional list of lullabies, only including "Twinkle Twinkle Little Star" and "The Water Is Wide" as familiar melodies here. While some songs don't work so well (the whistling on the cowboy-inspired "Get Along" being a prime example), there are some sweet arrangements here, particularly the wordless vocals on "Soft As the Snow" and "Goodnight Sweetheart." I also like the sly humor of recording a lullaby called "Are You Ready To Rock?"
These are for the most part actual lullabies, so I'll peg the age range here at ages 0 through 5. You can samples from the album (which also raises funds for the March of Dimes) at its CD Baby page or hear her rendition of "The Water Is Wide" at her Myspace page.
There's no reinventing the wheel here, Miss Amy's My Precious One is simply an album of lullabies that melds tasteful arrangements with a nice voice and sweet melodies. As lullaby albums go, this is a pretty good one.
Review in Brief: The Broken Record - Twink
Take a toy instrument-obsessed guy, mix in some classic kiddie records, and through in a whole both of sampling technology, and what do you get?
Twink.
The brainchild of Mike Langlie, Twink is his project for mixing together samples from kiddie records a good half-century old with modern samples and drum loop. Langlie's third Twink album, The Broken Record (2005), showcases the results.
Sadly, this is one of those ideas that doesn't sound quite as cool as it sounds, if you know what I mean. In other words, I had high hopes that the recontextualized sounds would result in something eminently listenable, sort of a Odelay for the kids. And, you know, sometimes it works out exactly like that. "Pussy Cat" is a nifty tune, mixing a whole bunch of kitty-related lyrics with a Tin Pan melody on top of a bunch of drum beats. I also liked "Hip Hopera," which as you might expect from the title sets "March of the Toreadors" to a hip-hop beat.
But more often than not, the funky mixtures don't hold up so well as songs in repeated listenings. So many different snippets are crammed in that the songs themselves don't hold together well. The spoken-word tracks are not particularly compelling. The tracks are interesting, perhaps, intellectually, and it might be fun to play "spot the snippet" with your kids, but as a listening experience, it's a definited mixed bag.
The album is definitely an all-ages affair, but I think younger kids, ages 2 through 6, might enjoy it more so than others. You can hear samples from all of Twink's albums at Langlie's Music page.
Langlie's putting together a full band for his upcoming album, so I've got higher hopes for that album. I think it might have some of the consistency between tracks that this album doesn't really have. While The Broken Record shows a very creative mind at work, it doesn't necessarily compel the listener's ongoing attention in the long run.
Review: Freedom In A Box - The Deedle Deedle Dees
I don't know if the New York-based band The Deedle Deedle Dees are the most erudite kids' musicians currently recording, but they certainly wear their erudition on their sleeves more proudly than anyone else. One listen to their 2nd album, the recently-released Freedom In A Box (2007), will make that abundantly clear. Here is a random sample of topics covered and phrases used on the album: sampan ("Is that a boat? It's a Chinese boat!"), aphids, the Niebelungenlied, Teddy Roosevelt's charge up San Juan Hill, and the short arms of a tyrannosaurus rex.
And that's just scratching the surface.
Led by Lloyd Miller and some fellow NYC-area music teachers, the Deedle Deedle Dees are, as you might suspect from the short list above, a little obsessed with history, and it's the history tracks that initially grab your attention, telling the story of Nellie Bly's trip around the world ("Nellie Bly") and of Teddy Roosevelt's transformation ("Teddy Days"). And if you're not familiar with the band, I know what you're thinking -- that sounds really dry. But you'd be wrong, because what makes these songs different from most kids' history songs is the rollicking and earthy musical approach. The could-be-a-hundred-years-old "Nellie Bly" starts out with a "doodley-doo-wah" singalong that instantly lodges in your head while "Henry Box Brown" tells the compelling story of Brown, who mailed himself to freedom in a box, with "This Side Up!" printed on the side (the "This Side Up!" being another great singalong). "Henry Box Brown" is probably the best of the history songs here. Some listeners may find the lyrics overly precious at points, and the other songs succeed to varying degrees depending on how much they're telling stories (I think the country-rock "Aaron Burr," which retells the story of the Burr-Hamilton duel, is pretty awesome, but "Teddy Days" just tries to cram too much in, lyrically). Some listeners may find the lyrics overly precious at points,
Now, the band isn't just obsessed with history, and only about half of the 13 tracks on the 39-minute album are history songs. There are nature songs, for example, including the midtempo folk-poppy "Vegetarian Tyrannosaurus Rex" and "Obedience School," which is just about the most punk kids' song you'll hear all year. There are simpler music/movement songs, too (the very simple "Play Your Hand" or "Drum!"). While the band may mix all the songs together in concert, on the album it doesn't blend perfectly -- it just seems to lurch back and forth. Your thoughts may vary, but I'd've probably ordered the tracks differently.
Musically, however, it's all good, with the band taking a mostly Americana/rock approach, throwing in a few curves along the way (the Beck stylings on "Baldy," for example). The band sounds great together and along with their guests the album has an appealing raggedness. (Except on the completely awesome "Major Deegan," a beautiful, slow paean to New York City's traffic -- that fever dream of a song is not like the rest of the CD, but it's a perfect final song.)
Given the range of topics here, the album is appropriate for kids ages 2 through 12 (parts of some of the history songs will go over the heads of the youngest listeners, but are boogieable enough and with musical hooks enough for those youngsters to enjoy). You can listen to four full tracks at the band's Myspace page or samples of all the tracks at the album's CDBaby page. When you order the CD, you'll also get a coloring book with lyrics. That book, along with the information found at the band's Blogspot page for the album, serve as a great resource not only for teachers using the CDs, but interested families, too.
So here's the deal: if you teach American history in the K-12 system, you need this album. If you're interested in history, you need this album. But if history isn't quite your thing, you still probably need this album, too. Even the songs that don't work out are energetic and fun. It's one of the most ambitious and diverse -- not to mention fun -- kids' CDs of the year. Definitely recommended.
Review: The SqueeGees - The SqueeGees
The advantage to the reviewer of an 18-minute CD, such as the 2006 self-titled debut from Southern California-based duo The SqueeGees, is that you can listen to the album a lot before putting fingers to keyboard to write a review.
The result of those repeated plays, however, is that some of the odd edges of this CD get rubbed away. Which is too bad, because it's those odd edges that help the CD stand out. Take "Ivan the Terrible," for example, which leads off with the lyrics "His beard is long, his eyes are wild / He terrorizes the town." It encourages the listener to growl. But after hearing it eight, ten times, it no longer seems so outlandish (even for a song in which we find out Ivan is not quite so terrible). Too bad, really. In fact, it's the conventional lyrics here that are sort of dry -- it's when co-singer/songwriters Samantha Tobey and Roman Bluem don't worry about the "point" of the song that the songs are at their most vibrant (the listing of fruits in "Apples, Oranges, & Peaches," all the different sounds in "The Elements").
Musically, the duo pack a lot into what is pretty basic folk-rock. A lot of this has to do with the vocals -- Tobey has a clear and distinct voice that is very inviting, while Bluem has a dry vocal sensibility. (That sensibility fits perfectly with "The Ol' WWW" -- "Saw a picture of a jet on the internet / The ol' WWW / Bid on a Chia pet on the internet / The ol' WWW" -- which will probably go way over the head of the target audience but will amuse their parents.) But they also craft some nice melodies --- "Nala the Chihuahua" is particularly ear-wormy.
Despite the claim on the CD cover that the CD is for "ages 0 - adult," I think kids ages 2 through 6 are most likely to enjoy it. You can download a couple tracks and listen to samples of others here, and there's always their Myspace page or CD Baby album page.
The SqueeGees is an album which takes a slightly skewed approach to fairly typical children's music material. The album is sadly too brief, but it does make me curious as to what they will come up with next. I hope it's even odder than this CD.