A Tasty Review: Four Kids Music Albums for Locavores

Delicious album coverYou don't need to have been locked up in a fast-food restaurant's storage closet for the past few years to know that eating food produced locally has become a Big Thing. Playing around in the dirt and growing fruits and vegetables with bright colors? No wonder that last year's Maria Sangiolo and Friends' album Planting Seeds was just the tip of the iceberg (not the lettuce) when it comes to the mico-genre of "Farmers Market Kindie." I'm not a huge fan of "lesson" music, but it's possible to strike a good balance between entertainment and education. Here are four recommended kids music albums whose musical benefits are as good as the lessons inside. (Note: several food metaphors follow. Tread cautiously.)

The first (and most diverse sonically) album is from Bay Area trio Orange Sherbet, who will release their first album in five years, Delicious, on May 15. The collection of mostly original tunes was inspired by band member Tamsen Fynn's experiences with the Local Foods Wheel, a tool for discovering local, seasonal food in the San Francisco Bay Area. The result of the album Fynn's made with bandmates Jill and Steve Pierce is a sound that's part playground chant, part lounge-jazz, and and a few other genres thrown in, too. (Yes, that is a Santana reference in the Latin guitar rock of "Rice & Beans.) And while sometimes albums that feature lots of different musical genres sound awkward in totality, the result here is much, much closer to the successful, eclectic mix of a Dan Zanes or Dog on Fleas album.  The album's most appropriate for kids ages 5 through 9; you can listen to 3 of the tracks here. (Sound intriguing? Check out the band's final Kickstarter campaign.) With Delicious it's likely you'll want seconds.

Groovin' in the Garden album coverNext on the grocery list is Groovin' in the Garden, from New York musician and storyteller Laurie McIntosh, aka Story Laurie. It's focuses much more on playing in the garden. So there are a fair number of traditional or well-known songs ("Shoofly Pie", "Five Little Monkeys", "Hokey Pokey") mixed into the originals from McIntosh. Her partner in crime for the album is New York state producer and musician Dean Jones from the aforementioned Dog on Fleas, who plays nineteen instruments, sings, and probably catered the recording sessions for all I know. It's a little more narrowly folk-focused than Delicious (and geared toward kids slightly younger, 3 through 7), but still features variety in its menu selections.

Grow album coverAndrew Queen represents Canada in this quartet of food-based albums with his latest album Grow. While the fine liner notes feature recipes and some songs -- "Macaroni and Cheese," the traditional "Fried Ham" -- fit very clearly into the food theme, others such as "The Witch's Brew" and "Worms" (no, it's not a paean to composting), seem to, er, strain the theme.  It shares the folk tradition with the other albums here, and musically, the use of instruments like fiddle, banjo, and a well-deployed tuba is reminiscent here.  (There's also a very communal sound to the vocals.)  Queen is more interested in telling stories in song than even Laurie, so if you're looking for something in that vein for kids ages 5 through 9 (and don't need a whole album of songs praising CSAs), this will fit the bill nicely.

Green & Growing album coverAnd for dessert, we have Shannon Wurst's Green & Growing. I've already praised the album packaging, but the songs inside are nice, too.  They are definitely on the preachier side of the food issue (with detours into energy-saving and recycling) -- so if you don't lessons mixed with your music, you're probably better off with the other albums (particularly the first two).  The object lessons aren't always dry, though -- the brief "Label Able Mable" is a tongue-twisting finger-picking ode while "Criss Cross Applesauce" is a soulful activity song.  (Plus, you have a dinosaur on "Recyclasaurus Rex Visit").  The album's best for kids ages 4 through 8, and you can listen to a few tracks here.  For a country-folk take on ecologically sound eating and living, Green & Growing will hit the sweet spot.

Itty-Bitty Review: Hot Dog! - Caspar Babypants

Hot Dog! album coverThere is no stopping Caspar Babypants.  He released my favorite kids album of 2011, Sing Along! (review), in August 2011, and his next album is due out in September 2012.

An album out once a year would reflect a pretty creative clip as it is, but that's too slow for Mr. Babypants -- AKA Chris Ballew -- as next week his new album Hot Dog! is released.  How's a new album every 6 months or so work for you?

It works for Ballew.  There's no sign that he's cranking out subpar music, trading on his good name for a quick buck or two -- just the opposite, in fact.  He's tapped into some super-creative vein, a modern-day folksinger amplified with a home studio with a whole host of instruments and mixing programs.  With Laurie Berkner taking multiple years between album releases, Ballew has taken over the mantle of Preschool-Songwriter-In-Chief.

Ballew's equally adept at reconfiguring traditional folksongs ("This Old Whale," a take on "This Old Man") and writing new ones ("All That I Have Got").  He'll mix in the occasional story song ("Eleanor the Elegant Elephant") and pure kid-friendly pop (the funky "Stompy the Bear" and the light-as-a-feather "I Don't Mind").  And while Ballew is responsible for most of the music here and offers a clean, minimal sound, he puts the occasional guest artist (Visqueen's Rachel Flotard, for example, on "More Moles") to good use.

The 49-minute album will be most appreciated by kids ages 1-6, but as with most Caspar Babypants albums, you'll probably listen unabashedly even if they're not around.  With Hot Dog!, Chris Ballew continues his streak of fabulous songwriting for kids.  I, for one, am glad I'll only need to wait another five months or so to hear more Caspar Babypants music.  Highly recommended.

Review Two-Fer: Putumayo's Instrumental Dreamland / Brazilian Playground

Instrumental Dreamland album coverYear in, year out, the Putumayo Kids offshoot of the main Putumayo label consistently releases a handful of well-curated albums of music from around the world and closer to home (if home happens to be North America).

From a reviewer's perspective, they almost do this too well -- if the quality varied more, it would be easier for us to note the outstanding ones, and ignore the misfires.  As it stands, they're inevitably all good, but it's hard for one to stand out and demand special attention.

I was reminded of this as I listened to the two most recent releases from the label.  There is nothing bad with Instrumental Dreamland, the latest in Putumayo Kids' "Dreamland" series.  You could give it to a parent at their wits' end in trying to comfort a wailing infant, and they would probably be grateful.  It's soothing, devoid of over-emoting vocalists, and peaceful -- a solid album of lullabies.  It is also somewhat superfluous amidst the sea of other lullabye albums available.  Because almost every song features a guitar (or at least some other guitar-like plucked instrument), there's a sameness to the songs that is frankly unusual for a Putumayo disk, which generally features more instrumental and stylistic diversity, even in its Dreamland series.  I even felt it was too Western-ized -- do we really need yet another cover of "What a Wonderful World?"  Kids of all ages (and their parents) will appreciate Instrumental Dreamland either at night or anytime a half-hour of quiet time is needed, but there's far less "need" for this album than most of Putumayo's disks.

Brazilian Playground album coverBrazilian Playground, on the other hand, is closer to a "typical" Putumayo Kids disk (if such a thing can be said to exist).  It features eleven songs from the Brazil's large and diverse musical heritage.  The album opener, "Alo... Alo," deftly mixes the traditional sound of the bossa nova with electronic beats, while the follow-up, Gui Tavares' "Pancada" has a mellow pop sound.  And Chico Cesar's "Mama Africa" sounds like it draws as much from reggae as anything from Brazil.  (My favorite track: Adriana Macel's bright, sun-dappled "Samba Dos Animais")

This is not an entirely new disk -- Putumayo released this originally in 2007.  For this re-release, Putumayo cut 5 tracks, added 3 new ones (Cesar's track, a jazzy "O Rio Tem Cachoiera" and a slow track at the end called "Anhanga), and re-ordered and remastered the rest. The three tracks are fine, but owners of the 2007 disk shouldn't feel the need to upgrade.  Kids ages 3 through 7 will be the ones most likely to dance along and enjoy Putumayo's typically solid work on the liner notes.  Brazilian Playground is Putumayo doing well at what it does well -- bringing a mostly unfamiliar sound to English-speaking America and presenting it in a sparkling light.  Recommended.

Itty-Bitty Review: Kings & Queens of the Forest - Kira Willey

I really liked Kira Willey's first album of music for kids, Dance for the Sun.  It was one of those rare albums written with a specific purpose in mind -- in this case, yoga music for kids -- that not only served that purpose but also could be listened to outside of that context.  (It's an album that still gets played occasionally in our house.)

So of course I was eager to hear Willey's long-awaited follow-up, Kings & Queens of the Forest.  I'm happy to report that Willey retains her touch at crafting poppy kids music which which could please folks who don't know their downward dogs from hot dogs. There's an obvious bias toward songs that encourage movement -- the leadoff track "Roller Coaster" talks about going up, down, and to the side, for example -- but lyrics are sometimes subtle enough that the yoga origins aren't obvious.  "Let the Sun Shine In," for example, features Willey's brother Tom Shileds Jr. doing his bass vocal thing again in a jazzy song that could be about the sun salutation but is pretty much just a happy song.  And "The Mixing Bowl" happens to accompany a two-person yoga move, but is lovely no matter the time or place.

The songs here are most appropriate for kids ages 4 through 8.  You can listen to a handful of tracks from the new album at Willey's Soundcloud page.  As with its predecessor, the hour-plus album also features Willey leading the yoga poses for each song.

Kings & Queens of the Forest is a pleasant collection of pop songs for kids with jazz, surfer, country, and acoustic undertones.  Fans of Dance for the Sun will like this new one, and I would have difficulty picking a favorite between the two.  Kings & Queens would stand up fine on its own, but for families (and teachers) looking for an album to encouragement (yoga or otherwise), this will definitely fit the bill. Recommended.

[Disclosure: I was given a copy of the album for possible review.]